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Glam rock is a style of rock music that developed in the United Kingdom in the early 1970s and was primarily defined by the flamboyant clothing, makeup, and hairstyles of its musicians, particularly platform shoes and glitter. Glam artists drew on diverse sources, ranging from bubblegum pop and 1950s rock and roll to cabaret, science fiction, and complex art rock. The flamboyant clothing and visual styles of performers were often camp or androgynous, and have been described as playing with other gender roles. Glitter rock was a more extreme version of glam rock.
Surf music is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys.
Strawberry Alarm Clock is a psychedelic rock band formed in 1967, originating from Glendale, California, a city about ten miles north of downtown Los Angeles. The band is best known for its 1967 hit single "Incense and Peppermints." Their music is categorized as acid rock, psychedelic pop, and sunshine pop,, and they charted five songs, including two Top 40 hits.
Talking Book is the fifteenth studio album by American singer, songwriter, and musician Stevie Wonder, released on October 27, 1972, by Tamla, a subsidiary of Motown Records. This album and Music of My Mind, released earlier the same year, are generally considered to mark the start of Wonder's "classic period". The sound of the album is sharply defined by Wonder's use of keyboards and synthesizers.
Roy Ayers is an American vibraphonist, record producer and composer. Ayers began his career as a post-bop jazz artist, releasing several albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped pioneer jazz-funk. He is a key figure in the acid jazz movement, and has been described as "The Godfather of Neo Soul". He is best known for his compositions "Everybody Loves the Sunshine", "Lifeline", and "No Stranger To Love" and other that charted in the 1970s. At one time, he was said to have more sampled hits by rappers than any other artist.
Tapestry is the second studio album by American singer-songwriter Carole King. Produced by Lou Adler, it was released on February 10, 1971, by Ode Records. The album's lead singles, "It's Too Late" and "I Feel the Earth Move", spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts.
Sunshine pop is a subgenre of pop music that originated in Southern California in the mid-1960s. Rooted in easy listening and advertising jingles, sunshine pop acts combined nostalgic or anxious moods with "an appreciation for the beauty of the world". The category largely consists of lesser-known artists who imitated more popular groups such as the Mamas & the Papas and the 5th Dimension. While the Beach Boys are noted as prominent influences, the band's music was rarely representative of the genre.
Axis: Bold as Love is the second studio album by the Jimi Hendrix Experience. It was first released by Track Records in the United Kingdom on December 1, 1967, only seven months after the release of the group's highly successful debut album, Are You Experienced. In the United States, Reprise Records delayed the release until the following month. The album reached the top ten in the album charts in both countries.
"She's Like the Wind" is a 1987 song by American actor and singer Patrick Swayze from the soundtrack to the film Dirty Dancing. The song features additional vocals from singer Wendy Fraser. The ballad reached number three on the US Billboard Hot 100 and number one on the Adult Contemporary chart.
Sunshine Superman is the third studio album by Scottish singer-songwriter Donovan. It was released in the United States on August 26, 1966, but was not released in the UK because of a contractual dispute. In June 1967, a compilation of tracks from this album and the follow-up Mellow Yellow was released as Sunshine Superman in the UK.
Andrew Paul Sandoval is an American, best known as a Grammy Award nominated reissuer and compiler and engineer of historical albums, containing popular music from the rock era. Additionally, Sandoval has ongoing careers as author, DJ, journalist, songwriter and professional musician. Born in Santa Monica, California, his career in music began in 1986 as the editor and publisher of a fanzine called New Breed, a project that blossomed into work as a reissue director for such labels as Rhino and PolyGram. His writing has appeared in the form of liner notes to record and CD releases, as well as in articles featured in The Hollywood Reporter and Shindig!
"Wind Beneath My Wings" is a song written in 1982 by Jeff Silbar and Larry Henley.
"Eloise" is a song first released in 1968 on the MGM label. It was sung by Barry Ryan, and written by his twin brother Paul Ryan. Running for over five minutes, it features strong orchestration, melodramatic vocals, and a brief slow interlude. It sold three million copies worldwide, and reached No. 2 in the UK Singles Chart as published by Record Retailer, but hit No. 1 in the NME and Melody Maker charts. It topped the chart in 17 countries, including Italy, the Netherlands and Australia.
Gary Katz is an American record producer, best known for his work on albums by Steely Dan. Katz has also produced numerous other recording artists and assisted in the discovery and signing of a number of subsequently successful acts. He has four Grammy nominations.
Lyle "Rusty" Dedrick was an American swing and bebop jazz trumpeter and composer born in Delevan, New York, probably better known for his work with Bill Borden, Dick Stabile, Red Norvo, Ray McKinley and Claude Thornhill, among others.
Adult contemporary music (AC) is a form of radio-played popular music, ranging from 1960s vocal and 1970s soft rock music to predominantly ballad-heavy music of the 1980s to the present day, with varying degrees of easy listening, pop, soul, R&B, quiet storm and rock influence. Adult contemporary is generally a continuation of the easy listening and soft rock style that became popular in the 1960s and 1970s with some adjustments that reflect the evolution of pop/rock music.
Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental techniques such as musique concrète, aleatoric music, or eclecticism into pop contexts. Often, the compositional process involves the use of electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously.
The California sound is a popular music aesthetic that originates with American pop and rock recording artists from Southern California in the early 1960s. At first, it was conflated with the California myth, an idyllic setting inspired by the state's beach culture that commonly appeared in the lyrics of commercial pop songs. Later, the sound was expanded outside its initial geography and subject matter and was developed to be more sophisticated, often featuring studio experimentation.
Pic-Nic was a Spanish teenage folk-pop and sunshine pop band formed in Barcelona in the mid-to-late 1960s, composed of lead singer Jeanette, guitarists Toti Soler and Al Cárdenas, drummer Jordi Barangé and bassist Isidoro "Doro" de Mentaberry. Although keyboardist Jordi Sabatés is often mentioned as a member of the band, he does not appear on any of the group's releases, having joined after their only published recording sessions had taken place. Pic-Nic was the successor to the short-lived group Brenner's Folk, originally founded by German-Venezuelan brothers Haakon and Vytas Brenner together with Soler, Barangé and Jeanette, an English girl who had recently moved to Spain after being raised in the United States. After releasing a four-song extended play for the label Edigsa in 1966, the Brenner brothers left the band, being replaced by Cárdenas and de Mentaberry.
This article includes an overview of trends in Latin music in the 1990s, namely in Ibero-America. This includes the rise and fall of various subgenres in Latin music from 1990 to 1999.
References
- 1 2 3 4 5 6 7 "Sunshine Pop Genre Overview". AllMusic . Retrieved June 4, 2021.
- 1 2 3 4 5 6 7 8 Unterberger, Richie (1999). "Los Angeles: Sunshine pop". The Rough Guide to Music USA. Rough Guides. pp. 388–389. ISBN 978-1858284217 . Retrieved June 4, 2021.
- 1 2 3 4 5 6 7 8 Myers, Marc (March 17, 2017). "The Rise of Sunshine Pop". JazzWax. Retrieved June 4, 2021.
- 1 2 3 Howard, David N. (2004). Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings. Hal Leonard. p. 69. ISBN 978-0634055607 . Retrieved June 4, 2021.
- ↑ Morten, Andy (16 April 2015). "Kaleidoscope No.47". Volcano Publishing. p. 49. Archived from the original on 26 June 2015. Retrieved 26 June 2015.
{{cite journal}}: Cite journal requires|journal=(help) - 1 2 3 Félix, Mundo; Mr. Toytown (2007). "Soft-pop en España: la recuperación de un tesoro perdido". Papagayo! (The Spanish Sunshine Pop & Popsike Collection) (liner notes) (in Spanish). Various artists. Spain: Toytown Recordings. TT5000.
- 1 2 3 Murray, Noel. "Sunshine Pop". The A.V. Club . Retrieved June 4, 2021.
- ↑ Joel Goldenberg: Sunshine pop offered some respite from '60s strife