Norbert Putnam | |
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Background information | |
Birth name | Norbert Auvin Putnam |
Born | Florence, Alabama, United States | August 10, 1942
Genres | Rock, pop, country |
Occupation(s) | Record producer, musician |
Norbert Auvin Putnam (born August 10, 1942) is an American musician, studio owner and record producer who was inducted into the Musicians Hall of Fame in 2019. [1] [2] [3] [4] He got his start as a bass player in the studio house band in Muscle Shoals, Alabama and from there was recruited to move to Nashville in 1965. He became a successful session player on recordings by artists including Roy Orbison, Al Hirt, Henry Mancini, Dan Fogelberg, Linda Ronstadt, J. J. Cale, Tony Joe White, the Nitty Gritty Dirt Band, the Byrds, Michael Card, Ian & Sylvia and Bobby Goldsboro. [1] Putnam published a memoir in 2017 entitled Music Lessons Vol. 1: a Musical Memoir, in which he chronicled recording sessions with Elvis Presley and other artists. [5]
He became involved with music publishing in his mid-career and in 1971 built Quadraphonic Studios, a popular Nashville recording studio known as simply "Quad" by locals. Quadraphonic's success was in part because of Putnam's interest and experimentation in the technological details of sound recording. He retired from actively playing sessions in the early 1970s to be a producer. In this role, he is credited with broadening Nashville as a recording center by bringing in non-country acts such as Jimmy Buffett, Joan Baez and Dan Fogelberg.
Putnam's father played in a family band as a young man and when son Norbert was growing up, an upright bass was in the household. [6] In his mid-teens, Putnam played bass in a band in Florence with other teenagers David Briggs and Jerry Carrigan. The boys were too young to drive then and Carrigan's father drove them to engagements. [5] After a couple of years they were hired by Tom Stafford, Rick Hall and Billy Sherrill to make demo recordings for a publishing company. In doing this, they learned how to work as a team to create arrangements for new songs. Putnam and his bandmates later followed Rick Hall to work at FAME Studios in Muscle Shoals and served as the rhythm section for hit records by Arthur Alexander, Tommy Roe and The Tams. [7] The success of these recordings drew the attention of the entire recording industry to the previously unknown and out-of-the way studio. [8] Putnam, Carrigan and Briggs were subsequently recruited by prominent music producers to move to Nashville, about 125 miles north. The three musicians left Muscle Shoals simultaneously to pursue separate careers in Nashville . Their replacements in Muscle Shoals became the second generation of the "Muscle Shoals Rhythm Section" nicknamed "The Swampers". [5]
Putnam's career unfolded in three phases. First, he spent twenty years working recording sessions. Next he became an entrepreneur building music publishing companies and recording studios; the third was producing records by other artists. [5] : VI As a producer, Putnam was responsible for work on Nashville's non-country music output from the late 1960s to the early 1980s. His credits include works that established the popularity of performers such as Jimmy Buffett, Buffy Sainte-Marie, Joan Baez, Dan Fogelberg, Michael Card, Brewer & Shipley, Pousette Dart Band, Donovan, John Hiatt, J.J. Cale, the Flying Burrito Brothers, John Stewart and the New Riders of the Purple Sage. He partnered with David Briggs in 1969 to build a new studio called Quadrafonic in Nashville's' Music Row area. [5] : 153 Putnam made technical innovations and newer equipment to improve recording quality and is credited with creating a wave of modernization of many Nashville studios. He laid the groundwork for Nashville's widening appeal in attracting pop/rock artists. Putnam was inducted into the Musicians Hall of Fame and Museum in 2019. His book, Music Lessons Vol. 1: a Musical Memoir, was published in early 2017. [5]
After a long career in Nashville, Putnam moved to Florence, Alabama, near his birthplace. In 2015, Putnam and his wife Sheryl purchased a nineteenth-century mansion there known as "Thimbleton" which they sold in 2019. [9]
On the Elvis recording of "Merry Christmas Baby", Putnam is referenced by Elvis, when he calls "Wake up Putt".
Alabama has played a central role in the development of both blues and country music. Appalachian folk music, fiddle music, gospel, spirituals, and polka have had local scenes in parts of Alabama. The Tuskegee Institute's School of Music, especially the Tuskegee Choir, is an internationally renowned institution. There are three major modern orchestras, the Mobile Symphony, the Alabama Symphony Orchestra and the Huntsville Symphony Orchestra; the last is the oldest continuously operating professional orchestra in the state, giving its first performance in 1955.
Daniel Grayling Fogelberg was an American singer, songwriter, and multi-instrumentalist. He is primarily known for his 1980s soft rock hits, including "Longer" (1980), "Same Old Lang Syne" (1981), and "Leader of the Band" (1982).
Home Free is the debut album by American singer-songwriter Dan Fogelberg, released in 1972. Upon its original release, Home Free had lukewarm success, but following a later reissue, it was certified platinum by the RIAA for certified sales of 1,000,000 copies.
Phoenix is the sixth studio album by the American singer-songwriter Dan Fogelberg, released in 1979. It was produced primarily by Fogelberg and Norbert Putnam.
Elvis Country is the thirteenth studio album by American singer and musician Elvis Presley, released on RCA Records in January 1971. Recorded at RCA Studio B in Nashville, it reached number 12 on the Billboard 200. It peaked at number six in the United Kingdom, selling over one million copies worldwide. It was certified Gold on December 1, 1977, by the Recording Industry Association of America.
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The Muscle Shoals Rhythm Section is a group of American session musicians based in the northern Alabama town of Muscle Shoals. One of the most prominent American studio house bands from the 1960s to the 1980s, these musicians, individually or as a group, have been associated with more than 500 recordings, including 75 gold and platinum hits. They were masters at creating a southern combination of R&B, soul and country music known as the "Muscle Shoals sound" to back up black artists, who were often in disbelief to learn that the studio musicians were white. Over the years from 1962 to 1969, there have been two successive groups under the name "Muscle Shoals Rhythm Section" and the common factor in the two was an association with Rick Hall at FAME Studios in Muscle Shoals.
Muscle Shoals Sound Studio is an American recording studio in Sheffield, Alabama, formed in 1969 by four session musicians known as The Muscle Shoals Rhythm Section. They had left nearby FAME Studios in Muscle Shoals to create their own recording facility.
FAME Studios is a recording studio located at 603 East Avalon Avenue in Muscle Shoals, Alabama, an area of northern Alabama known as the Shoals. Though small and distant from the main recording locations of the American music industry, FAME has produced many hit records and was instrumental in what came to be known as the Muscle Shoals sound. It was started in the 1950s by Rick Hall, known as the Founder of Muscle Shoals Music. The studio, owned by Hall until his death in 2018, is still actively operating. It was added to the Alabama Register of Landmarks and Heritage on December 15, 1997, and was listed on the National Register of Historic Places in 2016. The 2013 award-winning documentary Muscle Shoals features Rick Hall, the Muscle Shoals Rhythm Section, and the Muscle Shoals sound originally popularized by FAME.
David Paul Briggs is an American keyboardist, record producer, arranger, composer, and studio owner. Briggs is one of an elite core of Nashville studio musicians known as "the Nashville Cats" and has been featured in a major exhibition by the Country Music Hall of Fame in 2015. He played his first recording session at the age of 14 and has gone on to add keyboards to a plethora of pop, rock, and country artists, as well as recording hundreds of corporate commercials.
Jerry Kirby Carrigan was an American drummer and record producer. Early in his career he was a member of the original Muscle Shoals Rhythm Section and later worked as a session musician in Nashville for over three decades. His style of drumming with a loose, deep-sounding snare drum melded country music with an R&B feel and helped develop a Nashville sound known as "Countrypolitan". His drumming is heard on many recordings which have become classics, some listed below. He recorded with Elvis Presley, Johnny Cash, Charley Pride, Jerry Lee Lewis, Ray Stevens, Kenny Rogers, George Jones and many others. He recorded with non-country artists as well, including Henry Mancini, Al Hirt, Johnny Mathis, and the Boston Pops Orchestra. In 2009 he was inducted into the "Nashville Cats", a cadre of top recording musicians chosen by the Country Music Hall of Fame. In 2010 he was inducted into the Alabama Music Hall of Fame. Carrigan was inducted into the Musicians Hall of Fame and Museum in 2019.
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Roe Erister "Rick" Hall was an American record producer, songwriter, and musician who became known as the owner of FAME Studios in Muscle Shoals, Alabama. As the "Father of Muscle Shoals Music", he was influential in recording and promoting both country and soul music, and in helping develop the careers of such musicians as Aretha Franklin, Otis Redding, Duane Allman and Etta James.
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Robert Ford Ogdin is a Nashville-based recording session pianist. He is best known as a member of Elvis Presley's TCB band. He performed on 20 of Presley's recordings and accompanied him on 45 live shows until Presley's death in 1977. Ogdin's piano playing was synchronized with archival footage of Presley's vocal performance on "Unchained Melody" in the 2022 motion picture, Elvis directed by Baz Luhrman. Ogdin's experiences during the Presley tours have been chronicled in a four-part series of video interviews by Billy Stallings.
"Steal Away" is a 1964 R&B hit and Top 40 crossover song written and recorded by Jimmy Hughes. It was the first single recorded at FAME Studios in Muscle Shoals, Alabama.