"Dance to the Music" | ||||
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Single by Sly and the Family Stone | ||||
from the album Dance to the Music | ||||
B-side | "Let Me Hear It From You" | |||
Released | 17 November 1967 [1] | |||
Recorded | 1967 | |||
Genre | ||||
Length | 3:00 | |||
Label | Epic 5-10256 EMI Columbia DB 8369 (March 1968 UK release) Direction 58-3568 (June 1968 UK reissue) | |||
Songwriter(s) | Sly Stone | |||
Producer(s) | Sly Stone | |||
Sly and the Family Stone singles chronology | ||||
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Music video | ||||
"Dance to the Music" (audio) on YouTube |
"Dance to the Music" is a 1967 hit single by soul/funk/rock band Sly and the Family Stone for the Epic/CBS Records label. It was the first single by the band to reach the Billboard Pop Singles Top 10, peaking at #8 and the first to popularize the band's sound, which would be emulated throughout the black music industry and dubbed "psychedelic soul". [2] It was later ranked #223 on Rolling Stone 's list of the 500 Greatest Songs of All Time.
"Dance to the Music" by Sly and the Family Stone was inducted into the Grammy Hall of Fame in 1998. [6]
None of the band members particularly liked "Dance to the Music" when it was first recorded and released. The song, and the accompanying Dance to the Music LP, were made at the insistence of CBS Records executive Clive Davis, who wanted something more commercially viable than the band's 1967 LP, A Whole New Thing . Bandleader Sly Stone crafted a formula, blending the band's distinct psychedelic rock leanings with a more pop-friendly sound. The result was what saxophonist Jerry Martini called "glorified Motown beats. 'Dance to the Music' was such an unhip thing for us to do." [7]
However, "Dance to the Music" did what it was supposed to do: it launched Sly and the Family Stone into the pop consciousness. Even toned down for pop audiences, the band's radical sound caught many music fans and fellow recording artists completely off guard. "Dance to the Music" featured four co-lead singers, black musicians and white musicians in the same band, and a distinct blend of instrumental sounds: rock guitar riffs from Sly's brother Freddie Stone, a funk bassline from Larry Graham, Greg Errico's syncopated drum track, Sly's gospel-styled organ playing, and Jerry Martini and Cynthia Robinson on the horns.
An unabashed party record, "Dance to the Music" opens with Robinson screaming to the audience, demanding that they "get on up...and dance to the music!" before the Stone brothers and Graham break into an a cappella scat before the song's verses begin. The actual lyrics of the song are sparse and self-referential. The song serves as a Family Stone theme song of sorts, introducing Errico, Robinson, and Martini by name. After calling on Robinson and Martini for their solo, Sly tells the audience that "Cynthia an' Jerry got a message that says...", which Robinson finishes: "All the squares go home!" [8] [9] The Stone Brothers and Graham repeat the a cappella portion before the refrain of the repeated title is mentioned over and over with the sound of the instruments dropping out, except for the electric guitar, being played in the upper register, before the song's fade.
The song mentions the line: "Ride, Sally, Ride", a lyric from the Wilson Pickett hit song "Mustang Sally" (1966).
"Dance to the Music" was one of the most influential songs of the late-1960s. The Sly and the Family Stone sound became the dominating sound in African-American pop music for the next three years, and many established artists, such as The Temptations and their producer Norman Whitfield, Diana Ross & the Supremes, The Impressions, The Four Tops, The 5th Dimension, and War began turning out Family Stone-esque material. The Temptations' single "Cloud Nine" was inspired by "Dance to the Music" and was a top ten hit, winning a Grammy Award. "Dance to the Music" and the later Family Stone singles also helped lead to the development of funk music.
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Larry Graham Jr. is an American bassist and baritone singer, with the psychedelic soul/funk band Sly and the Family Stone and as the founder and frontman of Graham Central Station. In 1980, he released the single "One in a Million You", which reached the top ten on the US Billboard Hot 100. He is credited with the invention of the slapping technique on the electric bass guitar, which radically expanded the tonal palette of the bass, although he himself refers to the technique as "thumpin' and pluckin'".
Sly and the Family Stone was an American funk band formed in San Francisco, California in 1966 and active until 1983. They are considered to be pivotal in the development of funk, soul, R&B, rock, and psychedelic music. Their core line-up was led by singer-songwriter, record producer, and multi-instrumentalist Sly Stone, and included Stone's brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. The band was the first major American rock group to have a racially integrated, mixed-gender lineup.
Sylvester Stewart, better known by his stage name Sly Stone, is an American musician, songwriter, and record producer who is most famous for his role as frontman for Sly and the Family Stone, playing a critical role in the development of funk with his pioneering fusion of soul, rock, psychedelia and gospel in the 1960s and 1970s. AllMusic stated that "James Brown may have invented funk, but Sly Stone perfected it," and credited him with "creating a series of euphoric yet politically charged records that proved a massive influence on artists of all musical and cultural backgrounds." Crawdaddy! has credited him as the founder of the "progressive soul" movement.
Graham Central Station was an American funk band named after founder Larry Graham. The name is a pun on New York City's Grand Central Terminal, often colloquially called Grand Central Station.
"Everyday People" is a 1968 song composed by Sly Stone and first recorded by his band, Sly and the Family Stone. It was the first single by the band to go to number one on the Soul singles chart and the U.S. Billboard Hot 100 chart. It held that position on the Hot 100 for four weeks, from February 9 to March 8, 1969, and is remembered as one of the most popular songs of the 1960s. Billboard ranked it as the No. 5 song of 1969.
Stand! is the fourth album by soul/funk band Sly and the Family Stone, released in April 1969. Written and produced by lead singer and multi-instrumentalist Sly Stone, Stand! is considered an artistic high-point of the band's career. Released by Epic Records, just before the group's celebrated performance at the Woodstock festival, it became the band's most commercially successful album to date. It includes several well-known songs, among them hit singles, such as "Sing a Simple Song", "I Want to Take You Higher", "Stand!", and "Everyday People". The album was reissued in 1990 on compact disc and vinyl, and again in 2007 as a remastered numbered edition digipack CD with bonus tracks and, in the UK, as only a CD with bonus tracks.
Greatest Hits is a compilation album by the American group Sly and the Family Stone. It was first released on November 21, 1970, by Epic Records. The album includes all of the singles from the albums Dance to the Music (1968), Life (1968), and Stand! (1969).
Greg Errico is an American musician and record producer, best known as the drummer for the popular and influential psychedelic soul/funk band Sly and the Family Stone.
Gerald L. Martini is an American musician, best known for being the saxophonist for Sly and the Family Stone. He was inducted into the Rock and Roll Hall of Fame in 1993 as a member of Sly and the Family Stone.
A Whole New Thing is the debut album by funk/soul band Sly and the Family Stone, released in 1967 on Epic/CBS Records. The album was released to mixed criticism and failed to make an impact from a commercial standpoint and did not chart. CBS Records executive Clive Davis prevailed upon band leader Sly Stone to create a more commercial album; the result was the album Dance to the Music. Unlike later Sly and the Family Stone albums, A Whole New Thing was recorded live in the studio instead of being overdubbed and featured less of a pop feel than later releases such as Dance to the Music and Stand!. The lead vocals are shared between Sly Stone, Freddie Stone, and Larry Graham; Rose Stone would not join the band until they began work on Dance to the Music.
Dance to the Music is the second studio album by funk/soul band Sly and the Family Stone, released in 1968 on Epic/CBS Records. It contains the Top Ten hit single of the same name, which was influential in the formation and popularization of the musical subgenre of psychedelic soul and helped lay the groundwork for the development of funk music.
Life is the third studio album by funk/soul band Sly and the Family Stone, released in September 1968 on Epic/CBS Records. The album was titled M'Lady in the United Kingdom.
Little Sister was an American all-female vocal harmony group, which served primarily as the background vocalists for the influential rock/funk band Sly and the Family Stone in concert and on record. Originally a gospel music group called the Heavenly Tones, Little Sister was composed of Vet Stewart, Mary McCreary, and Elva Mouton, and became a recording act of its own for a brief period in 1970–1971.
"Thank You (Falettinme Be Mice Elf Agin)" is a 1969 song recorded by Sly and the Family Stone. The song, released as a double A-side single with "Everybody Is a Star", reached number one on the soul single charts for five weeks, and reached number one on the Billboard Hot 100 in February 1970. Billboard ranked the record as the No. 19 song of 1970.
"Stand!" is a 1969 song by the soul/rock/funk band Sly and the Family Stone Issued as a single that year by Epic Records, it reached number 22 on the Billboard Hot 100 and number 14 on the Hot Soul Songs charts.
"Sing a Simple Song" is a 1968 song by the soul/funk band Sly and the Family Stone, the B-side to their #1 hit "Everyday People". The song is sung in turn by Sly Stone, Freddie Stone, Rose Stone, and Larry Graham, with shouted spoken word sections by Cynthia Robinson. As with nearly all of Sly and the Family Stone's songs, Sylvester "Sly Stone" Stewart was credited as the sole songwriter.
"I Want to Take You Higher" is a song by the soul/rock/funk band Sly and the Family Stone, the B-side to their Top 30 hit "Stand!". Unlike most of the other tracks on the Stand! album, "I Want to Take You Higher" is not a message song; instead, it is simply dedicated to music and the feeling one gets from music. Like nearly all of Sly & the Family Stone's songs, Sylvester "Sly Stone" Stewart was credited as the sole songwriter.
"Everybody Is a Star", released in December 1969, is song written by Sylvester Stewart and recorded by Sly and the Family Stone. The song, released as the B-side to the band's 1970 single "Thank You ", reached number one on the Billboard Hot 100 in February 1970 at a time when chart position for both sides of the single were measured equally and not independently. "Star" was intended to be included on an in-progress album with "Thank You" and "Hot Fun in the Summertime"; the LP was never completed, and the three tracks were instead included on the band's 1970 Greatest Hits compilation. The single was the final classic-era Family Stone recording; it would be 23 months until the next release, the single "Family Affair" in late 1971.
"Hot Fun in the Summertime" is a 1969 song recorded by Sly and the Family Stone. The single was released just prior to the band's high-profile performance at Woodstock, which greatly expanded their fanbase. The song peaked at number 2 on the U.S. Billboard Hot 100 pop singles chart, kept out of the number 1 spot by "I Can't Get Next to You" by The Temptations. "Hot Fun in the Summertime" also peaked at number 3 on the U.S. Billboard soul singles chart in autumn 1969. It is ranked as the seventh biggest U.S. hit of 1969, and the 65th in Canada.
There's a Riot Goin' On is the fifth studio album by American funk and soul band Sly and the Family Stone. It was recorded from 1970 to 1971 at Record Plant Studios in Sausalito, California and released later that year on November 1 by Epic Records. The recording was dominated by band frontman/songwriter Sly Stone during a period of escalated drug use and intra-group tension.