A maquette (French word for scale model, sometimes referred to by the Italian names plastico or modello ) is a scale model or rough draft of an unfinished sculpture. An equivalent term is bozzetto, [1] [2] from the Italian word for "sketch".[ citation needed ]
A maquette is used to visualize and test forms and ideas without incurring the expense and effort of producing a full-scale piece. It is the analogue of the painter's cartoon, modello, oil sketch, or drawn sketch. For commissioned works, especially monumental public sculptures, a maquette may be used to show the client how the finished work will relate to its proposed site. The term may also refer to a prototype for a video game, film, or other media. Modello , unlike the other terms, is also used for sketches for two-dimensional works such as paintings. Like oil sketches, these models by highly regarded artists can become as desirable as their completed works, as they show the process of developing an idea. For example, eleven bozzetti by Gian Lorenzo Bernini, a Baroque sculptor who made his models from wax or baked terracotta, were displayed in an exhibition at the Art Institute of Chicago in 2004. [3] Some museums, such as the Museo dei Bozzetti in Pietrasanta, Italy, specialize in collections of maquettes. Maquette is also used by animators when finalizing a character design and it can also act as reference for the animators. [4]
In fashion design, a maquette may be referred to as a fashion doll. From the 16th century, these miniature versions of full-scale costumes were intended to demonstrate the latest trends and designs and allow customers to view the garment before purchasing. [5]
In the 1950s, Irish fashion designer Sybil Connolly created a series of maquettes based on her designs including her iconic pleated linen dress First Love. [6] These are now found in the Hunt Museum. [7]
Baccio Bandinelli, was an Italian Renaissance sculptor, draughtsman, and painter.
Events from the year 1998 in art.
This page describe terms and jargon related to sculpture and sculpting.
Henry Spencer Moore was an English artist. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art. As well as sculpture, Moore produced many drawings, including a series depicting Londoners sheltering from the Blitz during the Second World War, along with other graphic works on paper.
Giuseppe Mazzuoli was an Italian sculptor working in Rome in the Bernini-derived Baroque style. He produced many highly accomplished sculptures of up to monumental scale but was never a leading figure in the Roman art world.
A modello[moˈdɛllo], from Italian, is a preparatory study or model, usually at a smaller scale, for a work of art or architecture, especially one produced for the approval of the commissioning patron. The term gained currency in art circles in Tuscany in the fourteenth century. Modern definitions in reference works vary somewhat. Alternative and overlapping terms are "oil sketch" (schizzo) and "cartoon" for paintings, tapestry, or stained glass, maquette, plastico or bozzetto for sculpture or architecture, or architectural model.
Modern sculpture is generally considered to have begun with the work of Auguste Rodin, who is seen as the progenitor of modern sculpture. While Rodin did not set out to rebel against the past, he created a new way of building his works. He "dissolved the hard outline of contemporary Neo-Greek academicism, and thereby created a vital synthesis of opacity and transparency, volume and void". Along with a few other artists in the late 19th century who experimented with new artistic visions in sculpture like Edgar Degas and Paul Gauguin, Rodin invented a radical new approach in the creation of sculpture. Modern sculpture, along with all modern art, "arose as part of Western society's attempt to come to terms with the urban, industrial and secular society that emerged during the nineteenth century".
King and Queen is a bronze sculpture by Henry Moore, designed in 1952. It depicts two figures, one male and one female, seated beside each other on a bench, both facing slightly to the left. It is Moore's only sculpture depicting a single pair of adult figures. Moore's records suggest it was originally known as Two Seated Figures.
Winged Figure is a 1963 sculpture by British artist Barbara Hepworth. One of Hepworth's best known works, it has been displayed in London since April 1963, on Holles Street near the junction with Oxford Street, mounted on the south-east side of the John Lewis department store. It is estimated that the sculpture is seen by approximately 200 million people each year.
Spindle Piece is a bronze sculpture series by Henry Moore. Unusually, the sculpture was made in four sizes: a plaster maquette cast in bronze as Maquette for Spindle Piece in 1968, a larger plaster working model which was also cast in bronze as Spindle Piece in 1968, a larger series of bronze sculptures Large Spindle Piece cast in 1974, and the largest model, known as The Spindle, carved in travertine in 1981.
Reclining Figure: Festival is a bronze sculpture by English artist Henry Moore, commissioned by the Arts Council in 1949 for the Festival of Britain in 1951. The sculpture can be viewed as an abstraction of a reclining female human figure, resting on two arms, with a small head.
Meridian is a bronze sculpture by British artist Barbara Hepworth. It is an early example of her public commissions, commissioned for State House, a new 16-storey office block constructed at 66–71 High Holborn, London, in the early 1960s. The sculpture was made in 1958–59, and erected in 1960. When the building was demolished in 1990, the sculpture was sold and moved to the Donald M. Kendall Sculpture Gardens in Purchase, New York.
Three Piece Sculpture: Vertebrae is an abstract bronze sculpture by Henry Moore.
Three-Way Piece No.1: Points is a bronze abstract sculpture by Henry Moore. Three full-size sculptures were cast in 1967, one installed on the Columbia University campus in Upper Manhattan, New York City, and the others at Des Moines Art Center, and Fairmount Park in Philadelphia.
Oval with Points is a series of enigmatic abstract sculptures by British sculptor Henry Moore, made in plaster and bronze from 1968 to 1970, from a 14-centimetre (5.5 in) maquette in 1968 made in plaster and then cast in bronze, through a 110-centimetre (43 in) working model in 1968–1969 also made plaster and then cast in bronze, to a full-size 332-centimetre (131 in) bronze version cast in 1969.
Family Group is a sculpture by Henry Moore. It was his first large-scale bronze sculpture, and his first large bronze with multiple castings. Made for Barclay School in Stevenage, it evolved from drawings in the 1930s, through a series of models to bronze castings in 1950–51. It also one of the last important sculptures that Moore developed from preliminary drawings: in future, he worked mainly from found objects, maquettes and models.
UNESCO Reclining Figure 1957–58 is a sculpture by Henry Moore. It was made in a series of scales, from a small plaster maquette, through a half-size working model made in plaster and cast in bronze, to a full-size version carved in Roman travertine marble in 1957–1958. The final work was installed in 1958 at the World Heritage Centre, the headquarters of UNESCO at the Place de Fontenoy in Paris. This was Moore's last major public commission in which he created a new work for a specific site; he afterwards generally worked from an existing sketch or model.
Reclining Figure (Lincoln Center) (LH 519) is a statue by Henry Moore. The original two-part bronze statue of a human figure was commissioned for the Lincoln Center for the Performing Arts in New York City, where it has been displayed outdoors since 1965 in a pool of water to the north of the new Metropolitan Opera House. Other copies in plaster or bronze exist, and are displayed in other cities.
An Athlete Wrestling with a Python was the first of three bronze sculptures produced by the British artist Frederic Leighton. Completed in 1877, the sculpture was a departure for Leighton, and heralded the advent of a new movement, New Sculpture, taking realistic approach to classical models. It has been described as a "sculptural masterpiece" and as "possibly Leighton's greatest contribution to British art". Despite its indebtedness to the Classical tradition, it can be understood as one of the first stirrings of modern sculpture in Britain as well as in Europe. The Athlete was arguably the most influential piece of English sculpture of the 19th century.
George Washington was a life-size marble statue of George Washington, done in the style of a Roman general, by the Italian Neoclassical sculptor Antonio Canova. Commissioned by the State of North Carolina in 1815, it was completed in 1820 and installed in the rotunda of the North Carolina State House on December 24, 1821. The building and the statue were destroyed by fire on June 21, 1831. This work was the only one created by Canova for the United States.
The dictionary definition of maquette at Wiktionary