The Sedlec Ossuary is a Roman Catholic chapel, located beneath the Cemetery Church of All Saints, part of the former Sedlec Abbey in Sedlec, a suburb of Kutná Hora in the Czech Republic. The ossuary is estimated to contain the skeletons of between 40,000 and 70,000 people, whose bones have, in many cases, been artistically arranged to form decorations and furnishings for the chapel. The ossuary is among the most visited tourist attractions of the Czech Republic, drawing over 200,000 visitors annually.
An ossuary is a chest, box, building, well, or site made to serve as the final resting place of human skeletal remains. They are frequently used where burial space is scarce. A body is first buried in a temporary grave, then after some years the skeletal remains are removed and placed in an ossuary. The greatly reduced space taken up by an ossuary means that it is possible to store the remains of many more people in a single tomb than possible in coffins. The practice is sometimes known as grave recycling.
Pinturicchio, or Pintoricchio, also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname because of his small stature and he used it to sign some of his artworks that were created during the fifteenth and sixteenth centuries.
The Basilica of San Petronio is a minor basilica and church of the Archdiocese of Bologna located in Bologna, Emilia Romagna, northern Italy. It dominates Piazza Maggiore. The basilica is dedicated to the patron saint of the city, Saint Petronius, who was the bishop of Bologna in the fifth century. Construction began in 1390 and its main facade has remained unfinished since. The building was transferred from the city to the diocese in 1929; the basilica was finally consecrated in 1954. It has been the seat of the relics of Bologna's patron saint only since 2000; until then they were preserved in the Santo Stefano church of Bologna.
Sebastiano Ricci was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting.
San Carlo ai Catinari, also called Santi Biagio e Carlo ai Catinari, is an early-Baroque style church in Rome, Italy. It is located on Piazza Benedetto Cairoli, 117 just off the corner of Via Arenula and Via dei Falegnami, a few blocks south of the church of Sant'Andrea della Valle.
Santa Maria presso San Satiro is a church in Milan. The Italian Renaissance structure (1476–1482) houses the early medieval shrine to Satyrus, brother of Saint Ambrose. The church is known for its false apse, an early example of trompe-l'œil, attributed to Donato Bramante.
Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.
The Duomo of Monza, often known in English as Monza Cathedral, is the main religious building of Monza, Italy. Unlike most duomi, it is not in fact a cathedral, as Monza has always been part of the Diocese of Milan, but is in the charge of an archpriest who has the right to certain episcopal vestments including the mitre and the ring. The church is also known as the Basilica of San Giovanni Battista from its dedication to John the Baptist.
San Cristoforo sul Naviglio is a church in Milan, northern Italy.
The Basilica of San Domenico, also known as Basilica Cateriniana, is a basilica church in Siena, Tuscany, Italy, one of the most important in the city. The basilica is an example of Cistercian Gothic style.
The Basilica dell'Osservanza is a church on the outskirts of Siena, region of Tuscany, Italy.
The Saint Fina Chapel is an Early Renaissance chapel in the right aisle of the Collegiate church of Santa Maria Assunta, located in San Gimignano, Tuscany, Italy. It was designed by Giuliano and Benedetto da Maiano in 1468 to enshrine the relics of Saint Fina. The side walls of the chapel are painted in fresco by Domenico Ghirlandaio with two scenes from her life, executed between 1477 and 1478.
The Basilica of Saint Magnus is the principal church of the Italian town of Legnano, in the province of Milan. It is dedicated to the Saint Magnus, who was Archbishop of Milan from 518 to 530. The church was built from 1504 to 1513 in the Renaissance-style designed by Donato Bramante. The bell tower was added between the years 1752 and 1791. On 18 March 1950, Pope Pius XII named the Basilica of San Magno a minor basilica.
San Niccolò al Carmine, also called Santa Maria del Carmine is a Renaissance style, Roman Catholic church and monastery located in Pian dei Mantellini #30, near the corner of Via della Diana in the Terzo de Citta of Siena, region of Tuscany, Italy. The church now serves as the Oratory for the Contrada of Pantera. Across the street from the belltower is the Palazzo Celsi Pollini. North along Pian dei Mantellini, toward the Arco delle Due Porte, and on the same side of the street are a number of palaces built around what was once the Monastery of the Derelict Women: in order they are the Neoclassical Palazzo Incontri, the Palazzo Ravissa and the Palazzo Segardi.
San Francesco is a Roman Catholic church and monastery located in Sarzana, region of Liguria, Italy.
The Basilica of San Bernardino is a religious building located in L'Aquila, Italy. The church was built, with the adjacent cloister, between 1454 and 1472 in honor of St Bernardino of Siena. The facade was built by Silvestro dall'Aquila and later passed to Cola dell'Amatrice, reaching completion in 1542. It is a notable example of 16th century architecture combining Greek, Latin and Christian influences, divided into three orders, consisting of Doric, Ionic and Corinthian styles. The corpse of the saint is guarded inside the church in a mausoleum built by Silvestro dell'Aquila.
The Certosa di Pontignano, also known as the Certosa di San Pietro, is a Carthusian monastery and church in the neighborhood of Pontignano, within the town limits of Castelnuovo Berardenga, a few kilometers north of the city of Siena, in the region of Tuscany, Italy. The monastic complex, after the expulsion of the monks in 1810, passed through various hands, until it was acquired in 1959 by the University of Siena, and used for academic meetings, conventions, and also hotel and restaurant for events such as weddings and celebrations.
The prepositural collegiate basilica of San Giovanni Battista is a Catholic church in Busto Arsizio, dedicated to one of the patron saints of the city. Like the church of San Michele Arcangelo, this building also stands on the remains of a small Lombard chapel about eight metres wide.
Baroque in Milan refers to the dominant artistic style between the 17th century and the first half of the 18th century in the city. Due to the work of the Borromeo cardinals and its importance in the Italian domains, at first Spanish and then Austrian, Milan experienced a lively artistic season in which it assumed the role of the driving force behind Lombard Baroque.
