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A Fifth of Funk | ||||
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Japanese pressing of the CD "A Fifth Of Funk" | ||||
Studio album by George Clinton Family Series | ||||
Released | July 1993 | |||
Recorded | 1972–1981 | |||
Genre | Funk, soul, dance | |||
Length | 77:26 | |||
Label | P-Vine; Sequel Records(UK); AEM Records(US) | |||
Producer | George Clinton | |||
George Clinton Family Series chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Virgin Encyclopedia of Popular Music | [2] |
A Fifth of Funk is the fifth and final installment of the George Clinton Family Series collection by Parliament-Funkadelic collective members. The album was released in Japan in 1993 by P-Vine Records, and later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The compilation's producer and P-Funk leader George Clinton gives his final thoughts about the tracks on the album, as well as his feelings on the entire Family Series project, for A Fifth of Funk's final track. The title is a play on words of Beethoven's Symphony No. 5 , as well as Walter Murphy's 1976 disco hit "A Fifth of Beethoven".
Song credits for A Fifth of Funk adapted from album liner notes. [3]
Parliament-Funkadelic is an American funk music collective of rotating musicians headed by George Clinton, primarily consisting of the bands Parliament and Funkadelic, both active since the 1960s. Their distinctive funk style drew on psychedelic culture, outlandish fashion, science-fiction, and surreal humor; it would have an influential effect on subsequent funk, post-punk, hip-hop, and post-disco artists of the 1980s and 1990s, while their collective mythology would help pioneer Afrofuturism.
America Eats Its Young is the fourth album by Funkadelic, released in May of 1972. This was the first album to include the whole of the House Guests, including Bootsy Collins, Catfish Collins, Chicken Gunnels, Rob McCollough and Kash Waddy. It also features the Plainfield-based band U.S.(United Soul), which consisted of guitarist Garry Shider and bassist Cordell Mosson, on most of the tracks. Unlike previous Funkadelic albums, America Eats Its Young was recorded in Toronto, Ontario, Canada, and in the UK. The original vinyl version contained a poster illustrated by Cathy Abel. The bottom of the poster features the first widespread appearance of the Funkadelic logo, which would later appear on the cover of the album Standing On The Verge Of Getting It On.
Cosmic Slop is the fifth studio album by Funkadelic, released in July 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart.
Uncle Jam Wants You is the eleventh studio album by American funk band Funkadelic. It was originally released by Warner Bros. Records on September 21, 1979, and was later reissued on CD by Charly Groove Records and Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did contribute some interior artwork. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at #18 on the US Billboard 200 and #2 on the US Billboard Top R&B/Hip-Hop Albums charts.
The Electric Spanking of War Babies is the 13th studio album by the American funk band Funkadelic, released in April 1981 on Warner Bros. Records. The title is an allusion to the Vietnam War and baby boomers. Sly Stone contributed to the recording sessions, singing lead vocals on "Funk Gets Stronger ".
Funkentelechy vs. the Placebo Syndrome is a funk album by Parliament, released in 1977.
Pleasure Principle is the debut album by the female P-Funk spin off group Parlet. The album was released in 1978 by Casablanca Records and was produced by P-Funk leader/producer George Clinton. Parlet consisted of Mallia Franklin, Debbie Wright, and Jeanette Washington. The album features heavy involvement from the P-Funk musical collective.
Gloryhallastoopid is a 1979 album by the funk ensemble Parliament. It was their penultimate album on the Casablanca Records label, and is another concept album which tries to explain that Funk was responsible for the creation of the universe. It reuses samples from previous albums, notably the Mothership Connection and Funkentelechy vs. the Placebo Syndrome.
Trombipulation is a 1980 album by the funk band Parliament. It was released by Casablanca Records. It was the last album of original material produced by the group for 38 years until Medicaid Fraud Dogg in 2018. Unlike previous Parliament albums, George Clinton did not serve as sole producer of the album, as other P-Funk figures assisted in producing individual tracks. Bassist Bootsy Collins emerged as the principal musician on this album, playing virtually all of the instruments on a number of tracks. The track "Let's Play House" was sampled by the Hip-Hop group Digital Underground for their single "The Humpty Dance".
All The Woo In The World is the debut Funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Billy Bass Nelson, and Eddie Hazel.
Funk or Walk is the debut album by the Brides of Funkenstein, released on Atlantic Records in September 1978. The album was produced by George Clinton with the exception of the album's first single "Disco To Go" which was written and produced by Clinton and Bootsy Collins. The Brides of Funkenstein consisted of Lynn Mabry and Dawn Silva, who were members of Sly and the Family Stone prior to joining P-Funk. Funk Or Walk earned Mabry and Silva a Record World Award for Best New Female Artists and Best New R&B Group in 1979. The song was originally performed live by Bootsy's Rubber Band. To this day, the P-Funk All Stars continue to play "Disco To Go" in their live concerts. The Brides of Funkenstein also toured and recorded with Parliament/Funkadelic around this same time.
Say Blow by Blow Backwards is the second and last album by Fred Wesley and the Horny Horns featuring Maceo Parker. The album was released in August 1979 by Atlantic Records and was produced by George Clinton, Bootsy Collins and Fred Wesley.
Live at the Howard Theatre is a live album by the P-Funk spin-off act, the Brides of Funkenstein. The album was recorded on November 1 and 2, 1978, at the Howard Theatre in Washington D.C.. The album was released by P-Vine Records in Japan on October 25, 1994, Sequel Records in the UK, and AEM Records in the U.S. The album was produced by George Clinton for Black Dog Records and A Scoop of Poop productions.
Wynne Jammin' is a 1980 album by Philippé Wynne, the former lead singer of the Spinners. It was the second album released on the Uncle Jam/CBS label, fronted by Parliament-Funkadelic leader George Clinton and his manager Archie Ivy. The album features many musicians from the P-Funk stable.
George Clinton: The Mothership Connection is the title of a DVD released in 1998 and then reissued in 2001, featuring George Clinton and Parliament-Funkadelic. The DVD features a concert performed by Parliament-Funkadelic at The Summit in Houston, Texas on October 31, 1976. The DVD documents the beginning of famed P-Funk Earth Tour, which would run for almost two years.
Testing Positive 4 the Funk is the fourth installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the U.K.. This collection is noted for the inclusion of tracks such as a re-recording of "Live Up " which was originally recorded by the soul quartet, The Fantastic Four. The track marked the debut of P-Funk vocalist Glenn Goins.
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
Plush Funk is the third installment of the George Clinton Family Series collection. The album was released in 1993 by P-Vine Records in Japan, and then was released the next year by AEM Records in the United States and Sequel Records in the United Kingdom. The CD features the track "May Day (S.O.S)", which was an outtake from the Funkadelic album "The Electric Spanking of War Babies".
Go Fer Yer Funk is the first installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released the next year by AEM Records in the U.S. and Sequel Records in the U.K.. The Family Series were designed to present previously unreleased recordings done by various bands in the Parliament-Funkadelic musical stable. The first CD is notable in that it features the title cut "Go Fer Yer Funk" which originally featured a collaboration between P-Funk and Funk legend James Brown.
Live...Capitol Theatre 1978 is a three-CD live album by the American funk band Parliament-Funkadelic. The album was released in the UK in November 2017 by the RoxVox label. The CD features the band performing at the Capitol Theatre in Passaic, New Jersey, on November 6, 1978, during their "One Nation/Anti-Tour". The liner notes feature a transcription of a December 7, 1978 article about Parliament-Funkadelic from Jet magazine.