NBC Symphony Orchestra

Last updated
NBC Symphony Orchestra
Founded1937;87 years ago (1937)
Disbanded1954 (1954) (original)
1963 (1963) (renamed)
Later nameSymphony of the Air
Location NBC Studio 8H and Carnegie Hall, New York City
Principal conductor Arturo Toscanini
Toscanini in the Hymn of the Nations OWI film of December, 1943 Hymn of the Nations 1944 OWI film (03 Arturo Toscanini conducting Verdi's La Forza del Destino 03).jpg
Toscanini in the Hymn of the Nations OWI film of December, 1943

The NBC Symphony Orchestra was a radio orchestra conceived by David Sarnoff, the president of the Radio Corporation of America, the parent corporation of the National Broadcasting Company especially for the conductor Arturo Toscanini. The NBC Symphony Orchestra performed weekly radio broadcast concerts with Toscanini and other conductors and several of its players served in the house orchestra for the NBC Radio Network. NBC encouraged the public’s perception of the Orchestra as a full-time organization exclusively at Toscanini’s beck and call, but Fortune disclosed in 1938 that these instrumentalists played other radio—and, later, television—broadcasts: “the Toscanini concerts have been allocated only fifteen of the thirty hours a week each man works, including rehearsals.” [1]

Contents

The orchestra's first broadcast was on November 13, 1937, and it continued until disbanded in April, 1954. A new ensemble, independent of the network, called the Symphony of the Air, followed. It was made up of former members of the NBC Symphony Orchestra and performed from 1954 to 1963, particularly under Leopold Stokowski.

History

Tom Lewis, in the Organization of American Historians Magazine of History, described NBC's plan for cultural programming and the origin of the NBC Symphony:

David Sarnoff, who had first proposed the "radio music box" in 1916 so that listeners might enjoy "concerts, lectures, music, recitals", felt that the medium was failing to do this. By 1937, RCA had recovered enough from the effects of the Depression for it to make a dramatic commitment to cultural programming. Sarnoff proposed to create a radio orchestra and hire Arturo Toscanini to conduct it. Toscanini had recently resigned from the New York Philharmonic at age 69 and was considering retirement; Sarnoff sent Samuel Chotzinoff as an emissary to Italy and he managed to convince the wary Toscanini to accept Sarnoff's offer. On Christmas night, 1937, the NBC Symphony Orchestra gave its first performance with Toscanini in an entirely refurbished studio at NBC located in the RCA Building. "The National Broadcasting Company is an American business organization. It has employees and stockholders. It serves their interests best when it serves the public best." That Christmas night, and whenever the NBC orchestra played over the next 17 years, he was right. [2]
Arturo Toscanini conducting Verdi's La forza del destino overture Hymn of the Nations 1944 OWI film (10 Arturo Toscanini conducting Verdi's La Forza del Destino 10).jpg
Arturo Toscanini conducting Verdi's La forza del destino overture

Sarnoff devoted considerable effort and resources to create an orchestra of the first rank for Toscanini and NBC. Artur Rodziński, an orchestra builder and musical task master in his own right, was engaged to mold and train the new orchestra in anticipation of the arrival of Toscanini. It offered the highest salaries of any orchestra at the time and a 52-week contract. [3] Prominent musicians from major orchestras around the country were recruited and the conductor Pierre Monteux was hired as well to work with the orchestra in its formative months. A new large broadcast studio was built for the orchestra at NBC's Radio City Studios in Rockefeller Center, New York, Studio 8-H. In addition to creating prestige for the network, there has been speculation that one of the reasons NBC created the orchestra was to deflect a congressional inquiry into broadcasting standards. [4] [ better source needed ]

Toscanini and the NBC Symphony Orchestra playing Verdi's Hymn of the Nations in 1943 Hymn of the Nations 1944 OWI film (25 NBC Symphony Orchestra playing Verdi's Inno delle nazioni).jpg
Toscanini and the NBC Symphony Orchestra playing Verdi's Hymn of the Nations in 1943

The orchestra's first broadcast concert aired on November 13, 1937, under the direction of Monteux. Toscanini conducted ten concerts that first season, making his NBC debut on December 25, 1937. In addition to weekly broadcasts on the NBC Red and Blue networks, the NBC Symphony Orchestra made many recordings for RCA Victor. Televised concerts began in March 1948 and continued until March 1952. During the summer of 1950, NBC converted Studio 8-H into a television studio (the broadcast home of NBC's late-night comedy program Saturday Night Live since 1975) and moved the broadcast concerts to Carnegie Hall, where many of the orchestra's recording sessions and special concerts had already taken place. [5]

For the new ensemble, many NBC staff musicians were auditioned by Rodzinski and Chotzinoff, along with about 700 members of other orchestras or chamber-music groups; 31 NBC players were retained in the new orchestra. The American Federation of Musicians union minimum for such staff work at NBC was $105 weekly, but many instrumentalists were paid considerably more. Fortune magazine disclosed that the NBC's extra cost for all the above-scale musicians, plus Toscanini’s salary—as compared with a typical staff conductor’s—amounted to about $250K more than an orchestra of union-scale players under typical staff conductors. [6]

Leopold Stokowski served as principal conductor from 1941 to 1944 on a three-year contract following a dispute between Toscanini and NBC. During this time Toscanini continued to lead the orchestra in a series of public benefit concerts for war relief. He returned as Stokowski's co-conductor for the 1942–43 and 1943–44 seasons, resuming full control thereafter. Upon Toscanini's retirement in the spring of 1954, NBC officially disbanded the orchestra, much to Toscanini's distress, though it continued for several years independent of NBC, as the Symphony of the Air. Toscanini's final broadcast concert with the orchestra took place at Carnegie Hall on April 4, 1954, and he conducted the orchestra for the last time during RCA Victor recording sessions held June 3 and 5, 1954.

Musicians

Some notable musicians who were members of the orchestra include violinists Samuel Antek, Leonid Bolotine, Henry Clifton, Felix Galimir, Josef Gingold, Daniel Guilet (concertmaster 1952–54), Harry Lookofsky, Mischa Mischakoff (concertmaster 1937–1952), Albert Pratz, David Sarser, Oscar Shumsky, Benjamin Steinberg, Herman Spielberg, Boris Koutzen and Andor Toth; violists Carlton Cooley, Milton Katims, William Primrose, and Tibor Serly; cellists Frank Miller, Leonard Rose, Harvey Shapiro, Alan Shulman, George Koutzen and David Soyer; double bassists Homer Mensch and Oscar G. Zimmerman; flutists Carmine Coppola, D. Antoinette Handy, Arthur Lora and Paul Renzi; clarinetists Augustin Duques, Al Gallodoro, David Weber and Alexander Williams; trombonist Norberto (Robert) Paolucci; saxophonist Frankie Trumbauer; oboists Robert Bloom, Paolo Renzi and Chauncey Vernon Kelley, Jr.; bassoonists Elias Carmen, Benjamin Kohon, William Polisi, Leonard Sharrow and Arthur Weisberg; French horn players Arthur Berv, Harry Berv, Jack Berv and Albert Stagliano; Harry Glantz, Bernard Baker, and Raymond Crisara trumpets and tuba player William Bell, among others. [7]

Not all of the NBC Symphony performers were under full-time contracts to NBC. In the early 1950s, for example, only about 55 of these musicians were salaried; the rest were hired under per-service contracts (in line with Local 802 American Federation of Musicians wage scales) to bring the orchestra's performing and recording strength up to the 85 to 100 seen in period photographs and video footage. Even for the salaried members, NBC Symphony duties constituted barely half of their work obligations for NBC; these musicians played in orchestras for other NBC radio and television programs, with many of the wind players also serving with the Cities Service "Band of America" conducted by Paul Lavalle. [8]

Sponsorship

In the first several seasons the NBC Symphony broadcasts were "sustaining" programs, meaning that they were paid for and presented by NBC itself. In later years the broadcasts were commercially sponsored, primarily by General Motors. Under GM's sponsorship the NBC Symphony broadcasts went out under the title of General Motors Symphony of the Air, not to be confused with the later orchestra of the same name. Other sponsors included the House of Squibb, the Reynolds Metals Company, and the Socony Vacuum Oil Company (Mobil).

Recordings

RCA Victor began making studio recordings of Toscanini conducting the NBC Symphony Orchestra for commercial release early in 1938; Mozart's Symphony No. 40, Haydn's Symphony No. 88, Rossini's William Tell Overture and the second and third movements from Beethoven's String Quartet, Op. 135, were among the first works to be recorded. The orchestra recorded initially in Studio 8-H, but RCA Victor producer Charles O'Connell soon decided to hold most of the studio recording sessions in Carnegie Hall. However, many live broadcast performances originating in Studio 8H were also released on records, and subsequently on CD. The dry acoustics of Studio 8-H, designed for broadcasting, were found to be less than ideal for recording. Acoustical modifications began in 1939 were thought to have greatly improved the sound of Studio 8H; although most NBC Symphony recording sessions were shifted to Carnegie Hall in 1940, the orchestra recorded in 8-H sporadically as late as June 1950, after which the studio was converted for television broadcasting. From the autumn of 1950 until June 1954, all NBC Symphony radio broadcasts and RCA Victor recording sessions took place in Carnegie Hall.

RCA Victor released the orchestra's recordings on its flagship Red Seal label on the then-standard 78-rpm record format. In 1950, a 1945 recording of Ferde Grofé's Grand Canyon Suite became the NBC Symphony's first LP release (LM-1004). A mainstay of RCA Victor's Red Seal catalog through the 1950s, most of the Toscanini/NBC Symphony recordings were reissued on the lower-priced RCA Victrola label to celebrate Toscanini's centenary in 1967. In the 1980s, RCA began digitally remastering recordings of the orchestra for release on compact disc. A complete reissue of all Toscanini's RCA Victor recordings was released on CD and cassette between 1990 and 1992 and again in 2012. Later advances in digital technology has led RCA (now owned by Sony Music) to claim further enhancement of the sound of the magnetic tapes for later reissues, changing original equalization balances and adding acoustical enhancement, but critics are divided in their judgment. RCA Victor has only reissued recordings that were personally approved by Toscanini, including some broadcast performances such as the seven complete operas he conducted at NBC between 1944 and 1954; however, several other labels have released discs taken from off-the-air recordings of NBC broadcast concerts. Toscanini's final two broadcast programs, in the spring of 1954, were experimentally recorded in stereo, but he did not approve their release; many years passed before they were finally issued unofficially by labels other than RCA Victor. Recorded in rather primitive and "minimalist" two-channel sound, the stereo antiphonal effect is striking (if crude); but the complete performance from March 21, 1954, of the Tchaikovsky Symphony No. 6 ("Pathetique") is not entirely stereo as the master 2-track tape of the entire 'Allegro molto vivace' third movement had apparently been lost; an artificial stereo synthesis is substituted. [ citation needed ] The missing portion of the stereo recording of the third movement was later found.

The complete series of ten NBC Symphony telecasts has been issued on VHS and LaserDisc by RCA in 1990 and on DVD by Testament in 2006. While the videos derive from kinescopes, the sound tracks were carefully synchronized from the highest fidelity transcriptions and tapes that exist.

One of the NBC Symphony Orchestra's most ambitious projects was the recording of the 13-hour musical score for NBC Television's 1952–53 series Victory at Sea . Robert Russell Bennett conducted the orchestra in his arrangements of Richard Rodgers' musical themes for the 26 documentary programs (recorded in Rockefeller Center's Center Theatre). The series is currently available on DVD. The first RCA Victor LP of excerpts was recorded by Bennett and the NBC SO musicians in July 1953. Bennett would later lead stereo recordings of volume 2 in 1957, a re-make of volume 1 in 1959, and a concluding volume 3 in 1961, conducting the RCA Victor Symphony Orchestra (members of the Symphony of the Air). RCA has reissued all of these recordings on CD.

In 1954, shortly after the orchestra's final concerts with Toscanini, Stokowski made stereo recordings for RCA Victor of excerpts from Prokofiev's ballet Romeo and Juliet and Gian Carlo Menotti's ballet Sebastian. The recordings were originally issued (monophonically) as "Leopold Stokowski and his orchestra", but reissued as "members of the NBC Symphony Orchestra". On April 6, 1954, just two days after Toscanini's final concert with the orchestra, Guido Cantelli made a recording in Carnegie Hall of César Franck's Symphony in D minor. Though the performance was recorded in stereo, RCA Victor initially issued the recording in mono. The label finally issued the stereo version in 1978.

Symphony of the Air

After the NBC Symphony Orchestra disbanded, some members went on to play with other orchestras, such as Frank Miller (principal cello) and Leonard Sharrow (principal bassoon) with the Chicago Symphony Orchestra. However, many former NBC Symphony members, in an attempt to stay together and preserve the orchestra, regrouped as a new ensemble called the "Symphony of the Air". They made their first recording on September 21, 1954, and gave their first public concert at the United Nations 9th Anniversary Celebration on October 24. [9] On November 14, they appeared on the acclaimed Omnibus TV program in which Leonard Bernstein, making his first television appearance, discussed Beethoven's Fifth Symphony, and Bernstein led the Symphony of the Air during its first season. With an Asian tour under the auspices of the State Department and an attendance of 60,000 at concerts in the Catskills that summer, the first season was a huge success.[ citation needed ]

In 1957, Symphony of the Air concerts or recordings used 80% or more veteran NBC Symphony musicians. Some 70 of the 75 players having steady "binder contracts" were former NBC players; when more were needed for an engagement, it was reported "the SOA tries whenever possible to obtain ex-NBC musicians on a free-lance basis." [10]

In 1960, the CBS Television network also featured the Symphony of the Air in its televised prime-time special Spring Festival of Music under the direction of the conductor Alfredo Antonini. In collaboration with the concert pianist John Browning, producer Robert Herridge and director Roger Englander, the orchestra presented a virtuoso live presentation of Sergei Rachmaninoff's Second Piano Concerto. [11]

For nearly a decade, the Symphony of the Air performed many concerts led by Stokowski, the orchestra's music director from 1955. The orchestra recorded widely (on RCA Victor, Columbia, Vanguard and United Artists) under leading conductors, including Stokowski, Bernstein, Monteux, Fritz Reiner, Bruno Walter, Kirill Kondrashin, Sir Thomas Beecham, Alfred Wallenstein and Josef Krips. Only once more did they use their old name, the NBC Symphony Orchestra, in the 1963 telecast of Gian Carlo Menotti's written-for-television opera, Amahl and the Night Visitors , with an all-new cast. [12] The orchestra disbanded in 1963.

Related Research Articles

<span class="mw-page-title-main">New York Philharmonic</span> American symphony orchestra in New York City

The New York Philharmonic, officially the Philharmonic-Symphony Society of New York, Inc., globally known as New York Philharmonic Orchestra (NYPO) or New York Philharmonic-Symphony Orchestra, is a symphony orchestra based in New York City. It is one of the leading American orchestras popularly referred to as the "Big Five". The Philharmonic's home is David Geffen Hall, located in New York's Lincoln Center for the Performing Arts.

<span class="mw-page-title-main">Boston Symphony Orchestra</span> American symphony orchestra in Boston, MA

The Boston Symphony Orchestra (BSO) is an American orchestra based in Boston. It is the second-oldest of the five major American symphony orchestras commonly referred to as the "Big Five". Founded by Henry Lee Higginson in 1881, the BSO performs most of its concerts at Boston's Symphony Hall and in the summer performs at Tanglewood.

<span class="mw-page-title-main">San Francisco Symphony</span> American symphony orchestra in San Francisco, California, United States

The San Francisco Symphony (SFS), founded in 1911, is an American orchestra based in San Francisco, California. Since 1980 the orchestra has been resident at the Louise M. Davies Symphony Hall in the city's Hayes Valley neighborhood. The San Francisco Symphony Youth Orchestra and the San Francisco Symphony Chorus (1972) are part of the organization. Michael Tilson Thomas became the orchestra's music director in 1995, and concluded his tenure in 2020 when Esa-Pekka Salonen took over the position.

<span class="mw-page-title-main">Chicago Symphony Orchestra</span> Orchestra based in Chicago, Illinois

The Chicago Symphony Orchestra (CSO) is an American symphony orchestra based in Chicago, Illinois. Founded by Theodore Thomas in 1891, the ensemble has been based in the Symphony Center since 1904 and plays a summer season at the Ravinia Festival. The orchestra's most recent music director is Riccardo Muti, whose tenure spanned 13 seasons, from 2010 to 2023, and he continues to perform as director emeritus. The CSO is one of the American orchestras commonly referred to as the "Big Five".

<span class="mw-page-title-main">Arturo Toscanini</span> Italian conductor (1867–1957)

Arturo Toscanini was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career, he was appointed the first music director of the NBC Symphony Orchestra (1937–1954), and this led to his becoming a household name, especially in the United States, through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire.

<span class="mw-page-title-main">Philadelphia Orchestra</span> American symphony orchestra

The Philadelphia Orchestra is an American symphony orchestra, based in Philadelphia. One of the "Big Five" American orchestras, the orchestra is based at the Kimmel Center for the Performing Arts, where it performs its subscription concerts, numbering over 130 annually, at Verizon Hall.

<span class="mw-page-title-main">Pierre Monteux</span> French and American conductor (1875–1964)

Pierre Benjamin Monteux was a French conductor. After violin and viola studies, and a decade as an orchestral player and occasional conductor, he began to receive regular conducting engagements in 1907. He came to prominence when, for Sergei Diaghilev's Ballets Russes company between 1911 and 1914, he conducted the world premieres of Stravinsky's The Rite of Spring and other prominent works including Petrushka, The Nightingale, Ravel's Daphnis et Chloé, and Debussy's Jeux. Thereafter he directed orchestras around the world for more than half a century.

<span class="mw-page-title-main">Leopold Stokowski</span> British-born American conductor (1882–1977)

Leopold Anthony Stokowski was a British-born American conductor. One of the leading conductors of the early and mid-20th century, he is best known for his long association with the Philadelphia Orchestra. He was especially noted for his free-hand conducting style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from the orchestras he directed.

RCA Records is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America.

<span class="mw-page-title-main">Guido Cantelli</span> Italian conductor (1920–1956)

Guido Cantelli was an Italian orchestral conductor. Toscanini elected him his "spiritual heir" since the beginnings of his career. He was named Musical Director of La Scala, Milan in November 1956, but his promising career was cut short only one week later by his death at the age of 36 in the 1956 Paris DC-6 crash in France on route to the United States.

<span class="mw-page-title-main">Erich Leinsdorf</span> American conductor (1912–1993)

Erich Leinsdorf was an Austrian-born American conductor. He performed and recorded with leading orchestras and opera companies throughout the United States and Europe, earning a reputation for exacting standards as well as an acerbic personality. He also published books and essays on musical matters.

<span class="mw-page-title-main">Charles Munch (conductor)</span>

Charles Munch was an Alsatian French symphonic conductor and violinist. Noted for his mastery of the French orchestral repertoire, he was best known as music director of the Boston Symphony Orchestra.

<span class="mw-page-title-main">Eugene Ormandy</span> Hungarian-American conductor and violinist (1899–1985)

Eugene Ormandy was a Hungarian-born American conductor and violinist, best known for his association with the Philadelphia Orchestra, as its music director. His 44-year association with the orchestra is one of the longest enjoyed by any conductor with any American orchestra. Ormandy made numerous recordings with the orchestra, and as guest conductor with European orchestras, and achieved three gold records and two Grammy Awards. His reputation was as a skilled technician and expert orchestral builder.

<span class="mw-page-title-main">Fritz Reiner</span> American conductor (1888–1963)

Frederick Martin Reiner was an American conductor of opera and symphonic music in the twentieth century. Hungarian born and trained, he emigrated to the United States in 1922, where he rose to prominence as a conductor with several orchestras. He reached the pinnacle of his career while music director of the Chicago Symphony Orchestra in the 1950s and early 1960s.

<span class="mw-page-title-main">Jan Peerce</span> American opera singer (1904–1984)

Jan Peerce was an American operatic tenor. Peerce was an accomplished performer on the operatic and Broadway concert stages, in solo recitals, and as a recording artist. He is the father of film director Larry Peerce.

<span class="mw-page-title-main">Artur Rodziński</span> Dalmatian-born Polish-American conductor (1892–1958)

Artur Rodziński was a Polish-American conductor of orchestral music and opera. He began his career after World War I in Poland, where he was discovered by Leopold Stokowski, who invited him to be his assistant with the Philadelphia Orchestra. This engagement led to Rodziński becoming music director of the Los Angeles Philharmonic, Cleveland Orchestra, New York Philharmonic, and the Chicago Symphony Orchestra. He also prepared the NBC Symphony Orchestra for Arturo Toscanini before the Italian conductor's debut with them. A dispute in Chicago led to Rodziński's dismissal in 1948, whereupon he shifted his career to Europe, eventually settling in Italy, although continuing to maintain a home in Lake Placid, New York. In November 1958, beset by heart disease, he made his professional return to the United States for the first time in a decade, conducting acclaimed performances of Richard Wagner's Tristan und Isolde with the Lyric Opera of Chicago. Exhausted, he checked into Massachusetts General Hospital where he died 11 days later.

Charles Allan Gerhardt was an American conductor, record producer, and arranger.

Richard Mohr was one of RCA Victor’s most prominent producers of classical and operatic music recordings from 1943 through 1977. His producing credits included recording the casts of the world premieres of Samuel Barber's Vanessa and Gian Carlo Menotti's Amahl and the Night Visitors, as well as the first LP recordings of Ernani,Luisa Miller and Lucrezia Borgia and three versions each of Rigoletto,Aida,La Traviata and Il Trovatore.

John Pfeiffer was a classical recording producer, a design engineer, and an occasional electronic music composer.

<span class="mw-page-title-main">Arturo Toscanini discography</span>

Arturo Toscanini was an Italian conductor. He was one of the most acclaimed musicians of the late 19th and 20th century. Toscanini was a prolific recording artist, having conducted many recordings from 1920 until his retirement in 1954.

References

  1. Russell Davenport and Maria Davenport, “Toscanini on the Air,” Fortune, January 1938, 116.
  2. Lewis, Tom. "'A Godlike Presence': The Impact of Radio on the 1920s and 1930s", Organization of American Historians Magazine of History 6, Spring 1992.
  3. "NBC Symphony Orchestra | Discography | Discogs". Discogs .
  4. Lebrecht, Norman (2001). The Maestro Myth. Citadel Press. p. 73. ISBN   0-8065-2088-4.
  5. Harvey Sachs, ii Toscanini[ full citation needed ]
  6. Russell Davenport and Maria Davenport, “Toscanini on the Air,” Fortune, January 1938, 116.
  7. Frank, Mortimer H. (2003), Arturo Toscanini: the NBC years , Amadeus Press, p.  278, ISBN   978-1-57467-069-1
  8. Meyer, Donald Carl. The NBC Symphony Orchestra. Ph.D. dissertation, University of California-Davis, 1994.
  9. McLaughlin, Kathleen, "9th U.N. Birthday Widely Observed", 25 October 1954, The New York Times , 1"
  10. Gelatt, Roland. "Music Makers." High Fidelity, February 1957, 51.
  11. Brian G. Rose (1986). Television and the Performing Arts. New York: Greenwood Press. p. 104. ISBN   0-313-24159-7.
  12. Amahl and the Night Visitors (TV movie, 1963) at IMDb OOjs UI icon edit-ltr-progressive.svg