Piazza della Scala is a pedestrian central square of Milan, Italy, connected to the main square of Milan, Piazza del Duomo, by the Galleria Vittorio Emanuele II passage. It is named after the renowned Teatro alla Scala opera house, which occupies the north-western side of the square; the building actually includes both the opera house and the Museo Teatrale alla Scala (La Scala Museum), dedicated to the history of La Scala and opera in general. On the opposite side to "La Scala", to the south-east, is the facade of Palazzo Marino, Milan's city hall. Another relevant building on the square, on the north-eastern side, is the Palazzo della Banca Commerciale Italiana. The south-western side of the square has the entry to the Galleria Vittorio Emanuele as well as Palazzo Beltrami. Most of the architecture of the square is due to architect Luca Beltrami, who designed the eponymous palace, the facade of Palazzo Marino, and the Banca Commerciale Italiana building. The centre of the square is marked by the monument of Leonardo da Vinci by sculptor Pietro Magni (1872). [1] [2]
Piazza della Scala is a relatively recent addition to the plan of Milan's centre. The oldest building on the square, Palazzo Marino, dates back to the 16th century (completed in 1563); [2] at the time, nevertheless, the square did not exist (the area was occupied by buildings). In fact, the main facade of Palazzo Marino was originally the one facing Piazza San Fedele, to the south-east (i.e., exactly opposite to Piazza della Scala). Likewise, when La Scala was built (in 1778), it was facing a street rather than a square. It was only in the late 19th century that the authorities of Milan initiated a thorough renovation of the area, which involved the creation of the square. Luca Beltrami first contributed with Palazzo Beltrami (1886), then with the new facade of Palazzo Marino (1888–1892), and, much later, with the Banca Commerciale building (1923–1927).
The Galleria Vittorio Emanuele II is Italy's oldest active shopping gallery and a major landmark of Milan in Italy. Housed within a four-story double arcade in the centre of town, the Galleria is named after Victor Emmanuel II, the first king of the Kingdom of Italy. It was designed in 1861 and built by architect Giuseppe Mengoni between 1865 and 1877.
Piazza del Duomo is the main piazza of Milan, Italy. It is named after, and dominated by, Milan Cathedral. The piazza marks the center of the city, both in a geographic sense and because of its importance from an artistic, cultural, and social point of view. Rectangular in shape, with an overall area of 17,000 m2, the piazza includes some of the most important buildings of Milan, as well some of the most prestigious commercial activities, and it is by far the foremost tourist attraction of the city.
San Fedele is a Jesuit church in Milan, northern Italy. It is dedicated to St. Fidelis of Como, patron of the Catholic diocese of Como. Presently it remains a parish church, owned by the Jesuit order, though focusing on religious works.
Piazza della Repubblica is a city square in Florence, Italy. It was originally the site of the city's forum; then of its old ghetto, which was swept away during the improvement works, or Risanamento, initiated during the brief period when Florence was the capital of a reunited Italy—work that also created the city's avenues and boulevards. At that time, the Loggia del Pesce from the Mercato Vecchio was also moved to Piazza Ciompi. The square's Giubbe Rosse cafe has long been a meeting place for famous artists and writers, notably those of Futurism.
Having been ruled by several countries over the centuries, Milanese culture is eclectic and borrows elements from many other countries, including Austria, Spain and France. Similarities between these places and Milan can be noticed through the language, architecture, cuisine and general culture of these countries.
Villas and palaces in Milan are used to indicate public and private buildings in Milan of particular artistic and architectural value. Milan has always been an important centre with regard to the construction of historical villas and palaces, ranging from the Romanesque to the neo-Gothic, from Baroque to Rococo.
Duomo is an interchange station serving Lines 1 and 3 of the Milan Metro.
The Palace of the Banca Commerciale Italiana is a historic building of Milan, Italy, located in Piazza della Scala, in the city centre. It was designed by architect Luca Beltrami in the early 20th century for Banca Commerciale Italiana, and it is still in use as a seat of the company. Since 2011 it hosts the Gallerie di Piazza Scala where are exposed many artworks from the collections of Fondazione Cariplo.
The Zone 1 of Milan, since 2016 officially Municipality 1 of Milan, is one of the 9 administrative divisions of Milan, Italy.
The Gallerie d'Italia - Milano is a modern and contemporary museum in Milan, Italy. Located in Piazza della Scala in the Palazzo Brentani and the Palazzo Anguissola, it hosts 195 artworks from the collections of Fondazione Cariplo with a strong representation of nineteenth century Lombard painters and sculptors, including Antonio Canova and Umberto Boccioni. A new section was opened in the Palazzo della Banca Commerciale Italiana on October 25, 2012 with 189 art works from the twentieth century.
Piazza San Fedele is sited in Milan near Palazzo Marino, the Vittorio Emanuele II Gallery and Piazza della Scala in a pedestrian area in the centre of the city. The square is sited in front of at the homonymous San Fedele Church built based on an old project by Pellegrino Tibaldi in the 16th century and finally consecrated in the 18th century.
The stile Umbertino is the name commonly given to a 19th-century style of Renaissance Revival architecture in Italy. It is a style which is typical of the eclecticism of late 19th century architecture and decorative arts in Europe. It is characterized by its eclecticism, because of the mix of decorative elements from the past.
The following outline is provided as an overview of and topical guide to Milan:
Leonardo3 is an interactive museum and exhibition center at Galleria Vittorio Emanuele II, Piazza della Scala, Milano, Italy. The museum is devoted to Italy’s notable personality Leonardo da Vinci and portrays him both as an artist and inventor.
Alessandro Mazzucotelli was an Italian craftsman, particularly known as a master ironworker and decorator. A specialist in wrought iron, Mazzucotelli linked his fame to the decorations of the works of the major exponents of Art Nouveau in Italy and abroad.
The monument to Leonardo da Vinci is a commemorative sculptural group placed in Milan's Piazza della Scala and unveiled in 1872. On the top is a statue of Leonardo da Vinci while the base depicts four of his pupils as full-length figures, Giovanni Antonio Boltraffio, Marco d'Oggiono, Cesare da Sesto, and Gian Giacomo Caprotti.