Alessandro di Mariano di Vanni Filipepi, known as Sandro Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period.
The Birth of Venus is a painting by the Italian artist Sandro Botticelli, probably executed in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown. The painting is in the Uffizi Gallery in Florence, Italy.
Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.
Verginia, or Virginia, was the subject of a story of ancient Rome, related in Livy's Ab Urbe Condita.
The year 1500 in art involved some significant events and new works.
Pallas and the Centaur is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1482. It is now in the Uffizi Gallery in Florence. It has been proposed as a companion piece to his Primavera, though it is a different shape. The medium used is tempera paints on canvas and its size is 207 x 148 cm. The painting has been retouched in many places, and these retouchings have faded.
The Madonna of the Pomegranate was painted in circa 1487 with tempera on a wood panel by Sandro Botticelli. It is now in the Uffizi in Florence. Sandro Botticelli was a leading Italian Renaissance artist from Florence, Italy. The Madonna (art) uses the circular format, better known as a tondo, which focuses the attention on the main characters, the Virgin Mary and baby Jesus, who are surrounded symmetrically by angels on each side. Botticelli's use of tempera grassa give the characters a real look, better known as a "naturalistic" style, which is common during the Renaissance. The Virgin Mary is holding baby Jesus gently in her arms while holding a pomegranate in her left hand.
Madonna in Glory with Seraphim is a painting by the Italian Renaissance painter Sandro Botticelli, executed c. 1469–1470. It is housed in Galleria degli Uffizi.
The Mystical Nativity is a painting in oil on canvas dated c. 1500–1501 by the Italian Renaissance master Sandro Botticelli, in the National Gallery in London. It is his only signed work and has an unusual iconography for a painting of the Nativity.
The Virgin and Child with Two Angels is a painting by the Italian Renaissance master Sandro Botticelli, dating to c. 1468–1469. It is in the Museo Nazionale di Capodimonte, in Naples.
The Lamentation over the Dead Christ with Saints is a painting of the Lamentation of Christ by the Italian Renaissance artist Sandro Botticelli, dated between 1490 and 1495. The painting was originally kept in Santa Maria Maggiore, Florence. It is now in the Museo Poldi Pezzoli of Milan. The painting is one of two versions of The Lamentation by Botticelli. The other, circa 1492, is now in the Alte Pinakothek in Munich.
Appius and Virginia is an early 17th-century stage play, a tragedy by John Webster. It is the third and least famous of his tragedies, after The White Devil and The Duchess of Malfi.
The Portrait of Smeralda Brandini is a tempera on panel painting by the Italian Renaissance artist Sandro Botticelli of about 1475, in the Victoria and Albert Museum, London.
The Adoration of the Magi is a painting by the Italian Renaissance master Sandro Botticelli. Botticelli painted this piece for the altar in Gaspare di Zanobi del Lama's chapel in Santa Maria Novella around 1475. This painting depicts the Biblical story of the Three Magi following a star to find the newborn Jesus. The image of the altarpiece centers on the Virgin Mary and the newborn Jesus, with Saint Joseph behind them. Before them are the three kings who are described in the New Testament story of the Adoration of the Magi. The three kings worship the Christ Child and present him with gifts of gold, frankincense and myrrh. In addition, the Holy Family is surrounded by a group of people who came to see the child who was said to be the son of God.
The Madonna della Loggia is a painting attributed to the Italian Renaissance artist Sandro Botticelli, dating to c. 1467. A tempera on panel work, it is located in the loggia of Uffizi, Florence, Italy.
The Madonna and Child with an Angel is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1465–1467. It is housed in Spedale degli Innocenti of Florence.
The Calumny of Apelles is a panel painting in tempera by the Italian Renaissance painter Sandro Botticelli. Based on the description of a lost ancient painting by Apelles, the work was completed in about 1494–95, and is now in the Uffizi, Florence.
Primavera, is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s. It has been described as "one of the most written about, and most controversial paintings in the world", and also "one of the most popular paintings in Western art".
The Punishment of the Sons of Korah or Punishment of the Rebels is a fresco by the Italian Renaissance painter Sandro Botticelli, executed in 1480–1482 in the Sistine Chapel, Rome.
Scenes from the Life of Saint Zenobius is a series of paintings by the Italian Renaissance artist Sandro Botticelli. Four panels from the series survive, which are now in three different museums. Each depicts three or more incidents from the life of Zenobius, an early Bishop of Florence who perhaps died in 417. The works are all in tempera on wood, and around 66 cm (26 in) high, though their length varies rather more, from about 149 to 182 cm.
