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The Neon Philharmonic | |
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Background information | |
Origin | United States |
Genres | Psychedelic pop |
Years active | 1967–1975 |
Labels | Warner Bros. TRX Records MCA Records London Records Sundazed Rhino Records |
Past members | Kenneth A. Buttrey Jerry Carrigan Chip Young Don Gant Dennis Good Rufus Long Pierre Menard Norbert Putnam Tupper Saussy Don Sheffield Chuck Wyatt |
The Neon Philharmonic (formed 1967) was an American psychedelic pop[ citation needed ] band led by songwriter and conductor Tupper Saussy and singer Don Gant. [1] They released their two albums ( The Moth Confesses and the eponymous The Neon Philharmonic ) in 1969, and they scored a Top 20 hit on the Billboard Hot 100 chart with "Morning Girl", [1] which featured the Nashville Symphony Orchestra, [1] when it hit the Top 40 in May of that year and rose to number 17 on Billboard and number 15 on the Cash Box chart. [2] The band hit the chart again with "Heighdy-Ho Princess" in 1970. The group was produced by Saussy, Gant, and Bob McCluskey, and engineered by Ronald Gant, Don's brother. The group disbanded in 1975 after releasing numerous non-album singles. Although the first album stated "Borges Forever!", the group's concertmaster is really named Pierre Menard, and it is not a reference to the Jorge Luis Borges story Pierre Menard, Author of the Quixote, Saussy was not conscious of the connection. [3]
The bulk of the group's output was released by Warner Bros./Seven Arts Records. In 1972, they moved to TRX Records and produced another single, "Annie Poor" / "Love Will Find a Way", after which the group disbanded. The Neon Philharmonic name was sold to producer David Kastle, who put out additional singles released by MCA Records and London Records. At least one Saussy song, "Making Out the Best I Can", was recorded by this group and engineered by Ronald Gant. Along with its flipside recording, "So Glad You're a Woman", written by Ray Williams and Ron Demmans (MCA-40158 (MC 4810), 1975), the instrumentation was limited to synthesizers, guitar and drums. These later singles have no other connection to the original group.
Shaun Cassidy, David's younger brother, did a cover version of "Morning Girl, Later" (simply titled "Morning Girl") in 1976, which did not chart in the US, but did well in The Netherlands, Belgium and Germany. [4] The song was also covered by The Lettermen.
The group is not to be confused with the German group The Neon Philharmonic Orchestra, which arranged many classical pieces in medleys in a similar style in the 1980s and 1990s, and covered Walter Murphy's "A Fifth of Beethoven". [5] [ self-published source ]
Three additional songs, "Better Times," "Jody," and "Letters Crossing", were recorded around the fall of 1970 and remained unreleased until the 2003 collection.
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The Moth Confesses is the 1969 debut album by The Neon Philharmonic. Described as "A Phonograph Opera," it was inspired, according to the liner notes, by a production of Samuel Barber's Antony and Cleopatra, which Saussy attended after The New York Times claimed that it was a terrible opera, and wanted to see what a terrible opera looked like, which he surmised was its deliberate attempt to appeal to a one-time audience. In response, he conceived this album as a condensed opera, with a moth-like protagonist, focused on the "literary theme" of desperation. Saussy did not imagine it could be staged like Tommy, but offered it up as a challenge.
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