Aida of the Trees | |
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Directed by | Guido Manuli |
Written by | Guido Manuli Umberto Marino |
Story by | Guido Manuli |
Produced by | Maria Fares (executive producer) |
Starring |
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Edited by | Eoin Murphy |
Music by | Ennio Morricone |
Production company | Lanterna Magica |
Distributed by | Medusa Film (Italy) Buena Vista Pictures (US) 20th Century Fox (UK and Germany) |
Release dates |
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Running time | 75 minutes |
Country | Italy |
Language | Italian |
Aida of the Trees (Italian : Aida degli alberi) is a 2001 Italian musical adventure fantasy animated film written and directed by Guido Manuli with soundtrack by Ennio Morricone. It is the third movie produced by the studio Lanterna Magica after How the Toys Saved Christmas and Lucky and Zorba , and it is loosely inspired by Giuseppe Verdi's opera Aida . [1] [2] [3]
Was released in Italy on December 21, 2001 by Medusa Film and in North America on June 7, 2002 by Walt Disney Pictures
Arborea and Petra are two neighbouring countries perpetually at war with one another. Only the romantic relationship between Aida, the daughter of the Arborean king, and Radames, the brave son of the high general of Petra, will change the situation. The couple's worst enemy is Ramfis, the high priest of the evil god Satam, who would like his clumsy son Kak to marry the princess of Petra (who's engaged to Radames). After a series of adventures and fierce battles, Aida and Radames will manage to defeat Ramfis, to end the war between their countries and to live happily ever after.
This Italian musical adventure fantasy animated film was produced by Lanterna Magica in Turin, Italy. Based on an original story created and developed by director Guido Manuli, it uses both traditional animation (2D animation) and computer animation (3D animation) with Adobe After Effects (compositing and visual effects), Adobe Photoshop (background art), Autodesk Maya (compositing, computer animation and modeling), Autodesk Softimage (computer animation and sculpting), Avid Media Composer (video editing), oil-paint and paper (background art and oil-painting animation), Pegs (compositing, digital ink and paint and traditional animation), pencil and paper (hand-drawn animation and storyboards), Softimage 3D (computer animation and sculpting) and Toonz Premium (compositing, digital ink and paint and traditional animation).
Computer animation is the process used for digitally generating moving images. The more general term computer-generated imagery (CGI) encompasses both still images and moving images, while computer animation only refers to moving images. Modern computer animation usually uses 3D computer graphics.
Aida is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world. At New York's Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.
Special effects are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world. It is sometimes abbreviated as SFX, but this may also refer to sound effects.
Autodesk, Inc. is an American multinational software corporation that provides software products and services for the architecture, engineering, construction, manufacturing, media, education, and entertainment industries. Autodesk is headquartered in San Francisco, California, and has offices worldwide. Its U.S. offices are located in the states of California, Oregon, Colorado, Texas, Michigan, New Hampshire and Massachusetts. Its Canada offices are located in the provinces of Ontario, Quebec, and Alberta.
Traditional animation is an animation technique in which each frame is drawn by hand. The technique was the dominant form of animation of the 20th century, until there was a shift to computer animation in the industry, such as digital ink and paint and 3D computer animation.
Softimage, Co. was a company located in Montreal, Quebec, Canada that produced 3D animation software. A subsidiary of Microsoft in the 1990s, it was sold to Avid Technology, who would eventually sell the name and assets of Softimage's 3D-animation business to Autodesk.
The Nicktoons Film Festival was an annual event that was created by producer Fred Seibert and produced for its first three years by his Frederator Studios.
A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that is not present at the filming location. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage (compositing). At its best, depending on the skill levels of the artists and technicians, the effect is seamless and creates environments that would otherwise be impossible or expensive to film. In the scenes, the painting part is static while movements are integrated on it.
Autodesk Media and Entertainment is a division of Autodesk which offers animation and visual effects products, and was formed by the combination of multiple acquisitions. In 2018, the company began operating as a single operating segment and reporting unit.
VirtualMagic Animation, Inc. was an American traditional animation studio and software development company based out of Los Angeles, California. The studio produced animation for television series and commercials, and provided ink and paint services to animated TV series such as The Ren and Stimpy Show and The Simpsons and films such as We're Back! A Dinosaur's Story. Its software division was best known for developing USAnimation, a high-end software package designed to facilitate the traditional animation process using digital technologies.
The Advanced Visualizer (TAV), a 3D graphics software package, was the flagship product of Wavefront Technologies from the 1980s until the 1990s.
Technological Threat is a 1988 American animated short made by Brian Jennings and Bill Kroyer and was produced by Kroyer Films. It was an example of early computer animation, integrated with traditional animation, and is itself an allegory for the possibilities of combining the two. The robots and backgrounds were drawn based on computer-generated 3D models, while the dogs and wolves were drawn by hand.
Motion graphics are pieces of animation or digital footage that create the illusion of motion or rotation, and are usually combined with audio for use in multimedia projects. Motion graphics are usually displayed via electronic media technology, but may also be displayed via manual powered technology. The term distinguishes static graphics from those with a transforming appearance over time, without over-specifying the form. While any form of experimental or abstract animation can be called motion graphics, the term typically more explicitly refers to the commercial application of animation and effects to video, film, TV, and interactive applications.
Computer graphics is a sub-field of computer science which studies methods for digitally synthesizing and manipulating visual content. Although the term often refers to the study of three-dimensional computer graphics, it also encompasses two-dimensional graphics and image processing.
An environment artist is a professional artist who works in the video game industry or film industry as a 3D modeler, specializing in outdoor and indoor locations for a game's setting. They are responsible for creating the majority of the overall asset and visuals the player will encounter on the screen, modeling, texturing and placing assets, buildings, streets, foliage, furniture, and all other elements into a scene using a method called set dressing. They also approximate collision so that the player isn't running through walls or other objects that block, optimize topology so that the level runs at a manageable framerate, and help bring life to the game world.
The history of computer animation began as early as the 1940s and 1950s, when people began to experiment with computer graphics – most notably by John Whitney. It was only by the early 1960s when digital computers had become widely established, that new avenues for innovative computer graphics blossomed. Initially, uses were mainly for scientific, engineering and other research purposes, but artistic experimentation began to make its appearance by the mid-1960s – most notably by Dr. Thomas Calvert. By the mid-1970s, many such efforts were beginning to enter into public media. Much computer graphics at this time involved 2-D imagery, though increasingly as computer power improved, efforts to achieve 3-D realism became the emphasis. By the late 1980s, photo-realistic 3-D was beginning to appear in film movies, and by mid-1990s had developed to the point where 3-D animation could be used for entire feature film production.
Guardians of the Lost Code is a 2010 animated adventure film, created by Ricardo González Duprat, distributed by Videocine.
Capture the Flag is a 2015 Spanish animated science-fiction adventure comedy film directed by Enrique Gato and written by Patxi Amezcua. Produced by 4 Cats Pictures and animated by Lightbox Entertainment, the film was distributed worldwide by Paramount Pictures, which was a milestone for Spanish cinema, as this was the first time a major Hollywood studio acquired and agreed to distribute two Spanish animated films worldwide, with the other one being Tad the Lost Explorer and the Secret of King Midas. The film takes place in the present alternate times of the year 2015, and the storyline is about Mike Goldwing, a 12-year-old surfer who embarks on a journey with his friends to disrupt a billionaire's plan to destroy the American flag planted on the Moon.
Pegs'n Co was a French software company that developed a traditional animation software package called Pegs, and is now part of Canadian company Toon Boom Animation. It was based in Paris, France. Pegs was used for several animated feature films, shorts, and television series, and it powered the French animation industry until the 2000s as it was used by studios like Millimages, Alphanim, and Animage, but it was also used by studios in other countries, most notably Saerom Animation, CineGroupe, and Mike Young Productions. In total, Pegs was used by over 100 studios worldwide.