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Campaign songs are songs used by candidates or political campaigns. Most modern campaign songs are upbeat popular songs or original compositions that articulate a positive message about a campaign or candidate, usually appealing to patriotism, optimism, or a good-natured reference to a personal quality of the candidate such as their ethnic origin or the part of the country they are from. In some cases, the campaign song can be a veiled attack on an opposing candidate or party. Some songs originally devised as a campaign song for a specific election have become identified with the party itself in later election cycles; for example, the Likud's campaign song for the 1992 Israeli legislative election, "The Likud is Right", has become the Party's anthem starting in the late 2000s. The use of a campaign song is primarily known in the quadrennial United States presidential election, where both major party candidates usually use one or more songs to identify with their campaign.
The origin of campaign songs were partisan ditties used in American political canvasses and more especially in presidential contests. The words were commonly set to established melodies like "Yankee Doodle," "Hail, Columbia," "Rosin the Bow," "Hail to the Chief" "John Brown's Body," "Dixie" and "O Tannenbaum" ("Maryland, My Maryland"); or to tunes widely popular at the time, such as "Few Days," "Champagne Charlie," "The Wearing of the Green" or "Down in a Coal Mine," which served for "Up in the White House." Perhaps the best known of them was "Tippecanoe and Tyler too," (in which words by Alexander C. Ross were adapted to the folk tune, "Little Pigs"). First heard at Zanesville, Ohio, this spread rapidly over the country, furnishing a party slogan. It has been said: "What (La Marseillaise) was to Frenchmen, "Tippecanoe and Tyler Too" was to the Whigs of 1840." In 1872 an attempt was made to revive the air for "Greeley Is the Real True Blue." The words, sometimes with music, of campaign songs were distributed in paper-covered song books or "songsters." Among these were the Log Cabin Song Book of 1840 and Hutchinson's Republican Songster for the presidential campaign of 1860, compiled by J. W. Hutchinson. For many years national campaigns included itinerant stumpspeakers, live animals, fife-and-drum corps, red fire, floats, transparencies and rousing mass meetings in courthouses and town halls. Glee clubs were organized to introduce campaign songs and to lead audiences and matchers in singing them. The songs were real factors in holding the interest of crowds, emphasizing issues, developing enthusiasm and satirizing opponents. With changes in the methods of campaigning, the campaign song declined as a popular expression. [1]
'Hail to the Chief', which drew from Walter Scott's epic poem The Lady of The Lake , was an early example of America's campaign song tradition. These songs typically leveraged an existing history for party-political gain, referencing folklore or a "popular bard of the day" set to music. [2]
In the mid-19th century, music became more accessible to the middle class and was considered a display of respectability and cultural refinement. [3] As such, political parties began incorporating music into their campaigns to appeal to America's burgeoning middle class.
Despite their political differences, the Whig and Democratic parties repurposed many of the same popular songs, such as "Yankee Doodle". This was partially due to a lack of notated music in songsters; however, it also reflected their intention to generate mass participation by harnessing "the broad range of music in oral circulation" in the 18th century. [4]
The Whig party employed songs in the 1840 presidential election as an "informal" campaign tactic. The Whigs were considered "far ahead of the Democrats" in their use of campaign songs during the 19th century and had an established tradition of public singing during meetings and speeches. [5]
Then who but he, the true and free,
The Farmer of North Bend
Can deeply feel the Nation's weal,
Or be the people's friend?
Should baneful war approach our shore,
His gallant sword again,
Will strew with prostrate, fallen
The deadly battle plain— Excerpt From "The Harrison Song", 1840 [6]
Whig songwriters typically portrayed their candidates as "heroes" and denounced the Democratic "villains". For example, "The Harrison Song" hailed Whig candidate William Henry Harrison as a great general in the War of 1812 and a humble "farmer" to whom voters could relate. [7]
The Whig party responded to Democratic criticism regarding Harrison's old age and rugged character with songs that extolled the values of "plain living" and pastoral life. This created an impression of Harrison as a humble cider drinker and a "common man of the people". [8] By contrast, the Whigs blamed incumbent Democratic president Martin Van Buren for causing the Panic of 1837 financial crisis due to his indulgence and "passion for expensive champagne in the White House". [8]
By the 1844 presidential election, the Democratic Party embraced a similar strategy of using campaign songs in response to the Whig's success in 1840. While promises of the annexation of Texas and the westward expansion of slavery were prominent issues in this election, historian Gavin James Campbell argues that music helped create an "enthusiastic, committed and amused electorate". [9]
Throughout the Democratic campaign, glee clubs sang campaign songs and "enlivened all the rallies". [10] In 1844, the Democrats published The Polk and Dallas Songsters, a pamphlet of songs and poems that proclaimed Polk as a strong leader with lyrics such as:
For Polk's the man that's bound to
Their harry out of the water;— Lyrics from The Polk and Dallas Songsters [10]
Democratic songs often explored more substantive issues beyond the mockery of political opponents. During the 1844 campaign, the Democrats leaned heavily on the issue of the annexation of Texas with song lyrics claiming Polk would "save Texas from Mexico". [11] These songs roused supporters, some of whom declared they were prepared to "march even to Mexico City". [12]
Familiar English tunes such as "Yankee Doodle" and "God Save the King" were appropriated with new lyrics that related to the American experience to create a "parody" in strophic form. [13] [14] [15] This was part of a cultural transformation by the American peoples, following the War of Independence, breaking from previous British affiliations towards a new, distinct, independent identity. [16] These parodies emphasised themes of unity, loyalty and liberty in the period following the Revolution where the union of states felt unnatural and fragile. [17] Citizens often relied on this existing material, as a shortcut to learning new songs as a group, typically in a public setting such as a local tavern. [18] These meetings provided opportunity for community engagement in collective identity construction and nation building by defining the values and issues that were important to their young republic. American use of political campaign songs also reflect European trends in the same time period where songs were frequently used by the English, French, Dutch and Germans to generate a feeling of national belonging for their citizens by joining to sing and express shared emotions. [19]
Campaign songs were oft used as an artistic ritual to propagate the political and cultural ideologies of a hopeful candidate to the general population and attract new people to their cause. Campaign songs' reliance on groundswell support for generation of both a voter base and a soapbox for political candidates, is typified by historian James Garratt's concept of "informal promotion" as a type of propaganda that generates support for a practice or leader of the state. [20] Fellow historian John Street writes of campaign songs' pathos, "sounds that are there to establish an emotional response to the party/product". [21] The group performativity of most early campaign songs would often push individuals to conform and submit to popular chants, creating bonds of allegiance with other members of the crowd and the candidate they were venerating. [22]
The Pythagorean concept of the "music of the spheres", resonated with Protestant elevation of the musical form, as well as Manifest Destiny, justifying westward expansion with the belief that America was a nation blessed by God. [23] [24] [25] Amongst the context of the Second Great Awakening, campaign songs took on an overt resemblance to religious hymns in both form and lyrics. Later on, these religious overtures influenced Republican campaign songs, including "God and the Right" from the 1860 Presidential campaign, suggesting that supporting Abraham Lincoln was a direct service to God: [26]
Follow your leader on!
Young Empire's chosen some
Leads in the fight.
Fling your proud flag on high,
Ring out your battle cry,
Lincoln and Victory,
God and the right!— Excerpt from "God and the Right", 1860 [27]
The "music of the spheres" philosophy also influenced the medical community who began to explore the biological power of music. [28] Prominent physicians including Dr Benjamin Rush believed that the intense emotional experience caused by music had tangible health outcomes. [28]
In early America, no government entity existed which in any way influenced the production of songwriters and composers, short of their role in inspiring creators' lyricism, removing any limitation on truth, censorship or sensationalised material. [29] To combat this freedom exercised by opponents, politicians, like Benjamin Harrison in his 1888 presidential race against Grover Cleveland, responded in kind to similarly provoke partisan reaction. Harrison's "When Grover Goes Marching Home", attacked the legitimacy of Cleveland's children in order to win voter affection. [30]
Bipartisan recognition of campaign songs' well-suited use for dissemination of harsh and unsubstantiated rhetoric has been covered extensively by historians investigating early US campaign songs. Historians have noted that certain campaign "songs trumpeted the virtues of some and assaulted the failings of others", [31] as well as a penchant for "name-calling and grosser trickery" [32] instilled in American conscious of the time. This has been surmised as the "low comedy and lower morals of America's past", [33] all of which reflected a demand to make partisanship "noisy and intimidating". [34]
While used largely in retaliation for other campaign songs, certain songwriters built their platform off of propagating falsehoods without initial provocation. One such example was James K. Polk's campaign songs during the 1844 general election, which included references to Native American leader "approval" despite voting rights and enfranchisement being liminal at the time. [35]
Campaign songs' earliest iterations through the 1800s in the US were used no end for political persuasion and celebration. While recognised and sung as such, campaign songs were also derided in social discourse as being a classifiably political affair, with accusations levelled at both the 'Whig' and 'Democratic' parties of being disingenuous in their employment of highly charged rhetoric. [36] Whigs were criticized for their reliance upon campaign songs to enter the White House, resultant in the eventual election of "Whig" William Henry Harrison to the presidency on a platform backed heavily by campaign songs in 1840. [37] While Democrats themselves were criticised for their lagging, reactionary use of songs to propagate their messages, almost exclusively smear-based, [37] amounting to criticism of message rather than method.
Criticisms of campaign and political songs also attacked the denying of independent thought, and the encouragement of group-think. Opposition to early campaign and political songs included calls for "dismissal of all the songs and toasts calculated to enslave", which ultimately operated to "suffocate reflection". [23] This is part of a plethora of early, post-Declaration of Independence, formative, critical literature surrounding the establishment and function of US governance, and the importance of political representation and diversity.
James Knox Polk was the 11th president of the United States, serving from 1845 to 1849. He also served as the 13th speaker of the House of Representatives from 1835 to 1839 and the ninth governor of Tennessee from 1839 to 1841. A protégé of Andrew Jackson, he was a member of the Democratic Party and an advocate of Jacksonian democracy. Polk is known for extending the territory of the United States through the Mexican–American War during his presidency, annexing the Republic of Texas, the Oregon Territory, and the Mexican Cession after winning the Mexican–American War.
The Whig Party was a mid-19th century political party in the United States. Alongside the Democratic Party, it was one of two major parties between the late 1830s and the early 1850s and part of the Second Party System. As well as four Whig presidents, other prominent members included Henry Clay, Daniel Webster, Rufus Choate, William Seward, John J. Crittenden, and John Quincy Adams. The Whig base of support was amongst entrepreneurs, professionals, Protestants, and the urban middle class. It had much less backing from poor farmers and unskilled workers.
William Henry Harrison was an American military officer and politician who served as the ninth president of the United States from March 4 to April 4, 1841, the shortest presidency in U.S. history. He was also the first U.S. president to die in office, causing a brief constitutional crisis since presidential succession was not then fully defined in the U.S. Constitution. Harrison was the last president born as a British subject in the Thirteen Colonies and was the grandfather of Benjamin Harrison, the 23rd U.S. president.
The 1840 United States presidential election was the 14th quadrennial presidential election, held from Friday, October 30 to Wednesday, December 2, 1840. Economic recovery from the Panic of 1837 was incomplete, and Whig nominee William Henry Harrison defeated incumbent President Martin Van Buren of the Democratic Party. The election marked the first of two Whig victories in presidential elections, but was the only one where they won a majority of the popular vote. This was the third rematch in American history, which would not occur again until 1892.
The 1844 United States presidential election was the 15th quadrennial presidential election, held from Friday, November 1 to Wednesday, December 4, 1844. Democrat James K. Polk narrowly defeated Whig Henry Clay in a close contest turning on the controversial issues of slavery and the annexation of the Republic of Texas. This is the only election in which both major party nominees served as Speaker of the House at one point, and the first in which neither candidate held elective office at the time.
The 1848 United States presidential election was the 16th quadrennial presidential election, held on Tuesday, November 7, 1848. In the aftermath of the Mexican–American War, General Zachary Taylor of the Whig Party defeated Senator Lewis Cass of the Democratic Party.
John Bell was an American politician, attorney, and planter who was a candidate for President of the United States in the election of 1860.
The 1839 Whig National Convention was a presidential nominating convention held from December 4 to December 8 in Harrisburg, Pennsylvania. It was the first national convention ever held by the Whig Party, and was organized to select the party's nominee in the 1840 presidential election. The convention nominated former Senator William Henry Harrison of Ohio for president and former Senator John Tyler of Virginia for vice president.
The 1844 Whig National Convention was a presidential nominating convention held on May 1, 1844, at Universalist Church in Baltimore, Maryland. It nominated the Whig Party's candidates for president and vice president in the 1844 election. The convention selected former Senator Henry Clay of Kentucky for president and former Senator Theodore Frelinghuysen of New Jersey for vice president.
"Tippecanoe and Tyler Too", originally published as "Tip and Ty", was a popular and influential campaign song of the Whig Party's colorful Log Cabin Campaign in the 1840 United States presidential election. Its lyrics sang the praises of Whig candidates William Henry Harrison and John Tyler, while denigrating incumbent Democrat Martin Van Buren.
The presidency of John Tyler began on April 4, 1841, when John Tyler became President of the United States upon the death of President William Henry Harrison, and ended on March 4, 1845. He had been Vice President of the United States for only 31 days when he assumed the presidency. The tenth United States president, he was the first to succeed to the office intra-term without being elected to it. To forestall constitutional uncertainty, Tyler took the presidential oath of office on April 6, assumed full presidential powers, and served out the balance of Harrison's four-year term, a precedent that would govern future extraordinary successions and eventually become codified in the Twenty-fifth Amendment. He was succeeded by James Polk of the Democratic Party.
John Tyler was the tenth president of the United States, serving from 1841 to 1845, after briefly holding office as the tenth vice president in 1841. He was elected vice president on the 1840 Whig ticket with President William Henry Harrison, succeeding to the presidency following Harrison's death 31 days after assuming office. Tyler was a stalwart supporter and advocate of states' rights, including regarding slavery, and he adopted nationalistic policies as president only when they did not infringe on the states' powers. His unexpected rise to the presidency posed a threat to the presidential ambitions of Henry Clay and other Whig politicians and left Tyler estranged from both of the nation's major political parties at the time.
The 1844 Democratic National Convention was a presidential nominating convention held in Baltimore, Maryland from May 27 through 30. The convention nominated former Governor James K. Polk of Tennessee for president and former Senator George M. Dallas of Pennsylvania for vice president.
"Old Rosin the Beau" is a traditional folk song popular in America, England, Ireland, and Canada, first published in Philadelphia in 1838 though possibly dating back to the 1700s. It is listed in the Roud Folk Song Index as number 1192.
The 1844 United States elections elected the members of the 29th United States Congress, and took place during the Second Party System in the midst of the debate over whether to annex Texas. Texas and Iowa joined the union during the 29th Congress. Democrats retained control of the House and took back control of the presidency and the Senate, re-establishing the dominant position the party had lost in the 1840 election.
In 1840, William Henry Harrison was elected President of the United States. Harrison, who had served as a general and as United States Senator from Ohio, defeated the incumbent president, Democrat Martin Van Buren, in a campaign that broke new ground in American politics. Among other firsts, Harrison's victory was the first time the Whig Party won a presidential election. A month after taking office, Harrison died and his running mate John Tyler served the remainder of his term, but broke from the Whig agenda, and was expelled from the party.
The 1844 presidential campaign of James K. Polk, then both the former speaker of the United States House of Representatives and governor of Tennessee, was announced on May 27, 1844 in Baltimore, Maryland, however Polk had originally sought the vice-presidential nomination. At the 1844 Democratic National Convention on May 27, seven ballots were held before Polk was proposed as a compromise candidate and won on the ninth ballot.
The Tyler Party, or Tyler Democratic Party, was an American political party formed by supporters of President John Tyler in 1844 to launch a presidential campaign against the Whig and Democratic parties. The party merged into the Democratic Party during the 1844 presidential election, following the surprise nomination of James K. Polk.
The history of the United States Whig Party lasted from the establishment of the Whig Party early in President Andrew Jackson's second term (1833–1837) to the collapse of the party during the term of President Franklin Pierce (1853–1857). This article covers the party in national politics. For state politics see Whig Party.