| Freakbeat | |
|---|---|
| Other names |
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| Stylistic origins | |
| Cultural origins | Mid-1960s, United Kingdom |
| Other topics | |
Freakbeat is a loosely defined subgenre of rock music developed mainly by harder-driving British mod groups during the British Invasion and Swinging London period of the mid-to late 1960s. The genre bridges R&B, beat and early psychedelia. [1] [2]
During the mid-to late 1960s, British music publications used the term "freak-out music" to describe a subset of psychedelic rock bands. In the United Kingdom, some mod groups would be referred to as "freak-out music" such as the Creation. [3] [4] The term was originally coined in the United States by Frank Zappa's the Mothers of Invention on their debut album Freak Out! which was based on the L.A freak scene. The term was also used interchangeably with "psychedelic freakout" guitar solos. In drug slang, "freak-out" referred to having a "bad trip". [5] In December 1966, Beat Instrumental wrote a piece on freak-out music, stating: [4]
This “freak-out” music takes a bit of explaining. Count Five, with their hit “Psychotic Reaction,” have already made it onto the charts in both America and Britain. The Fingers, Kim Fowley, the Yardbirds, John’s Children, and the Monkees are also part of this growing movement making an impact on the charts. But the Mothers of Invention are regarded as the most way-out of them all.
The writer also stated the Creation "denied categorically that they're anything to do with the freak-out scene". [4] By the end of the decade the term fell out of prominence. In 1986, English music journalist Phil Smee would coin "freakbeat" when compiling the Rubble series of compilations to retrospectively define mid-1960s British "freak-out" music. [6] [7] [8] [9] [10] AllMusic writes that "freakbeat" is loosely defined, but generally describes the more obscure but hard-edged artists of the British Invasion era. [2] [11] [12]
Much of the material collected on Rhino Records's 2001 box-set compilation Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969 can be classified as freakbeat. [13]
The English Freakbeat series is a group of five compilation albums, released in the late 1980s, that were issued by AIP Records. The LPs featured recordings that were released in the mid-1960s by English rock bands in R&B and beat genres. The series served as a follow-up to the Pebbles, Volume 6 LP, itself subtitled The Roots of Mod, which was the only album in the Pebbles series that was devoted to English music. When the English Freakbeat series was reissued as CDs in the 1990s, the Pebbles, Volume 6 LP was adapted into the English Freakbeat, Volume 6 CD.[ citation needed ] [14] [15] [16]
"Free Form Freak-Out" would originally be used by American psychedelic band Red Krayola on their 1967 debut album The Parable of Arable Land, and later as a term by several publications. [17] [18] [19] [20]
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