| Madonna of the Rose Garden | |
|---|---|
 | |
| Artist | Sandro Botticelli |
| Year | 1469–1470 |
| Medium | tempera on panel |
| Dimensions | 124 cm× 64 cm(49 in× 25 in) |
| Location | Uffizi Gallery, Florence |
The Madonna of the Rose Garden is a tempera painting on panel by the Italian Renaissance painter from Florence, Sandro Botticelli between 1469 and 1470. It is one of his earliest paintings and is now in the Uffizi Gallery in Florence, Italy.
The work was in the Chamber of Commerce of Florence which leads to the hypothesis that like Botticelli's earlier painting, the Madonna della loggia , it had been commissioned either by the Wool Guild or the Tribunale della Mercanzia.
Wilhelm von Bode was the first to date the work to the artist's juvenile phase, in particular to the period of Verrocchio, 1469–1470, which has since been confirmed by other scholars.
The painting measures 124 cm × 64 cm (49 in × 25 in). It depicts the Virgin Mary, with a pensive attitude, holding the Christ Child on her knees beneath a loggia with columns supporting a semicircular arch with a coffered ceiling, framing the head of the Virgin and following the curved profile of the board. Behind Mary extends a garden with its pink roses dominating the foreground. Below her is a floor with framed marble tiles which demonstrates the painter's mastery of perspective technique.
The roses symbolize one of the titles of Mary, "Mystical Rose". The pomegranate, which Mary holds in her hand and which the Child is tasting, symbolizes fertility, royalty, and with its red color, the blood of the Passion of Jesus.
The work shows incisive use of chiaroscuro reminiscent of Verrocchio, in whose workshop Botticelli may have trained. The same type of child, with a large oval head and joyful lively expression, can be seen in Verrocchio's sculpture Putto con delfino from the same period. The figure of Mary is elongated and loosely posed, much more so than in the works of Filippo Lippi, another of the young Botticelli's models.
There are some uncertainties in space such as the disproportion of the architectural background which is too small compared to the figure of Mary and also compared to the flowers in the garden behind her.
The Uffizi Gallery is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.
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The Adoration of the Magi is a painting by the Italian Renaissance master Sandro Botticelli. Botticelli painted this piece for the altar in Gaspare di Zanobi del Lama's chapel in Santa Maria Novella around 1475. This painting depicts the Biblical story of the Three Magi following a star to find the newborn Jesus. The image of the altarpiece centers on the Virgin Mary and the newborn Jesus, with Saint Joseph behind them. Before them are the three kings who are described in the New Testament story of the Adoration of the Magi. The three kings worship the Christ Child and present him with gifts of gold, frankincense and myrrh. In addition, the Holy Family is surrounded by a group of people who came to see the child who was said to be the son of God.
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The Virgin and Child with the Infant Saint John the Baptist is a tempera painting on wood executed by the Italian Renaissance master Sandro Botticelli and his studio. The tondo, painted in Florence between the years of 1490 and 1500, addresses a central theme of the Italian Renaissance art: the divine motherhood. The work is now in the São Paulo Museum of Art.
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Virgin and Child with an Angel also known as Our Lady of the Eucharist is a painting in tempera on wood panel by Sandro Botticelli, executed in c. 1470. It is now held by the Isabella Stewart Gardner Museum in Boston, Massachusetts, having been acquired from Prince Chigi in 1899. The painting measures 85.2 × 65 centimetres (33.5 × 25.6 in) and is one of a series of paintings of the Madonna produced by Botticelli between 1465 and 1470. It shows influences from Filippo Lippi's Virgin and Child with Two Angels of c. 1465 in the Uffizi.
The Bardi Madonna or Madonna and Child with Saint John the Baptist and Saint John the Evangelist is a 1480s tempera-on-panel painting by Sandro Botticelli, now in the Gemäldegalerie, Berlin. Its primary name derives from the rich Florentine banker Agnolo Bardi, who commissioned it for his family chapel at the Santo Spirito Basilica in Florence. It was completed around the end of 1485.
