The Milan amphitheatre was a Roman amphitheatre in the ancient city of Mediolanum, the modern Milan in Northern Italy.
The amphitheatre was built near the Porta Ticinese in the 2nd–3rd centuries AD, when Mediolanum grew as economical and political importance while Rome declined. It remained in use until the city was one of the capitals of the Western Roman Empire (4th or 5th centuries). Later it was abandoned after Christianity imposed an end to arena games, but also as, in the wake of the imperial crisis, animals to be used in the amphitheatre were no longer imported. It became a quarry for construction stones as early as the 4th century AD, when the Basilica of San Lorenzo was built.
The edifice was demolished during a barbarian attack on Milan, as it was located outside the walls and could therefore be used as stronghold by the attackers. The date of the event is uncertain, however: it could be 402, during the Visigothic invasion of Italy, or in 452, when northern Italy was ravaged by Attila, or during the Gothic Wars (6th century).
The scanty remains of the amphitheatre have, however, allowed the archaeologists to calculate that it was 129.5 metres (425 ft) long and 109.3 metres (359 ft) wide. [1] The arena measured 71 by 41 metres (233 ft × 135 ft).
The Colosseum is an elliptical amphitheatre in the centre of the city of Rome, Italy, just east of the Roman Forum. It is the largest ancient amphitheatre ever built, and is still the largest standing amphitheatre in the world, despite its age. Construction began under the emperor Vespasian in 72 and was completed in AD 80 under his successor and heir, Titus. Further modifications were made during the reign of Domitian. The three emperors who were patrons of the work are known as the Flavian dynasty, and the amphitheatre was named the Flavian Amphitheatre by later classicists and archaeologists for its association with their family name (Flavius).
In Ancient Roman architecture, a basilica was a large public building with multiple functions that was typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica.
Capua is a city and comune in the province of Caserta, in the region of Campania, southern Italy, situated 25 km (16 mi) north of Naples, on the northeastern edge of the Campanian plain.
The Catacombs of Rome are ancient catacombs, underground burial places in and around Rome, of which there are at least forty, some rediscovered only in recent decades.
Mediolanum, the ancient city where Milan now stands, was originally an Insubrian city, but afterwards became an important Roman city in Northern Italy.
The Pula Arena is a Roman amphitheatre located in Pula, Croatia. It is the only remaining Roman amphitheatre to have four side towers entirely preserved. It was constructed between 27 BC and AD 68, and is among the world's six largest surviving Roman arenas. The arena is also the country's best-preserved ancient monument.
The Palazzo della Cancelleria is a Renaissance palace in Rome, Italy, situated between the present Corso Vittorio Emanuele II and the Campo de' Fiori, in the rione of Parione. It was built 1489–1513 by Baccio Pontelli and Antonio da Sangallo the Elder as a palace for Raffaele Cardinal Riario, Camerlengo of the Holy Roman Church, and is regarded as the earliest Renaissance palace in Rome.
The Aurelian Walls are a line of city walls built between 271 AD and 275 AD in Rome, Italy, during the reign of the Roman Emperor Aurelian. They superseded the earlier Servian Wall built during the 4th century BC.
Aventicum was the largest town and capital of Roman Switzerland. Its remains are beside the modern town of Avenches.
Teano is a town and comune in the province of Caserta, Campania, southern Italy, 30 kilometres (19 mi) northwest of Caserta on the main line to Rome from Naples. It stands at the southeast foot of an extinct volcano, Rocca Monfina. Its St. Clement's cathedral is the see of the Roman Catholic Diocese of Teano-Calvi, which started as the Diocese of Teano circa AD 300.
El Djem or El Jem is a town in Mahdia Governorate, Tunisia. Its population was 21,576 during the 2014 census. It is home to Roman remains, including the Amphitheatre of El Jem.
Rusellae was an important ancient town of Etruria, which survived until the Middle Ages before being abandoned. The impressive archaeological remains lie near the modern frazione or village of Roselle in the comune of Grosseto.
Zagarolo is a town and comune in the Metropolitan City of Rome, in the region of Lazio of central Italy. It lies 34 kilometres (21 mi) southeast of Rome, and it borders the municipalities of Colonna, Gallicano nel Lazio, Monte Compatri, Palestrina, Rome, San Cesareo.
Tarragona Amphitheatre is a Roman amphitheatre in the city of Tarraco, now Tarragona, in the Catalonia region of north-east Spain. It was built in the 2nd century AD, sited close to the forum of this provincial capital.
Italy has a very broad and diverse architectural style, which cannot be simply classified by period or region, due to Italy's division into various small states until 1861. This has created a highly diverse and eclectic range in architectural designs. Italy is known for its considerable architectural achievements, such as the construction of aqueducts, temples and similar structures during ancient Rome, the founding of the Renaissance architectural movement in the late-14th to 16th century, and being the homeland of Palladianism, a style of construction which inspired movements such as that of Neoclassical architecture, and influenced the designs which noblemen built their country houses all over the world, notably in the United Kingdom, Australia and the United States of America during the late-17th to early 20th centuries.
The Basilica of San Lorenzo Maggiore is a Roman Catholic church in Milan, Northern Italy. Located within the city's ring of navigli, it is one of the oldest churches in the city, originally built in Roman times, but subsequently rebuilt several times over the centuries. It is close to the medieval Porta Ticinese and near the Basilicas Park, which includes both the Basilica of San Lorenzo and the Basilica of Sant'Eustorgio, as well as the Roman Colonne di San Lorenzo.
The basilica of San Nazaro in Brolo or San Nazaro Maggiore is a 4th-century Roman Catholic church in Milan, region of Lombardy, Italy.
The Amphitheatre of Serdica was an amphitheatre in the Ancient Roman city of Ulpia Serdica, now Sofia, the capital of Bulgaria. Discovered in 2004 and the subject of excavations in 2005 and 2006, the ruins of the amphitheatre lie on two adjacent sites in the centre of modern Sofia. The amphitheatre was built in the 3rd–4th century AD on top of a 2nd–3rd century theatre, which had been ravaged by the Goths. However, the amphitheatre remained in use for less than a century and was abandoned by the 5th century.
Early Christian churches in Milan are the first churches built immediately after the Edict of Milan in February 313, issued by Constantine the Great and Licinius, which granted tolerance and religious liberty to Christianity within the Roman Empire.
The church and monastery of San Vittore al Corpo were an ancient monastery of the Olivetan order built in the early 16th century. The site was once a fourth century Roman imperial mausoleum of Maximian, that may also have held the burials of the emperors Gratian and Valentinian II, though they were more likely buried in another mausoleum, now the Chapel of Saint Aquilinus in the Basilica of Saint Lawrence. The basilica was enlarged in the 8th century to house the relics of the saints Vittore and Satiro. A Benedictine monastery soon was attached to the church. In 1507, the monastery was transferred to the Olivetans, who began a major reconstruction. Reconstruction of the church was begun in 1533 by Vincenzo Seregni, and completed in 1568 by Pellegrino Tibaldi. The façade remains incomplete. The dome was frescoed in 1617 by Guglielmo Caccia. In the chapel of St Anthony is a 1619 canvas by Daniele Crespi. In the transept on the left, is an early 17th-century cycle of canvases of the Stories of San Benedetto, by Ambrogio Figino while the right transept has three altarpieces by Camillo Procaccini. Other chapels have paintings by Pompeo Batoni and Giovanni Battista Discepoli.