Mary Violet Leontyne Price is an American spinto soprano who was the first African-American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera. She regularly appeared at the world's major opera houses, including the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala; at La Scala, she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Giuseppe Verdi's Aida.
George London was an American concert and operatic bass-baritone.
Leopoldine Rysanek was an Austrian dramatic soprano.
Jonathan Stewart Vickers,, known professionally as Jon Vickers, was a Canadian heldentenor.
Martina Arroyo is an American operatic soprano who had a major international opera career from the 1960s through the 1980s. She was part of the first generation of black opera singers to achieve wide success.
Cheryl Studer is an American dramatic soprano who has sung at many of the world's foremost opera houses. Studer has performed more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and coloratura sopranos, and, in her late stage, mezzo-sopranos. She is particularly known for her interpretations of the works of Richard Strauss and Richard Wagner.
Michèle Crider is an American lirico spinto operatic soprano. She has appeared in many of the great opera house in the world including the Royal Opera House Covent Garden, the Metropolitan Opera in New York, San Francisco Opera, Los Angeles Opera and the state operas of Vienna, Munich, Berlin and Hamburg. She has sung under Riccardo Muti, Daniel Barenboim, Zubin Mehta, James Levine, Nello Santi, Christoph von Dohnányi, Semyon Bychkov, Seiji Ozawa, Riccardo Chailly and Colin Davis. She is professor of vocal performance at the Mozarteum University Salzburg.
Thomas Stewart was an American bass-baritone who sang an unusually wide range of roles, earning global acclaim particularly for his performances in Wagner's operas.
Robert Keith McFerrin Sr. was an American operatic baritone and the first African-American man to sing at the Metropolitan Opera in New York City. His voice was described by critic Albert Goldberg in the Los Angeles Times as "a baritone of beautiful quality, even in all registers, and with a top that partakes of something of a tenor's ringing brilliance." He was the father of Grammy Award-winning vocalist Robert McFerrin Jr., better known as Bobby McFerrin.
Karl Ridderbusch was a German operatic bass, associated in particular with the music of Wagner. He was recognised as a notable exponent of the role of Hans Sachs.
Giuseppe Valdengo was an Italian operatic baritone. Opera News said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were invariably satisfying — bold and assured in attack but scrupulously musical."
Karl Gustaf Ingvar Wixell was a Swedish baritone who had an active international career in operas and concerts from 1955 to 2003. He mostly sang roles from the Italian repertory, and, according to The New York Times, "was best known for his steady-toned, riveting portrayals of the major baritone roles of Giuseppe Verdi — among them Rigoletto, Simon Boccanegra, Amonasro in Aida, and Germont in La traviata".
Gloria Davy was a Swiss soprano of American birth who had an active international career in operas and concerts from the 1950s through the 1980s. A spinto soprano, she was widely acclaimed for her portrayal of the title role in Verdi's Aida, a role she performed in many of the world's top opera houses. She was notably the first black artist to perform the role of Aida at the Metropolitan Opera in New York City in 1958. While she performed a broad repertoire, she was particularly admired for her interpretations of 20th-century music, including the works of Richard Strauss, Benjamin Britten and Paul Hindemith.
Anselmo Colzani was an Italian operatic baritone who had an international opera career from the late 1940s through 1980. He particularly excelled in the Italian repertory and was most associated with the works of Giuseppe Verdi and Giacomo Puccini. He began his career in Italy in 1947 where he quickly became a regular presence at that country's best opera houses, including La Scala. In the mid-1950s he began appearing at major opera houses throughout Europe and the United States. In 1960 he joined the roster at the Metropolitan Opera where he spent most of his time through 1978. Opera News commented that while his voice may have "lacked the sheer beauty [of other baritones], his performances had an Italianate urgency and forthright thrust that were unique, which established himself as a powerful, striking presence."
Ira Malaniuk was an Austrian operatic Mezzo-soprano of Ukrainian descent. She sang a wide range of roles, from Mozart to contemporary works.
Susan Dunn is a Grammy Award-winning American spinto soprano who has performed in many of the world's finest opera houses, concert halls, and theaters in operas, oratorios, and concert performances. Dunn is particularly admired for her portrayals of Verdi heroines. She currently lives in Durham, North Carolina where she works as a professor of vocal music at Duke University.
Kenneth (Ken) Neate was an Australian operatic and concert tenor, opera producer and singing teacher, composer and author. He appeared at the Bayreuth Festival in 1963 as Loge in Das Rheingold and was noted as a dramatic tenor in German, French, and Italian repertoire in opera houses in England, France, Italy, Austria, Germany, and Australia. His operatic career lasted 38 years, followed by ten years as lecturer in Voice and Opera Studies at the Richard Strauss Conservatorium in Munich.
Ekkehard Wlaschiha was a German operatic baritone who specialized in Wagnerian "villains", such as Alberich, Klingsor and Friedrich von Telramund. He performed at the Bayreuth Festival and at the Metropolitan Opera, and left many recordings.
Robert Mosley was an American operatic bass-baritone. Part of the first generation of African-American opera singers to achieve wide success, he performed in numerous opera productions, recitals, and in concerts from the 1950s through the 1990s. In 1957 he won the Metropolitan Opera National Council Auditions. He drew particular acclaim for his portrayal of Porgy in George Gershwin's Porgy and Bess, a role which he portrayed in the landmark 1976 Houston Grand Opera production, on Broadway, and at the Metropolitan Opera among other opera companies both in the United States and in Europe.
Gordon Hawkins is an American baritone known for his work on both the operatic and concert stage, particularly as one of the foremost interpreters of the roles of Porgy and Crown in Porgy and Bess. His music career began in the 1980s with him singing major concert repertoire and opera roles in his native Maryland. Since then, Hawkins has performed for national and international opera houses and venues, including the Metropolitan Opera, Deutsche Oper Berlin, Lyric Opera of Chicago, Seattle Opera, Houston Grand Opera, and more. In addition to performing, he is currently on the voice faculty at Arizona State University.
