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Harvey Sachs (born June 8, 1946 in Cleveland, Ohio) is an American-Canadian-Swiss writer who has written books on musical subjects.
His books include biographies of and a book of essays on the Italian conductor Arturo Toscanini, plus an edited collection of Toscanini's letters. [1]
One of his most recent books, Ten Masterpieces of Music, deals with works in ten different genres by ten different composers: Mozart, Beethoven, Schubert, Schumann, Berlioz, Verdi, Brahms, Sibelius, Prokofiev, and Stravinsky; it provides descriptive analyses of the ten compositions plus commentary on and historical background to the life of each composer (Ten Masterpieces of Music, New York: Liveright, 2021). Sachs has also written books on musical virtuosi, a history of music in Italy during the fascist period, a biography of Arthur Rubinstein, and a book on Beethoven's Ninth Symphony that is part cultural history, part musical description, and part personal memoir:
He has written Schoenberg: Why He Matters, an interpretive biography, which was published by Liveright, New York, in 2023. It was reviewed by composer John Adams. [2]
Sachs also co-authored the memoirs of Plácido Domingo and Sir Georg Solti:
Sachs has written pieces for periodicals that include The New Yorker, The New York Times, the Wall Street Journal , the Times [London] Literary Supplement,Il Sole 24 Ore, and La Stampa; and record companies that include Deutsche Grammophon and RCA/Sony Classics.
Sachs is on the faculty of the Curtis Institute of Music in Philadelphia. From 2011 to 2013 he was the Leonard Bernstein Scholar-in-Residence of the New York Philharmonic. As a young man he worked as a conductor, mainly in Canada, where he lived in his twenties. He then lived in Europe for more than 30 years, mostly in Italy but also in England and Switzerland. From 2004 to 2006 he was Artistic Director of the Societa' del Quartetto di Milano, Italy's oldest extant concert society. He has been married twice and has two children - Julian Sachs (b. 1984), an administrator at New York University's Casa Italiana Zerilli-Marimo'; and Lyuba Sachs (b. 1998), a student at the Nuova Accademia di Belle Arti in Milan. His partner, pianist Eve Wolf, is the founder and executive artistic director of the New York-based Ensemble for the Romantic Century. Sachs has lived in New York City since 2006.
Falstaff is a comic opera in three acts by the Italian composer Giuseppe Verdi. The Italian-language libretto was adapted by Arrigo Boito from the play The Merry Wives of Windsor and scenes from Henry IV, Part 1 and Part 2, by William Shakespeare. The work premiered on 9 February 1893 at La Scala, Milan.
Arturo Toscanini was an Italian conductor. He was one of the most acclaimed and influential musicians of the late 19th and early 20th century, renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his eidetic memory. He was at various times the music director of La Scala in Milan and the New York Philharmonic. Later in his career, he was appointed the first music director of the NBC Symphony Orchestra (1937–1954), and this led to his becoming a household name, especially in the United States, through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire.
Sir Georg Solti was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt, and London, and as a long-serving music director of the Chicago Symphony Orchestra. Born in Budapest, he studied there with Béla Bartók, Leó Weiner, and Ernő Dohnányi. In the 1930s, he was a répétiteur at the Hungarian State Opera and worked at the Salzburg Festival for Arturo Toscanini. His career was interrupted by the rise of the Nazis' influence on Hungarian politics, and being of Jewish background, he fled the increasingly harsh Hungarian anti-Jewish laws in 1938. After conducting a season of Russian ballet in London at the Royal Opera House, he found refuge in Switzerland, where he remained during the Second World War. Prohibited from conducting there, he earned a living as a pianist.
Guido Cantelli was an Italian orchestral conductor. Toscanini elected him his "spiritual heir" since the beginnings of his career. He was named Musical Director of La Scala, Milan in November 1956, but his promising career was cut short only one week later by his death at the age of 36 in the 1956 Paris DC-6 crash in France on route to the United States.
Arthur Rubinstein KBE OMRI was a Polish-American pianist. He is widely regarded as one of the greatest pianists of all time. He received international acclaim for his performances of the music written by a variety of composers and many regard him as one of the greatest Chopin interpreters of his time. He played in public for eight decades.
Rudolf Kempe was a German conductor.
Ezio Fortunato Pinza was an Italian opera singer. Pinza possessed a rich, smooth and sonorous voice, with a flexibility unusual for a bass. He spent 22 seasons at New York's Metropolitan Opera, appearing in more than 750 performances of 50 operas. At the San Francisco Opera, Pinza sang 26 roles during 20 seasons from 1927 to 1948. Pinza also sang to great acclaim at La Scala, Milan and at the Royal Opera House, Covent Garden, London.
Edwin Olin Downes, better known as Olin Downes, was an American music critic, known as "Sibelius's Apostle" for his championship of the music of Jean Sibelius. As critic of The New York Times, he exercised considerable influence on musical opinion, although many of his judgments have not stood the test of time.
The Royal Philharmonic Society (RPS) is a British music society, formed in 1813. Its original purpose was to promote performances of instrumental music in London. Many composers and performers have taken part in its concerts. It is now a membership society, and while it no longer has its own orchestra, it continues a wide-ranging programme of activities which focus on composers and young musicians and aim to engage audiences so that future generations will enjoy a rich and vibrant musical life. Since 1989, the RPS has promoted the annual Royal Philharmonic Society Music Awards for live music-making in the United Kingdom.
Elie Siegmeister was an American composer, educator and author.
Cesare Siepi was an Italian opera singer, generally considered to have been one of the finest basses of the post-war period. His voice was characterised by a deep, warm timbre, a full, resonant, wide-ranging lower register with relaxed vibrato, and a ringing, vibrant upper register. Although renowned as a Verdian bass, his tall, striking presence and the elegance of phrasing made him a natural for the role of Don Giovanni. He can be seen in that role on Paul Czinner's 1954 film of the opera made during an edition of the Salzburg Festival under the baton of Wilhelm Furtwängler.
Paul Kochanski was a Polish violinist, composer and arranger active in the United States.
Norman Lebrecht is a British music journalist and author who specializes in classical music. He is best known as the owner of the classical music blog Slipped Disc, in which he frequently publishes articles. Unlike other writers on music, Lebrecht rarely reviews concerts or recordings, preferring to report on the people and organizations who engage in classical music. Described by Gilbert Kaplan as "surely the most controversial and arguably the most influential journalist covering classical music", his writings have been praised as entertaining and revealing, while others have accused them of sensationalism and criticized their inaccuracies.
The Festival Internacional de Santander (FIS) is one of Spain's oldest music festivals. Each year, during the month of August it presents two to three operas as well as performances from visiting ballet and theatre companies, solo recitals, and choral, symphonic, and chamber music concerts. Its largest and main performing space is the Palacio de Festivales on the Calle Gamazo in Santander. However, performances are also held in fifty churches, cloisters, and parks both in Santander and in smaller towns in the Cantabria region.
Richard Mohr was one of RCA Victor’s most prominent producers of classical and operatic music recordings from 1943 through 1977. His producing credits included recording the casts of the world premieres of Samuel Barber's Vanessa and Gian Carlo Menotti's Amahl and the Night Visitors, as well as the first LP recordings of Ernani,Luisa Miller and Lucrezia Borgia and three versions each of Rigoletto,Aida,La Traviata and Il Trovatore.
John Pfeiffer was a classical recording producer, a design engineer, and an occasional electronic music composer.
Launched by Gramophone magazine in late 2011, the Gramophone Hall of Fame is an annual listing of the people who have contributed to the classical record industry. Fifty individuals and ensembles entered the Hall of Fame in its first year. A special edition of the magazine celebrates this new initiative, and the list was first published online on 6 April 2012.
Scipione Guidi was an Italian violinist.
Tobia Nicotra was an Italian forger who produced counterfeit works of artists in various disciplines. In 1937, he was described as "the most proficient forger of autographs". He may have produced as many as 600 forgeries before he was caught.
The American broadcast premiere of Dmitri Shostakovich's Symphony No. 7 was performed by the NBC Symphony Orchestra conducted by Arturo Toscanini on July 19, 1942. This was followed by the American concert premiere played at Tanglewood by the Berkshire Music Center Orchestra, a student ensemble, conducted by Serge Koussevitzky on August 16.
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