Bernardino Di Mariotto dello Stagno (Perugia, circa 1478 - Perugia, 1566) was an Italian painter of the Renaissance period.
He trained first under either Lodovico di Angelo Mattioli of Perugia or Fiorenzo di Lorenzo, and later worked in the studio of Lorenzo da San Severino the Younger and of Vittore Crivelli. He was in San Severino Marche by 1502, and after Lorenzo's death in 1503 took over his workshop. He returned to Perugia in 1522, and was active there until 1541. [1]
Filippino Lippi was an Italian painter working in Florence, Italy during the later years of the Early Renaissance and first few years of the High Renaissance.
Luca Signorelli was an Italian Renaissance painter who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescoes of the Last Judgment (1499–1503) in Orvieto Cathedral are considered his masterpiece.
Pintoricchio or Pinturicchio, also known as Benetto di Biagio or Sordicchio, was an Italian painter during the Renaissance. He acquired his nickname because of his small stature. He also used it to sign some of his 15th and 16th-century artworks.
Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.
Fiorenzo di Lorenzo was an Italian painter, of the Umbrian school. He lived and worked at Perugia, where most of his authentic works are still preserved in the Galleria Nazionale dell'Umbria.
Benozzo Gozzoli was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.
Lo Spagna, "the Spaniard" in Italian, was a painter of the High Renaissance, active in central Italy. His name was Giovanni di Pietro, but he was known as Lo Spagna because he was born in Spain. After Raphael, he was a main pupil and follower of the Umbrian painter Perugino, whose style his paintings develop. He should not be confused with Pietro di Giovanni D'Ambrogio of Siena.
Lorenzo di Credi was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci.
Francesco Granacci was an Italian Renaissance painter active primarily in his native Florence. Though little-known today, he was regarded in his time and is featured in Giorgio Vasari's Lives of the Artists.
Altobello Melone was an Italian painter of the Renaissance.
Giovanni Antonio Sogliani was an Italian painter of the Renaissance, active mainly in Florence.
Lorenzo Leonbruno, also known as Lorenzo de Leombeni, was an Italian painter during the early Renaissance period. He was born in Mantua (Mantova), an Italian commune in Lombardy, Italy. Leonbruno is most well known for being commissioned by the court of Francesco Gonzaga, Marquis of Mantua, and his wife Isabella d'Este. The patronage continued with their eldest son Federico II Gonzaga, who was the fifth Marquis of Mantua. Leonbruno was the court painter for the Gonzaga family from 1506–24.
The decade of the 1460s in art involved some significant events.
The decade of the 1430s in art involved some significant events.
Bartolomeo Caporali was an Italian painter and miniaturist in Perugia, Umbria during the early Renaissance period. His style was influenced by Umbrian artists Gozzoli and Boccati, two of his first mentors, and continued to evolve as younger Umbrian artists came onto the scene, such as Fiorenzo di Lorenzo, Perugino and Pinturicchio. Although primarily a painter, he is also known for executing missals, restoration work, gilding, armorials, banners and celebratory decorations, which speaks to his decorative, detail-oriented artistic style. His most famous works include Madonna and Saints (1487) for the church of Santa Maria Maddalena at Castiglione del Lago, The Virgin and Child Between Two Praying Angels, and his Adoration of the Shepherds.
Biagio d’Antonio Tucci was an Italian Renaissance painter active in Florence, Faenza and Rome.
Events from the year 1522 in art.
Bastiano di Bartolo Mainardi was an Italian painter of the Early Renaissance. He was born in San Gimignano and was active there and in Florence.
Lorenzo d’Alessandro was an Italian painter and interpreter of late gothic style. He is known by different authorities and authors by different names, including:
Andrea di Niccolò, also Andrea di Niccolò di Giacomo, (1440–1514) was an Italian painter of the Sienese School.
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