Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period.
The Birth of Venus is a painting by the Italian artist Sandro Botticelli, probably executed in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown. The painting is in the Uffizi Gallery in Florence, Italy.
Filippino Lippi was an Italian Renaissance painter mostly working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance. He also worked in Rome for a period from 1488, and later in the Milan area and Bologna.
Verginia, or Virginia, was the subject of an ancient Roman story recounted in Roman historian Livy's text Ab Urbe Condita. Upon threat to her virtue, Verginia was killed by her father Verginius. Livy directly links Verginia's death to the overthrow of the decemviri and the re-establishment of the Roman Republic.
Filippo Lippi, also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters. Sandro Botticelli and Francesco di Pesello were among his most distinguished pupils. His son, Filippino Lippi, also studied under him and assisted in some late works.
Pallas and the Centaur is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1482. It is now in the Uffizi Gallery in Florence. It has been proposed as a companion piece to his Primavera, though it is a different shape. The medium used is tempera paints on canvas and its size is 207 x 148 cm. The painting has been retouched in many places, and these retouchings have faded.
The Madonna of the Pomegranate is a tempera on panel painting created circa 1487 by the Italian Renaissance master Sandro Botticelli. It is now in the Uffizi in Florence. Sandro Botticelli was a leading Renaissance artist from Florence, Italy. The Madonna (art) uses the circular format, better known as a tondo, which focuses the attention on the main characters, the Virgin Mary and baby Jesus, who are surrounded symmetrically by angels on each side. Botticelli's use of tempera grassa give the characters a real look, better known as a "naturalistic" style, which is common during the Renaissance. The Virgin Mary is holding baby Jesus gently in her arms while holding a pomegranate in her left hand.
Madonna in Glory with Seraphim is a tempera painting on panel by the Italian Renaissance painter Sandro Botticelli, executed c. 1469–1470. It is housed in Galleria degli Uffizi.
The Virgin and Child with Two Angels is a painting by the Italian Renaissance master Sandro Botticelli, dating to c. 1468–1469. It is in the Museo Nazionale di Capodimonte, in Naples.
The Lamentation over the Dead Christ with Saints is a painting of the Lamentation of Christ by the Italian Renaissance artist Sandro Botticelli, dated between 1490 and 1495. The painting was originally kept in Santa Maria Maggiore, Florence. It is now in the Museo Poldi Pezzoli of Milan. The painting is one of two versions of The Lamentation by Botticelli. The other, circa 1492, is now in the Alte Pinakothek in Munich.
Appius and Virginia is an early 17th-century stage play, a tragedy by John Webster. It is the third and least famous of his tragedies, after The White Devil and The Duchess of Malfi.
The Portrait of Smeralda Brandini is a tempera on panel painting by the Italian Renaissance artist Sandro Botticelli of about 1475, in the Victoria and Albert Museum, London.
The Madonna della Loggia is a painting attributed to the Italian Renaissance artist Sandro Botticelli, dating to c. 1467. A tempera on panel work, it is located in the loggia of the Uffizi, Florence, Italy.
The Madonna and Child with an Angel is a painting executed c. 1465–1467 by the Italian Renaissance painter Sandro Botticelli. It is housed in Spedale degli Innocenti of Florence.
The Calumny of Apelles is a panel painting in tempera by the Italian Renaissance painter Sandro Botticelli. Based on the description of a lost ancient painting by Apelles, the work was completed in about 1494–95, and is now in the Uffizi, Florence.
Primavera is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s. It has been described as "one of the most written about, and most controversial paintings in the world", and also "one of the most popular paintings in Western art".
The Madonna of the Rose Garden is a tempera painting on panel by the Italian Renaissance painter from Florence, Sandro Botticelli between 1469 and 1470. It is one of his earliest paintings and is now in the Uffizi Gallery in Florence, Italy.
The Story of Nastagio Degli Onesti, part one is a painting in tempera on wood by the Italian Renaissance master Sandro Botticelli, dated 1483. It measures 83 x 138 cm and is in the Museo del Prado in Madrid.
Scenes from the Life of Saint Zenobius is a series of paintings by the Italian Renaissance artist Sandro Botticelli. Four panels from the series survive, which are now in three different museums. Each depicts three or more incidents from the life of Zenobius, an early Bishop of Florence who perhaps died in 417. The works are all in tempera on wood, and around 66 cm (26 in) high, though their length varies rather more, from about 149 to 182 cm.
Life of Esther or Scenes from the Story of Esther is the title of a series of six panel paintings by the Italian Renaissance painters Sandro Botticelli and Filippino Lippi, showing scenes from the story of Esther and produced in the 1470s. They originally decorated the sides of a pair of cassoni or marriage chests, the two long panels on the fronts, and the smaller ones on the ends. They are now split between five museums in Europe and Canada.
