Atomik Aztex

Last updated
Atomik Aztex
Atomik Aztex book cover.png
Author Sesshu Foster
Genre Postcolonial, metafictional alternate history
Publication date
2005

Atomik Aztex is a 2005 speculative fiction alternate history novel by Sesshu Foster. The novel combines elements of speculative fiction, alternate history, postcolonial literature, and metafiction. The narrative deals with interconnected alternate timelines, one of which is set in a reality where the Aztec Empire defeated the Spanish and then conquered Europe.

Contents

Plot summary

Zenzontli is an Aztec warrior from the timeline in which the Aztecs conquered Europe, and rule over a North American empire. In that universe, he trades in European slaves who are ritually sacrificed. At one point, Zenzontli and other warriors are sent to a timeline where the Europeans defeated the Aztecs with the mission of defeating the Nazis at the Battle of Stalingrad.

Meanwhile, Zenzontli and others experience visions of our universe, where the Spanish subjugated the indigenous peoples of the Americas. In this universe, they are illegal Mexican immigrants who work in a meatpacking plant. Zenzontli finds his job as a slaughterer to be similar to his role as a sacrificer in his own universe. Other versions of Zenzontli are show to occur across other timelines, all interlinked.

Structure and themes

The novel switches between multiple timelines in a setting where many universes exist in an "ever expanding omniverse". The narrative takes a postcolonial approach to time, positing a post-quantum cosmology in which time is circular. [1] Foster describes the function of cyclical time in these universes as "78 rpm realities". This is inspired by the Aztec concept of cyclical time. [2]

It is a work of historiographic metafiction. [3] The novel is written in a postmodern style, [2] with alternative spellings and slang. [4] The various timelines are expressed in a disjointed manner, reflecting both the mental state of Zenzontli and the simultaneous nature of events across universes. [5]

Its narrative explores contemporary issues of economic and racial disparities in modern urban communities. [6] [7] The prominence of human sacrifice and other forms of institutionalized violence in the Aztec universe is used to reflect and criticize the violence which exists in our society. [7] The secondary timeline of the novel, which takes place in modern California, is shown to be steeped in inequality and violence. [8] A major theme of the novel is civilization, and the inhumanity of colonization and events like the Spanish conquest of the New World and the Holocaust. [9]

Reception

The book received praise for its handling of alternate realities but its confusing and postmodern writing style was criticized by some. [4] [9] [2]

Related Research Articles

<span class="mw-page-title-main">Alternate history</span> Genre of speculative fiction, where one or more historical events occur differently

Alternate history is a subgenre of speculative fiction in which one or more historical events have occurred but are resolved differently than in actual history. As conjecture based upon historical fact, alternate history stories propose What if? scenarios about crucial events in human history, and present outcomes very different from the historical record. Some alternate histories are considered a subgenre of science fiction, or historical fiction.

Magic realism or magical realism is a style of literary fiction and art. It paints a realistic view of the world while also adding magical elements, often blurring the lines between fantasy and reality. Magic realism often refers to literature in particular, with magical or supernatural phenomena presented in an otherwise real-world or mundane setting, commonly found in novels and dramatic performances. Despite including certain magic elements, it is generally considered to be a different genre from fantasy because magical realism uses a substantial amount of realistic detail and employs magical elements to make a point about reality, while fantasy stories are often separated from reality. Magical realism is often seen as an amalgamation of real and magical elements that produces a more inclusive writing form than either literary realism or fantasy.

A parallel universe, also known as an alternate universe, parallel world, parallel dimension, or alternate reality, is a hypothetical self-contained plane of existence, co-existing with one's own. The sum of all potential parallel universes that constitute reality is often called a "multiverse". While the six terms are generally synonymous and can be used interchangeably in most cases, there is sometimes an additional connotation implied with the term "alternate universe/reality" that implies that the reality is a variant of our own, with some overlap with the similarly named alternate history.

Metafiction is a form of fiction that emphasizes its own narrative structure in a way that inherently reminds the audience that they are reading or viewing a fictional work. Metafiction is self-conscious about language, literary form, and story-telling, and works of metafiction directly or indirectly draw attention to their status as artifacts. Metafiction is frequently used as a form of parody or a tool to undermine literary conventions and explore the relationship between literature and reality, life, and art.

<span class="mw-page-title-main">Gerald Vizenor</span> American writer

Gerald Robert Vizenor is an American writer and scholar, and an enrolled member of the Minnesota Chippewa Tribe, White Earth Reservation. Vizenor also taught for many years at the University of California, Berkeley, where he was Director of Native American Studies. With more than 30 books published, Vizenor is Professor Emeritus at the University of California, Berkeley, and Professor of American Studies at the University of New Mexico.

<i>The Science of Discworld II: The Globe</i> 2002 book by Terry Pratchett, Ian Stewart and Jack Cohen

The Science of Discworld II: The Globe is a 2002 book written by British novelist Terry Pratchett and science writers Ian Stewart and Jack Cohen. It is a sequel to The Science of Discworld, and is followed by The Science of Discworld III: Darwin's Watch.

<span class="mw-page-title-main">Postmodern literature</span> 20th-century literary form and movement

Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.

An alternative universe is a setting for a work of fan fiction that departs from the canon of the fictional universe that the fan work is based on. For example, an AU fan fiction might imagine what would have taken place if the plot events of the source material had unfolded differently, or it might transpose the characters from the original work into a different setting to explore their lives and relationships in a different narrative context. Unlike typical fan fiction, which generally remains within the boundaries of the canon set out by the source material, alternative universe fan fiction writers explore the possibilities of pivotal changes made to characters' history, motivations, or environment, often combining material from multiple sources for inspiration. Characters' known motivations may vary considerably from their decisions in the canonical universe. The author of an alternative universe story thus can use the same characters, but send them down different paths to achieve a completely different plot.

<i>Giles Goat-Boy</i> 1966 novel by John Barth

Giles Goat-Boy (1966) is the fourth novel by American writer John Barth. It is a metafictional comic novel in which the universe is portrayed as a university campus in an elaborate allegory of both the hero's journey and the Cold War. Its title character is a human boy raised as a goat, who comes to believe he is the Grand Tutor, the predicted Messiah. The book was a surprise bestseller for the previously obscure Barth, and in the 1960s had a cult status. It marks Barth's leap into American postmodern fabulism.

<i>Lost in the Funhouse</i> 1968 short story collection by John Barth

Lost in the Funhouse (1968) is a short story collection by American author John Barth. The postmodern stories are extremely self-conscious and self-reflexive, and are considered to exemplify metafiction.

<span class="mw-page-title-main">Time travel in fiction</span> Concept and accompanying genre in fiction

Time travel is a common theme in fiction, mainly since the late 19th century, and has been depicted in a variety of media, such as literature, television, film, and advertisements.

<span class="mw-page-title-main">Larry McCaffery</span> American author and professor

Lawrence F. McCaffery Jr. is an American literary critic, editor, and retired professor of English and comparative literature at San Diego State University. His work and teaching focuses on postmodern literature, contemporary fiction, and Bruce Springsteen. He also played a role in helping to establish science fiction as a major literary genre.

A vignette is a French loanword expressing a short and descriptive piece of writing that captures a brief period in time. Vignettes are more focused on vivid imagery and meaning rather than plot. Vignettes can be stand-alone, but they are more commonly part of a larger narrative, such as vignettes found in novels or collections of short stories.

<span class="mw-page-title-main">Experimental literature</span> Genre of literature

Experimental literature is a genre of literature that is generally "difficult to define with any sort of precision." It experiments with the conventions of literature, including boundaries of genres and styles; for example, it can be written in the form of prose narratives or poetry, but the text may be set on the page in differing configurations than that of normal prose paragraphs or in the classical stanza form of verse. It may also incorporate art or photography. Furthermore, while experimental literature was traditionally handwritten, the digital age has seen an exponential use of writing experimental works with word processors.

<span class="mw-page-title-main">Jennifer Egan</span> Novelist, short story writer

Jennifer Egan is an American novelist and short-story writer. Her novel A Visit from the Goon Squad won the 2011 Pulitzer Prize for Fiction and National Book Critics Circle Award for fiction. From 2018 to 2020, she served as the president of PEN America.

Linda Hutcheon, FRSC, O.C. is a Canadian academic working in the fields of literary theory and criticism, opera, and Canadian studies. She is a University Professor Emeritus in the Department of English and of the Centre for Comparative Literature at the University of Toronto, where she has taught since 1988. In 2000 she was elected the 117th President of the Modern Language Association, the third Canadian to hold this position, and the first Canadian woman. She is particularly known for her influential theories of postmodernism.

Sesshu Foster is an American poet and novelist.

<i>Hawksmoor</i> (novel) 1985 novel by Peter Ackroyd

Hawksmoor is a 1985 novel by English writer Peter Ackroyd. It won Best Novel at the 1985 Whitbread Awards and the Guardian Fiction Prize. It tells the parallel stories of Nicholas Dyer, who builds seven churches in 18th-century London for which he needs human sacrifices, and Nicholas Hawksmoor, detective in the 1980s, who investigates murders committed in the same churches. Hawksmoor has been praised as Peter Ackroyd's best novel and an example of postmodernism.

Quantum fiction is a genre of speculative fiction that reflects modern experience of the material world and reality as influenced by quantum theory and new principles in quantum physics. It is characterized by the use of an element in quantum mechanics as a storytelling device. The genre is not necessarily science-themed, and blurs the line separating science fiction and fantasy into a broad scope of mainstream literature that transcends the mechanical model of science and involves the fantasy of human perception or imagination as realistic components affecting the everyday physical world.

<i>Yo-Yo Boing!</i> Spanglish book by Giannina Braschi

Yo-Yo Boing! (1998) is a postmodern novel in English, Spanish, and Spanglish by Puerto Rican author Giannina Braschi. The cross-genre work is a structural hybrid of poetry, political philosophy, musical, manifesto, treatise, memoir, and drama. The work addresses tensions between Anglo-American and Hispanic-American cultures in the United States.

References

  1. Lee, Derek (2020). "Postquantum: A Tale for the Time Being, Atomik Aztex, and Hacking Modern Space-Time". MELUS: Multi-Ethnic Literature of the U.S. 45 (1): 1–26. doi:10.1093/melus/mlz057. ISSN   1946-3170.
  2. 1 2 3 "Atomik Aztex by Sesshu Foster". SF Station | San Francisco's City Guide. Retrieved 2024-02-14.
  3. Pöhlmann, Sascha (2010). "Cosmographie Metafiction in Sesshu Foster's "Atomik Aztex"". Amerikastudien / American Studies. 55 (2): 223–248. ISSN   0340-2827. JSTOR   41158496.
  4. 1 2 "Atomik Aztex by Sesshu Foster". Publishers Weekly. Retrieved 2024-02-14.
  5. Bhattacharya, Paushali (January 2024). ""Fucked in the Head and Liking It": Atomik Aztex, Postcoloniality, Psychosis of Civilization". Critique: Studies in Contemporary Fiction. 65 (1): 167–176. doi:10.1080/00111619.2022.2156265. ISSN   0011-1619. S2CID   254619510.
  6. Sohn, Stephen Hong (2014-01-17), 2. When the Minor Becomes Major: Asian American Literary California, Chicano Narration, and Sesshu Foster's Atomik Aztex, New York University Press, pp. 63–100, doi:10.18574/nyu/9781479800070.003.0003, ISBN   978-1-4798-0055-1 , retrieved 2024-02-14
  7. 1 2 Machuca, Nicholas (June 2018). Spatial Justice and Environmental Racism in Sesshu Foster's Atomik Aztex (PDF) (Master's thesis). University of Oregon.
  8. Foster, Sesshu (January 2001). "Atomik Aztex". Amerasia Journal. 27 (2): 145–166. doi:10.17953/amer.27.2.j266p85809157n9w. ISSN   0044-7471. S2CID   218510888.
  9. 1 2 Juris, Carolyn. "A modern Aztec warrior slips into our slaughterhouse of a world". San Francisco Chronicle. Retrieved 2024-02-14.