History and description
The original church building was built around the year 417 on the initiative of the future bishop Martinianus. It was destroyed by fire in 1070 and it was rebuilt in romanesque style in 1075.
On 26 December 1476 it was the site of the assassination of Duke Galeazzo Maria Sforza, who had come to the basilica for the celebration of the patron saint. [1]
On 30 September 1571 in Santo Stefano was baptized the painter Michelangelo Merisi, better known as Caravaggio. This fact was confirmed by the discovery in February 2007 of baptismal certificate of the painter. [2]
Since 1594 the church underwent a series of interventions, including:
- enlargement of the apse and of the main altar (early 17th century)
- lengthening of the nave and reconstruction of the facade (mid 17th century)
- after the collapse in 1642, reconstruction of the bell tower by the architect Gerolamo Quadrio from Lugano (late 17th century)
- building of the sacristy (early 18th century )
- modernization of some chapels (early 19th century )
The church preserved the bodies of saints Martinianus, Ausanus and Mansuetus, archbishops of Milan, in 1988 translated to the Milan Cathedral. St. Charles Borromeo also translated here the bodies of saints Leo, Arsazius, Marinus, Mammes and Agapetus.
Michelangelo Merisi da Caravaggio, known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.
Milan Cathedral, or Metropolitan Cathedral-Basilica of the Nativity of Saint Mary, is the cathedral church of Milan, Lombardy, Italy. Dedicated to the Nativity of St. Mary, it is the seat of the Archbishop of Milan, currently Archbishop Mario Delpini.
Galeazzo Maria Sforza was the fifth Duke of Milan from 1466 until 1476. He was notorious for being lustful, cruel, and tyrannical.
Vincenzo Foppa was an Italian painter from the Renaissance period. While few of his works survive, he was an esteemed and influential painter during his time and is considered the preeminent leader of the Early Lombard School. He spent his career working for the Sforza family, Dukes of Milan, in Pavia, as well as various other patrons throughout Lombardy and Liguria. He lived and worked in his native Brescia during his later years.
The Castello Sforzesco is a medieval fortification located in Milan, Northern Italy. It was built in the 15th century by Francesco Sforza, Duke of Milan, on the remnants of a 14th-century fortification. Later renovated and enlarged, in the 16th and 17th centuries it was one of the largest citadels in Europe. Extensively rebuilt by Luca Beltrami in 1891–1905, it now houses several of the city's museums and art collections.
San Martino ai Monti, officially known as Santi Silvestro e Martino ai Monti, is a minor basilica in Rome, Italy, in the Rione Monti neighbourhood. It is located near the edge of the Parco del Colle Oppio, near the corner of Via Equizia and Viale del Monte Oppio, about five to six blocks south of Santa Maria Maggiore.
The Certosa di Pavia is a monastery and complex in Lombardy, Northern Italy, situated near a small town of the same name in the Province of Pavia, 8 km (5.0 mi) north of Pavia. Built in 1396–1495, it was once located on the border of a large hunting park belonging to the Visconti family of Milan, of which today only scattered parts remain. It is one of the largest monasteries in Italy.
Gerolamo Olgiati was a government official in Milan and one of the assassins of Galeazzo Maria Sforza, the Duke of Milan, along with Giovanni Andrea Lampugnani and Carlo Visconti.
Bonifacio Bembo, also called Bonfazio Bembo, or simply just Bembo, was a north Italian Renaissance artist born in Brescia in 1420. He was the son of Giovanni Bembo, an active painter during his time. As a painter, Bonifacio mainly worked in Cremona. He was patronized by the Sforza family and was commissioned to paint portraits of Francesco Sforza and his wife Bianca Maria Visconti. Scholars have credited him as the artist who produced a tarot card deck for the Visconti-Sforza families, now held in the Cary Collection of Playing Cards at Yale University. In the past century, art historians have begun to question the authenticity of his works, believing his only two secure works to be the portraits of Francesco and Bianca Maria Sforza. He is believed to have died sometime before 1482.
Santa Maria presso San Satiro is a church in Milan. The Italian Renaissance structure (1476–1482) houses the early medieval shrine to Satyrus, brother of Saint Ambrose. The church is known for its false apse, an early example of trompe-l'œil, attributed to Donato Bramante.
Anna Maria Sforza was Hereditary Princess of Ferrara as the first wife of Alfonso I d'Este, future Duke of Ferrara. She was the second legitimate daughter of Galeazzo Maria Sforza, Duke of Milan, and his second wife, Bona of Savoy.
Lucrezia Landriani was the mistress of Galeazzo Maria Sforza, Duke of Milan, and the mother of his renowned illegitimate daughter, Caterina Sforza, Lady of Imola, Countess of Forlì. Lucrezia had three other children by the Duke, and two by her husband.
The Abbey of Santa Maria di Rovegnano is a Cistercian monastic complex in the comune of Milan, Lombardy, northern Italy. The borgo that has developed round the abbey was once an independent commune called Chiaravalle Milanese, now included in Milan and referred to as the Chiaravalle district.
Monas was Bishop of Milan from the end 3rd-century to early 4th-century. He is honoured as a Saint in the Catholic Church and his feast day is on October 12.
Eusebius was Archbishop of Milan from 449 to 462. He is honoured as a saint and his feast day is 12 August.
Martinianus was Archbishop of Milan from 423 to 435. He is honoured as a Saint in the Catholic and Eastern Orthodox Churches. His feast day is 2 January.
Lampugnani's Conspiracy is an 1826 oil-on-canvas painting by the Italian artist Francesco Hayez, now in the pinacoteca di Brera in Milan, which acquired it in 1907. It shows the conspiracy led by Giovanni Andrea Lampugnani, Girolamo Olgiati, Carlo Visconti and Cola Montano to overthrow the tyranny of Galeazzo Maria Sforza, killed on 26 December 1476 in Santo Stefano church in Milan.
The Church of San Francesco Grande was an ancient church in Milan built in the 4th century and demolished in 1806. It was originally called Basilica di San Nabore after the saint whose remains it houses, but from the 13th century onwards, as the adjoining Franciscan monastery took possession of the monument, it took its new name from Francis of Assisi, founder of the order.
The Italian Renaissance in Lombardy, in the Duchy of Milan in the mid-15th century, started in the International Lombard Gothic period and gave way to Lombard humanism with the passage of power between the Visconti and Sforza families. In the second half of the 15th century the Lombard artistic scene developed without disruption, with influences gradually linked to Florentine, Ferrarese, and Paduan styles. With the arrival of Bramante (1479) and Leonardo da Vinci (1482), Milan reached absolute artistic heights in the Italian and European panorama, while still demonstrating the possibilities of coexistence between the artistic avant-garde and the Gothic substratum.
Gothic art in Milan denotes the city's artistic period at the turn of the second half of the 13th century and the first half of the 15th century. The Gothic style, initially introduced into Milanese territory by Cistercian monks, was the main artistic style of the vast patronage and self-celebrating agenda of the Visconti family, lords of Milan, whose rule over the city is usually associated with the Milanese Gothic period.
