Garegnano Charterhouse, also known as Milan Charterhouse (Italian : Certosa di Garegnano or Certosa di Milano) is a former Carthusian monastery, or charterhouse, located on the outskirts of Milan, Italy, in the Garegnano district. It now houses a community of Capuchin Friars.
The monastery, dedicated to Saint Ambrose but also known as Our Lady of the Lamb of God, was founded in 1349 by Giovanni Visconti, bishop and lord of Milan. Soon after the foundation, monks from this monastery, with the patronage of Galeazzo Visconti, helped found the Certosa of Pavia. [1]
It was then located some 4 kilometers from the walls of Milan. In the 14th century it housed, among others, the poet Petrarch.
It was pillaged in 1449 when the Visconti dynasty fell. It was suppressed under the rationalist reforms of the Emperor Joseph II, Milan then being under Austrian rule, and became a parish church in 1782. In 1960 the surviving buildings and parochial duties were taken over by the Capuchin Friars. The present buildings date from the 16th and 17th centuries.
The main artworks include a cycle of frescos in the main church by Simone Peterzano (1578), il Genovesino, and Daniele Crespi (1629). There is a painting of San Brunone by Crespi. [2] The chapter house contains, in the vault, a fresco of Saint Michael by Bernardo Zenale of the early 16th century.
Mortara is a comune (municipality) in the province of Pavia, in the Italian region of Lombardy. It lies between the Agogna and Terdoppio rivers, in the historical district known as Lomellina, a rice-growing agricultural center. It received the honorary title of city with a royal decree in 1706.
Daniele Crespi was an Italian painter and draughtsman. He is regarded as one of the most original artists working in Milan in the 1620s. He broke away from the exaggerated manner of Lombard Mannerism in favour of an early Baroque style, distinguished by clarity of form and content. A prolific history painter, he was also known for his portraits.
The Certosa di Pavia is a monastery complex in Lombardy, Northern Italy, situated near a small village of the same name in the Province of Pavia, 8 km (5.0 mi) north of Pavia. Built from 1396 to 1495, it was once located at the end of the Visconti Park a large hunting park and pleasure ground belonging to the Visconti dukes of Milan, of which today only scattered parts remain. It is one of the largest monasteries in Italy.
Pier Francesco Mazzucchelli was an Italian painter and draughtsman who was active in Milan. He is mainly known for his altarpieces, but his outstanding achievements are large decorative frescoes for the Sacro Monte di Varese and the Sacro Monte di Varallo.
Benedetto Briosco (c.1460–c.1517) was an Italian Renaissance sculptor and architect, active in Lombardy.
Florence Charterhouse is a charterhouse, or Carthusian monastery, located in the Florence suburb of Galluzzo, in central Italy. The building is a walled complex located on Monte Acuto, at the point of confluence of the Ema and Greve rivers.
San Marco is a church in Milan, northern Italy.
Santa Maria del Carmine is a church in Pavia, Lombardy, northern Italy, considered amongst the best examples of Lombard Gothic architecture. It was begun in 1374 by Gian Galeazzo Visconti, Duke of Milan, on a project attributed to Bernardo da Venezia. The construction followed a slow pace, and was restarted in 1432, being finished in 1461.
The Abbey of Santa Maria di Rovegnano is a Cistercian monastic complex in the comune of Milan, Lombardy, northern Italy. The borgo that has developed round the abbey was once an independent commune called Chiaravalle Milanese, now included in Milan and referred to as the Chiaravalle district.
The Portinari Chapel is a Renaissance chapel at the Basilica of Sant'Eustorgio, Milan, northern Italy. Commenced in 1460 and completed in 1468, it was commissioned by Pigello Portinari as a private sepulchre and to house a silver shrine given by Archbishop Giovanni Visconti in 1340 containing the relic head of St. Peter of Verona, to whom the chapel is consecrated. The architect is unknown, the traditional attribution to Michelozzo having been succeeded with equal uncertainty by attributions to either Filarete or Guiniforte Solari, architect of the apses of the Certosa di Pavia and the church of San Pietro in Gessate in Milan.
Garegnano is a district ("quartiere") of Milan, Italy, part of the Zone 8 administrative division of the city, north-west of the city centre. Before being annexed to Milan, it has been an autonomous comune, originally known as Garegnano Marcido.
Santa Maria della Passione is a late Renaissance-style church located in Milan, Italy.
The church and monastery of San Vittore al Corpo were an ancient monastery of the Olivetan order built in the early 16th century. The site was once a fourth century Roman imperial mausoleum of Maximian, that may also have held the burials of the emperors Gratian and Valentinian II, though they were more likely buried in another mausoleum, now the Chapel of Saint Aquilinus in the Basilica of Saint Lawrence. The basilica was enlarged in the 8th century to house the relics of the saints Vittore and Satiro. A Benedictine monastery soon was attached to the church. In 1507, the monastery was transferred to the Olivetans, who began a major reconstruction. Reconstruction of the church was begun in 1533 by Vincenzo Seregni, and completed in 1568 by Pellegrino Tibaldi. The façade remains incomplete. The dome was frescoed in 1617 by Guglielmo Caccia. In the chapel of St Anthony is a 1619 canvas by Daniele Crespi. In the transept on the left, is an early 17th-century cycle of canvases of the Stories of San Benedetto, by Ambrogio Figino while the right transept has three altarpieces by Camillo Procaccini. Other chapels have paintings by Pompeo Batoni and Giovanni Battista Discepoli.
Quartiere Varesina is a small district, quartiere, of Milan, located in the suburban north-west part of the city. It belongs on the Zone 8 administrative division of the city.
The Certosa di Pontignano, also known as the Certosa di San Pietro, is a Carthusian monastery and church in the neighborhood of Pontignano, within the town limits of Castelnuovo Berardenga, a few kilometers north of the city of Siena, in the region of Tuscany, Italy. The monastic complex, after the expulsion of the monks in 1810, passed through various hands, until it was acquired in 1959 by the University of Siena, and used for academic meetings, conventions, and also hotel and restaurant for events such as weddings and celebrations.
Visconti Park was the private park of the Visconti and Sforza families, lords, and dukes of Milan. Located in Lombardy, northern Italy, it extended between Pavia Castle and the Certosa di Pavia monastery. It covered an area of about 2,200 hectares (22 km2) and was encircled by walls about 25 kilometres (16 mi) in length. It was founded in 1360 by Galeazzo II Visconti and enlarged by his son Gian Galeazzo.
The Visconti Castle of Pavia is a medieval castle in Pavia, Lombardy, Northern Italy. It was built after 1360 in a few years by Galeazzo II Visconti, Lord of Milan, and used as a sovereign residence by him and his son Gian Galeazzo, first duke of Milan. Its wide dimensions induced Petrarch, who visited Pavia in the fall of 1365, to call it "an enormous palace in the citadel, a truly remarkable and costly structure". Adjacent to the castle, the Visconti created a vast walled park that reached the Certosa di Pavia, a Carthusian monastery founded in 1396 by the Visconti as well and located about 7 kilometres (4.3 mi) to the north.
The church of San Francesco of Assisi is a Catholic religious building in Pavia, Lombardy, Italy.
San Giacomo della Vernavola was a monastery located along the small river Vernavola outside the walls of Pavia.
Baroque in Milan refers to the dominant artistic style between the 17th century and the first half of the 18th century in the city. Due to the work of the Borromeo cardinals and its importance in the Italian domains, at first Spanish and then Austrian, Milan experienced a lively artistic season in which it assumed the role of the driving force behind Lombard Baroque.