This is a discography of Giuseppe Verdi's opera, Un ballo in maschera . It was first performed at the Teatro Apollo in Rome on 17 February 1859.
However, prior to the version of the opera which appears in the recordings below, Verdi had been using the title of Gustavo III and, when he was prohibited from using that title and after he was forced to make significant changes, the original version disappeared. It has been reconstructed, performed, and recorded as Gustavo III (Verdi) .
On the 5 Oct 2013 broadcast of BBC 3'S CD Review - Building a Library, musicologist Roger Parker surveyed recordings of Un Ballo in Maschera and recommended the 1975 recording by the New Philharmonia Orchestra, Chorus of the Royal House Covent Garden, Haberdashers' Aske's School Girls’ Choir, Riccardo Muti (conductor), as the best available choice. [1]
Un ballo in maschera is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, Gustave III, ou Le bal masqué.
Elisabeth Rethberg was a German operatic spinto soprano singer who was active from the period of the First World War through the early 1940s. After Richard Strauss assigned the role of the Empress in his Die Frau ohne Schatten to her at the Dresden Opera in 1919, she went on to perform as Verdi's Aida at the Metropolitan Opera in New York City and La Scala in Milan, among others. She returned to Dresden often, including to appear in title role of Die ägyptische Helena in the world premiere.
Jonathan Stewart Vickers,, known professionally as Jon Vickers, was a Canadian heldentenor.
Oberto, Conte di San Bonifacio is an opera in two acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on an existing libretto by Antonio Piazza probably called Rocester.
Luisa Miller is an opera in three acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play Kabale und Liebe by the German dramatist Friedrich von Schiller.
Les vêpres siciliennes is a grand opera in five acts by the Italian romantic composer Giuseppe Verdi set to a French libretto by Eugène Scribe and Charles Duveyrier from their work Le duc d'Albe of 1838. Les vêpres followed immediately after Verdi's three great mid-career masterpieces, Rigoletto, Il trovatore and La traviata of 1850 to 1853 and was first performed at the Paris Opéra on 13 June 1855.
La battaglia di Legnano is an opera in four acts, with music by Giuseppe Verdi to an Italian-language libretto by Salvadore Cammarano. It was based on the play La Bataille de Toulouse by Joseph Méry, later the co-librettist of Don Carlos.
Michèle Crider is an American lirico spinto operatic soprano. She has appeared in many of the great opera house in the world including the Royal Opera House Covent Garden, the Metropolitan Opera in New York, San Francisco Opera, Los Angeles Opera and the state operas of Vienna, Munich, Berlin and Hamburg. She has sung under Riccardo Muti, Daniel Barenboim, Zubin Mehta, James Levine, Nello Santi, Christoph von Dohnányi, Semyon Bychkov, Seiji Ozawa, Riccardo Chailly and Colin Davis. She is professor of vocal performance at the Mozarteum University Salzburg.
Maria Antonietta Stella was an Italian operatic soprano, and one of the most prominent Italian spinto sopranos of the 1950s and 1960s. She made her debut in Spoleto in 1950, as Leonora in Verdi's Il trovatore, a year later at Rome Opera, as Leonora in La forza del destino, in 1954 at La Scala in Milan, as Desdemona in Otello, in 1955 at the Royal Opera House in London as Aida, and in 1956 at the Metropolitan Opera in New York City, in the same role.
Jérusalem is a grand opera in four acts by Giuseppe Verdi. The libretto was to be an adaptation and partial translation of the composer's original 1843 Italian opera, I Lombardi alla prima crociata. It was the one opera which he regarded as the most suitable for being translated into French and, taking Eugène Scribe's advice, Verdi agreed that a French libretto was to be prepared by Alphonse Royer and Gustave Vaëz, who had written the libretto for Donizetti's most successful French opera, La favorite. The opera received its premiere performance at the Salle Le Peletier in Paris on 26 November 1847. The maiden production was designed by Paul Lormier (costumes), Charles Séchan, Jules Diéterle and Édouard Desplechin, and Charles-Antoine Cambon and Joseph Thierry.
Antonio Somma was an Italian playwright who is most well known for writing the libretto of an opera which ultimately became Giuseppe Verdi's Un ballo in maschera in 1859. While a student, his tragedy, Parisina, gave him quite a success.
Dmitri Aleksandrovich Hvorostovsky was a Russian operatic baritone.
This is a list of recordings of Rigoletto, an 1851 opera by Giuseppe Verdi with an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on 11 March 1851.
This is a list of recordings of Don Carlos, an opera by Giuseppe Verdi, known as Don Carlo in its Italian-language versions. Don Carlos premiered as a five-act French grand opera at the Théâtre Impérial de l'Opéra in Paris on 11 March 1867. In 1883, Verdi created a revised 4-act (Milan) version, which has generally been performed and recorded in Italian. In 1886, Ricordi published a 5-act (Modena) version without the ballet with the first act added to the 4-act 1883 revision. The 1886 Modena version has been recorded in French and in Italian. Since 1973, some performances in Italian and in French have restored music cut before the Paris premiere, especially the introduction to Act 1.
Taro Ichihara is a Japanese opera singer, who sings as a tenor, primarily in Verdi roles.
This is a list of recordings of Macbeth, an opera by Giuseppe Verdi. The first performance of the work was on 14 March 1847 at the Teatro della Pergola in Florence. Verdi subsequently revised the work and the first performance of this version was on 21 April 1865 at the Théâtre Lyrique in Paris.
Gustavo III is an opera by Giuseppe Verdi to a libretto begun in early 1857 by the Italian playwright Antonio Somma. Never performed as written, the libretto was later revised several times under two additional names – Una vendetta in dominò and Adelia degli Adimari – during which the setting was changed to vastly different locations. Eventually, it was agreed that it could be called Un ballo in maschera, the name by which it is known today, but Verdi was forced to accept that the location of the story would have to be Colonial Boston. This setting became the "standard" one until the mid-20th Century. Most productions today locate the action in Sweden.
Michail Svetlev is an internationally acclaimed opera tenor born 6 March 1943 in Sofia, Bulgaria. He is known for his interpretations of leading tenor roles in French, Italian, German and Russian operas, and an extensive repertoire of Neapolitan and Italian songs.
I vespri siciliani is a five-act Italian opera originally written in French for the Paris Opéra by the Italian romantic composer Giuseppe Verdi and translated into Italian shortly after its premiere in June 1855.
This is a discography of Giuseppe Verdi's penultimate opera, Otello. It was first performed at La Scala, Milan, on 5 February 1887.
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