- Central vestibule of the Milwaukee Art Museum
- The Reiman Bridge provides pedestrian access to downtown Milwaukee
- Milwaukee Art Museum with the Burke brise soleil closed
Established | 1882 |
---|---|
Location | 700 N. Art Museum Drive Milwaukee, Wisconsin United States |
Coordinates | 43°2′24″N87°53′49″W / 43.04000°N 87.89694°W |
Type | Art museum |
Visitors | 400,000+ |
Director | Marcelle Polednik |
Public transit access | MCTS The Hop |
Website | www |
The Milwaukee Art Museum (MAM) is an art museum in Milwaukee, Wisconsin. Its collection contains nearly 25,000 works of art. [1]
Located on the lakefront of Lake Michigan, the Milwaukee Art Museum is one of the largest art museums in the United States. Aside from its galleries, the museum includes a cafe, named Cafe Calatrava, with views of Lake Michigan, and a gift shop. [2]
Normal operating hours for MAM are Tuesday–Wednesday and Friday–Sunday 10:00 a.m. to 5:00 p.m., Thursday 10:00 a.m. to 8:00 p.m. [2] [3]
Beginning around 1872, multiple organizations were founded in order to bring an art gallery to Milwaukee, as the city was still a growing port town with few or no facilities to hold major art exhibitions. Over the span of at least nine years, all attempts to build a major art gallery had failed. Shortly after, Alexander Mitchell donated all of his collection in support of constructing Milwaukee's first permanent art gallery. [4]
In 1888, the Milwaukee Art Association was created by a group of German panorama artists and local businessmen. The same year, British-born businessman Frederick Layton built, endowed and provided artwork for the Layton Art Gallery, now demolished. In 1911, the Milwaukee Art Institute, another building constructed to hold other exhibitions and collections, was completed, adjacent to the Layton Art Gallery.
The claim of the Milwaukee Art Institute to be Milwaukee's first art gallery was disputed by the Layton Art Gallery, which opened the same year, 1888. [5] Nevertheless, in 1957, the Milwaukee Art Institute and Layton Art Gallery merged their collections to form the Milwaukee Art Center, now the Milwaukee Art Museum, and moved into the newly-built Eero Saarinen-designed Milwaukee County War Memorial.
The Quadracci Pavilion is a multi-purpose 13,197-square-meter (142,050-square-foot) building with areas that include a reception hall, auditorium, exhibition space, and stores. It was designed by Spanish architect Santiago Calatrava and completed in 2001. [6] The construction method of concrete slabs into timber frames was revolutionary in architecture. Windover Hall is a 90-foot (27 m)-tall grand reception area topped with a glass roof. The style and symbolism of the building are based on Gothic architecture and designed to represent the shape of a ship looking over Lake Michigan. Calatrava states, “the building’s form is at once formal (completing the composition), functional (controlling the level of light), symbolic (opening to welcome visitors), and iconic (creating a memorable image for the Museum and the city).” [3]
In the latter half of the 20th century, the museum came to include the War Memorial Center in 1957 as well as the brutalist Kahler Building (1975) designed by David Kahler and the Quadracci Pavilion (2001) created by Spanish architect Santiago Calatrava. [3]
The Quadracci Pavilion contains a movable, wing-like Burke brise soleil that opens up for a wingspan of 217 feet (66 m) during the day, folding over the tall, arched structure at night or during inclement weather. There are sensors on the wings that monitor wind speeds, so if the wind speeds are over 23 miles per hour (37 km/h) for over 3 seconds, the wings close. The pavilion received the 2004 Outstanding Structure Award from the International Association for Bridge and Structural Engineering. [7] This iconic building, often referred to as "the Calatrava", is used in the museum logo.
In November 2015, the museum opened a $34 million expansion funded jointly by a museum capital campaign and by Milwaukee County. [8] The new expansion, called the Shields Building, designed by Milwaukee architect James Shields of HGA, provides an additional 30,000 square feet for art, including a section devoted to light-based media, photography, and video installations. [9] The building includes a new atrium and lakefront-facing entry point for visitors and was designed with cantilevered elements and concrete columns to complement, respectively, the existing Calatrava and Kahler structures on the site. [10] The final design emerged after a lengthy process that included the main architect's departure because of design disputes and his return to the project. [11]
The Cudahy Gardens were designed in conjunction with the Quadracci Pavilion by landscape architect Dan Kiley. This garden measures 600 feet by 100 feet, a rectangular shape that is divided into five lawns by a series of 10-foot-tall hedge lines. In this garden there is a center fountain that creates a 4-foot-tall water curtain. There are linden trees and crabapple trees scattered throughout this garden as well. The gardens were named after philanthropist Michael Cudahy, whose donations greatly contributed to their construction. [3]
The museum houses nearly 25,000 works of art housed on four floors, with works from antiquity to the present. Included in the collection are 15th- to 20th-century European and 17th- to 20th-century American paintings, sculpture, prints, drawings, decorative arts, photographs, and folk and self-taught art. Among the best in the collection are the museum's holding of American decorative arts, German Expressionism, folk and Haitian art, and American art after 1960. [12] [13] [14]
The museum holds one of the largest collections of works by Wisconsin native Georgia O'Keeffe. [15] [16] [17] Other artists represented include Gustave Caillebotte, Nardo di Cione, Francisco de Zurbarán, Jean-Honoré Fragonard, Winslow Homer, Auguste Rodin, Edgar Degas, Claude Monet, Gabriele Münter, Henri de Toulouse-Lautrec, Frank Lloyd Wright, Pablo Picasso, Joan Miró, Wassily Kandinsky, Mark Rothko, Robert Gober, and Andy Warhol.
It also has paintings by European painters Francesco Botticini, Jan Swart van Groningen, Ferdinand Bol, Jan van Goyen, Hendrick Van Vliet, Franz von Lenbach (Bavarian Girl), Ferdinand Waldmüller (Interruption), Carl Spitzweg, William-Adolphe Bouguereau, Jean-Léon Gérôme (2 Majesties), Gustave Caillebotte, Camille Pissarro, Alfred Kowalski (Winter in Russia), Jules Bastien-Lepage (The Wood Gatherer), and Max Pechstein. [18] [19] [20] [21] [22] [23] [24] [25] [26] [27]
Directors
As of 2015, the museum’s endowment is around $65 million. [32] Endowment proceeds cover a fraction of the museum's expenses, leaving it overly dependent on funds from day-to-day operations such as ticket sales. [33] Daniel Keegan, who has served as the museum's director since 2008, negotiated an agreement with Milwaukee County and the Milwaukee County War Memorial for the long-term management and funding of the facilities in 2013. [34]
In June 2015 the museum's display of a work depicting Benedict XVI, composed of 17,000 latex condoms, created outrage among Catholics and others. [35]
The Quadracci Pavilion has an appearance in the 2008 EA racing video game Need for Speed: Undercover, [36] as well as the film Transformers: Dark of the Moon. [37] [38]
The pavilion is also prominently featured in the episode “Joe Pera Shows You How to Do Good Fashion” in “Joe Pera Talks with You”.
Gustave Caillebotte was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form.
Santiago Calatrava Valls is a Spanish architect, structural engineer, sculptor and painter, particularly known for his bridges supported by single leaning pylons, and his railway stations, stadiums, and museums, whose sculptural forms often resemble living organisms. His best-known works include the Olympic Sports Complex of Athens, the Milwaukee Art Museum, the Turning Torso tower in Malmö, Sweden, the World Trade Center Transportation Hub in New York City, the Auditorio de Tenerife in Santa Cruz de Tenerife, the Margaret Hunt Hill Bridge in Dallas, Texas, and his largest project, the City of Arts and Sciences and Opera House in his birthplace, Valencia. His architectural firm has offices in New York City, Doha, and Zurich.
The year 2001 in architecture involved some significant architectural events and new buildings.
Contemporary architecture is the architecture of the 21st century. No single style is dominant. Contemporary architects work in several different styles, from postmodernism, high-tech architecture and new references and interpretations of traditional architecture to highly conceptual forms and designs, resembling sculpture on an enormous scale. Some of these styles and approaches make use of very advanced technology and modern building materials, such as tube structures which allow construction of buildings that are taller, lighter and stronger than those in the 20th century, while others prioritize the use of natural and ecological materials like stone, wood and lime. One technology that is common to all forms of contemporary architecture is the use of new techniques of computer-aided design, which allow buildings to be designed and modeled on computers in three dimensions, and constructed with more precision and speed.
Brise soleil, sometimes brise-soleil, is an architectural feature of a building that reduces heat gain within that building by deflecting sunlight. The system allows low-level sun to enter a building in the mornings, evenings and during winter but cuts out direct light during summer.
The Milwaukee Institute of Art & Design (MIAD) is a private art school in Milwaukee, Wisconsin. Founded in 1974, MIAD is accredited by the Higher Learning Commission and the National Association of Schools of Art and Design. MIAD is considered the successor to the Layton School of Art, and was formerly known as the Milwaukee School for the Arts.
Alexander Chadbourne Eschweiler was an American architect with a practice in Milwaukee, Wisconsin. He designed both residences and commercial structures. His eye-catching Japonist pagoda design for filling stations for Wadham's Oil and Grease Company of Milwaukee were repeated over a hundred times, though only a very few survive. His substantial turn-of-the-20th-century residences for the Milwaukee business elite, in conservative Jacobethan or neo-Georgian idioms, have preserved their cachet in the city.
Charlotte Partridge was an artist, arts educator, community organizer and the co-founder and co-director of the Layton School of Art in Milwaukee, Wisconsin from 1920 to 1954, with her life partner Miriam Frink. They were credited with having developed a nationally accredited art school, recognized for excellence. Partridge was also a State Chair (1933-1934) and Director (1935-1939) of Wisconsin's Works Projects Administration, and published a national survey of art institutions and contemporary art for the Federal Works Agency in 1940. Partridge received a number of awards recognizing her lifetime of contributions to "the cause of art".
The Museum of Wisconsin Art is a museum that collects and exhibits contemporary and historical art from the state of Wisconsin. Its collections include rotating historical and contemporary exhibitions and educational programs. The museum's One Gallery features solo shows of contemporary Wisconsin artists and arts organizations several times each year.
Lake Park, a mile-long park on a bluff above Lake Michigan in Milwaukee, Wisconsin, is an urban park covering 138.1-acre (559,000 m2).
The Calling is a public artwork by American artist Mark di Suvero located in O'Donnell Park, which is on the lakefront in Milwaukee, Wisconsin, United States. The artwork was made in 1981-82 from steel I-beams painted an orange-red color. It measures 40 ft (12 m) in height, and it sits at the end of Wisconsin Avenue in front of the footbridge that leads to the Milwaukee Art Museum.
The Reiman Pedestrian Bridge is a cable-stayed footbridge in downtown Milwaukee, Wisconsin that spans Lincoln Memorial Drive. It connects the Milwaukee Art Museum on the lakeshore to the east side of the downtown's central business district by way of O'Donnell Park, a multi-use park complex. The bridge was built in 2001 as part of a major expansion to the museum that included the Quadracci Pavilion. Both the bridge and Quadracci Pavilion were designed by Santiago Calatrava, the first structures designed by him to be built in the United States.
Lynden Sculpture Garden is a 40-acre outdoor sculpture park located at 2145 West Brown Deer Road in Milwaukee, Wisconsin in Milwaukee County. Formerly the estate of Harry Lynde Bradley and Margaret Blakney Bradley, Lynden is home to the collection of more than 50 monumental sculptures collected by Margaret Bradley between 1962 and 1978. The collection features works by Alexander Archipenko, Henry Moore, Barbara Hepworth, Clement Meadmore, Marta Pan, Tony Smith, Mark di Suvero and others sited across 40 acres of park, lake and woodland.
Frederick Layton was an English-American businessman, philanthropist and art collector. He immigrated to Milwaukee, Wisconsin Territory, with his father in 1843, when the city was still a pioneer village. He played a major role in the creation of Milwaukee's meat packing industry and established a trans-Atlantic business exporting his meat products to Great Britain. During his lifetime, he made 99 trips across the Atlantic pursuing business interests and collecting fine art in London and the other capitals of Europe. Throughout his life, he consistently donated his money to support local charities and Milwaukee's art community. In 1888, he built the Layton Art Gallery on the corner of Mason and Jefferson streets in Milwaukee, one of the nation's earliest single-patron public art galleries. By creating an endowment for the gallery, and with donations from the gallery trustees and friends, Layton was personally able to purchase over 200 works of art for the gallery before dying at the age of 92. Though the original building of the Layton Art Gallery no longer exists, many of Mr. Layton's purchases comprise the founding, core collection of early European and American art at the Milwaukee Art Museum. The Layton Art Collection Board of Trustees still supports and maintains the historic collection in collaboration with Milwaukee Art Museum staff and volunteers.
Richard R. Pieper, Sr., is an American entrepreneur and philanthropist. He is currently Chairman Emeritus for PPC Partners, Inc. headquartered in Milwaukee, Wisconsin.
Elizabeth Quadracci, also known as Betty Ewens Quadracci, founded the Sussex, Wisconsin based Quad/Graphics with her husband, Harry V. Quadracci and was the president of Quad Creative, the company's graphic design unit.
Harry V. Quadracci founded Quad/Graphics with his wife Elizabeth Quadracci.
John Shimon and Julie Lindemann are American artists who worked together as the collaborative duo J. Shimon & J. Lindemann. Shimon continues to work and teach at Lawrence University. They were born in Manitowoc, Wisconsin, and are best known for their photographs about human existence in the Midwest made using antiquarian photographic processes.
Boating on the Yerres is a 1877 painting by French impressionist and realist painter Gustave Caillebotte.
Fred Berman, born Fred Jean Berman, was a Jewish American abstract artist.