Established | 1881 |
---|---|
Location | Via Manzoni 12, Milan, 20121 Milan – Italy |
Coordinates | 45°28′7.190″N9°11′29.699″E / 45.46866389°N 9.19158306°E |
Director | Annalisa Zanni |
Website | museopoldipezzoli.it |
The Museo Poldi Pezzoli is an art museum in Milan, Italy. It is located near the Teatro alla Scala, on Via Manzoni 12.
The museum was originated in the 19th century as a private collection of Gian Giacomo Poldi Pezzoli (1822–1879) [1] and his mother, Rosa Trivulzio, of the family of the condottiero Gian Giacomo Trivulzio. Many of the rooms in the palace were redecorated starting in 1846, a commissions entrusted to Luigi Scrosati and Giuseppe Bertini. Individual rooms were often decorated and furnished to match the paintings hung on the walls. The architect Simone Cantoni (1736–1818) rebuilt the palazzo in its present Neoclassical style with an English-style interior garden. In 1850–1853, Poldi Pezzoli commissioned the architect Giuseppe Balzaretto to refurbish his apartment. [2]
Pezzoli in his testament left the house and contents to the Brera Academy. Giuseppe Bertini, director of the Academy, opened the museum on 25 April 1881. During World War II, the palazzo suffered severe damage, but the artworks had been placed in safe storage. The museum was reopened in 1951 after reconstruction.
The museum is notable for its broad collection of Northern Italian and Netherlandish/Flemish artists. The exhibition includes weaponry, glassworks, ceramics, jewelry, and furnishings.
Works on display include Italian painters such as:
Painters in the collection include: Breughel the younger; Cranach; Goltzius; James Baker Pyne; Thomas Shotter Boys; Sutterman; Teniers the younger; Jacob Toorenvliet; Pierre Tetar van Elven; Mathijs Van Hellemont; Jan Van der Meer II; Willem Van Mieris; Jacob Ferdinand Voet; Nicolaus Alexander Mair Von Landshut, (Mair Landshut); and Cornelis de Wael.
Giovanni Battista Moroni was an Italian painter of the Mannerism. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of the Cinquecento.
Francesco Hayez was an Italian painter. He is considered one of the leading artists of Romanticism in mid-19th-century Milan, and is renowned for his grand historical paintings, political allegories, and portraits.
Andrea Solari (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo, but more confusingly as Andrea del Bartolo a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo, and the 15th-century Florentine Andrea di Bartolo.
The Madonna of the Book, or the Madonna del Libro, is a small painting by the Italian Renaissance artist Sandro Botticelli, and is preserved in the Poldi Pezzoli Museum in Milan. The painting is executed in tempera on panel. It dates from between 1480 and 1481.
The Lamentation over the Dead Christ with Saints is a painting of the Lamentation of Christ by the Italian Renaissance artist Sandro Botticelli, dated between 1490 and 1495. The painting was originally kept in Santa Maria Maggiore, Florence. It is now in the Museo Poldi Pezzoli of Milan. The painting is one of two versions of The Lamentation by Botticelli. The other, circa 1492, is now in the Alte Pinakothek in Munich.
Giovanni Antonio Boltraffio was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci. Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan.
Francesco Morone was an Italian painter, active in his native city of Verona in a Renaissance style. He was the son of the Veronese painter Domenico Morone. The art biographer Vasari praised his frescoes (1505-7) for the cupola of the sacristy in Santa Maria in Organo, Verona. He also painted the organ shutters in that church. Paolo Cavazzola was said to have been a pupil, but may have more aptly worked with one of his family members.
The Museo Civico d'Arte Antica is an art museum located in the Palazzo Madama in Turin, Italy. It has a renowned collection of paintings from the medieval, Renaissance and Baroque periods. It reopened in 2006 after several years of restorations.
The decade of the 1460s in art involved some significant events.
Giuseppe Bertini (1825–1898) was an Italian painter, active in his native Milan.
Via Manzoni, is a busy and fashionable street in the Italian city of Milan which leads from the Piazza della Scala north-west towards Piazza Cavour. Notable buildings include the Museo Poldi Pezzoli, the elegant Grand Hotel et de Milan, which was the place of Giuseppe Verdi’s death in 1901, and several fine palaces. Via Manzoni was originally called Corsia del Giardino before the crossroad with Via Monte Napoleone and Corso di Porta Nuova up until Piazza Cavour.
Mair von Landshut was a German engraver, painter, and designer of woodcuts, who worked in Bavaria. He probably came from Freising near Munich, and worked in both towns, as well as Landshut.
Luigi Scrosati was an Italian painter.
The Palazzo Leoni Montanari is a late Baroque palace located in Contra’ San Corona number 25 in central Vicenza in the Veneto region of Italy. It now houses exhibition rooms, meeting places, and art collections owned by the bank Intesa Sanpaolo.
Profile Portrait of a Young Lady is a 1465 half-length portrait, made with oil-based paint and tempera on a poplar panel, usually attributed to Antonio del Pollaiuolo, although the owning museum, the Gemäldegalerie in Berlin, now describes this work as by his brother Piero del Pollaiuolo, and as one of its most famous paintings, and as one of the most famous portraits of women from the early Italian Renaissance.
Gian Giacomo Poldi Pezzoli was an Italian count who gathered art from Italian Renaissance. Italys' first private museum which bears his name, the Museo Poldi Pezzoli.
The Poldi Pezzoli Madonna or Madonna with the Sleeping Christ Child is a tempera on canvas painting by Andrea Mantegna, dating to around 1490-1500, after the painter's trip to Rome. It was bought from Giovanni Morelli's collection by Gian Giacomo Poldi Pezzoli shortly after the 1850s and is now in the Museo Poldi Pezzoli in Milan. It was restored in 1863 by Giuseppe Molteni, who added the varnish which has now yellowed.
Portrait of a Young Woman is a mixed-technique painting on panel of c. 1470–1472, variously attributed to Piero del Pollaiuolo or his brother Antonio. It is now in Milan in the Museo Poldi Pezzoli, which uses the painting as its symbol.
The Pra della Valle in Padua is a 1741-1746 oil on canvas painting of the Prato della Valle in Padua by Canaletto. It entered the collection of the Milanese nobleman Gian Giacomo Poldi Pezzoli and from there it passed its present owner, the Museo Poldi Pezzoli in Milan.
Portrait of a Courtesan or Portrait of a Woman is a c. 1520 oil on canvas painting by Palma Vecchio, now in the Museo Poldi Pezzoli in Milan.