This is a partial discography of Giuseppe Verdi's opera, Aida . It was first performed at the Khedivial Opera House in Cairo on December 24, 1871.
Aida is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world. At New York's Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
The following discography contains information regarding some of the published recordings by Enrico Caruso made from 1902 through 1920 as have been made available in selected compact disc compilations.
Giuseppe Patanè was an Italian opera conductor.
Maria Antonietta Stella was an Italian operatic soprano, and one of the most prominent Italian spinto sopranos of the 1950s and 1960s. She made her debut in Spoleto in 1950, as Leonora in Verdi's Il trovatore, a year later at Rome Opera, as Leonora in La forza del destino, in 1954 at La Scala in Milan, as Desdemona in Otello, in 1955 at the Royal Opera House in London as Aida, and in 1956 at the Metropolitan Opera in New York City, in the same role.
Jérusalem is a grand opera in four acts by Giuseppe Verdi. The libretto was to be an adaptation and partial translation of the composer's original 1843 Italian opera, I Lombardi alla prima crociata. It was the one opera which he regarded as the most suitable for being translated into French and, taking Eugène Scribe's advice, Verdi agreed that a French libretto was to be prepared by Alphonse Royer and Gustave Vaëz, who had written the libretto for Donizetti's most successful French opera, La favorite. The opera received its premiere performance at the Salle Le Peletier in Paris on 26 November 1847. The maiden production was designed by Paul Lormier (costumes), Charles Séchan, Jules Diéterle and Édouard Desplechin, and Charles-Antoine Cambon and Joseph Thierry.
Karl Gustaf Ingvar Wixell was a Swedish baritone who had an active international career in operas and concerts from 1955 to 2003. He mostly sang roles from the Italian repertory, and, according to The New York Times, "was best known for his steady-toned, riveting portrayals of the major baritone roles of Giuseppe Verdi — among them Rigoletto, Simon Boccanegra, Amonasro in Aida, and Germont in La traviata".
Carlo Colombara is an Italian operatic bass. He has sung leading roles in major opera houses including La Scala in Milan, the Vienna State Opera; the Real Teatro di San Carlo in Naples, the Arena di Verona, the Royal Opera House in London, and the Metropolitan Opera in New York City.
The following is a partial discography of the many audio and video recordings of Giuseppe Verdi's opera, La traviata. Based on the 1848 novel La dame aux Camélias by Alexandre Dumas, fils, La traviata has been a staple of the operatic repertoire since its premiere on 6 March 1853 at the Teatro La Fenice in Venice.
This is a partial discography of Giuseppe Verdi's opera Il trovatore and Le trouvère. At least 83 recordings exist of the opera as a whole, made between 1912 and 2011, although not all of them are absolutely complete. Of these, 45 are live audio recordings, 22 are studio audio recordings, and 16 are videos or movies. Il trovatore was first performed at the Teatro Apollo, Rome on 19 January 1853. Le trouvère was first presented on 12 January 1857.
This is a list of recordings of Rigoletto, an 1851 opera by Giuseppe Verdi with an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on 11 March 1851.
This is a list of recordings of Don Carlos, an opera by Giuseppe Verdi, known as Don Carlo in its Italian-language versions. Don Carlos premiered as a five-act French grand opera at the Théâtre Impérial de l'Opéra in Paris on 11 March 1867. In 1883, Verdi created a revised 4-act (Milan) version, which has generally been performed and recorded in Italian. In 1886, Ricordi published a 5-act (Modena) version without the ballet with the first act added to the 4-act 1883 revision. The 1886 Modena version has been recorded in French and in Italian. Since 1973, some performances in Italian and in French have restored music cut before the Paris premiere, especially the introduction to Act 1.
This is a list of recordings of Macbeth, an opera by Giuseppe Verdi. The first performance of the work was on 14 March 1847 at the Teatro della Pergola in Florence. Verdi subsequently revised the work and the first performance of this version was on 21 April 1865 at the Théâtre Lyrique in Paris.
Michail Svetlev is an internationally acclaimed opera tenor born 6 March 1943 in Sofia, Bulgaria. He is known for his interpretations of leading tenor roles in French, Italian, German and Russian operas, and an extensive repertoire of Neapolitan and Italian songs.
This is a discography of Giuseppe Verdi's last opera, Falstaff. It was first performed at La Scala, Milan, on 9 February 1893.
This is a discography of Giuseppe Verdi's penultimate opera, Otello. It was first performed at La Scala, Milan, on 5 February 1887.
This is a discography of Giuseppe Verdi's opera, Un ballo in maschera. It was first performed at the Teatro Apollo in Rome on 17 February 1859.
This is a partial discography of Giuseppe Verdi's opera, La forza del destino.
George Andguladze is a Georgian operatic bass.
Marina de Gabaráin was a Spanish mezzo-soprano. Her international career began at Glyndebourne in 1952, where she appeared in Rossini's La Cenerentola as Angelina (Cinderella), which became her signature role.
Bianca Scacciati was an Italian operatic dramatic soprano, noted for her prominence in verismo.
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