Francesco di Simone da Santacroce or Santa Croce (born in Santa Croce, frazione of San Pellegrino Terme, near Bergamo circa 1470-1475 and died Venice, 1508) was an Italian painter, active mainly in a Renaissance style. He was influenced by Giovanni Bellini.
He is best known for founding a studio that trained Francesco Rizzo, who inherited the studio after his master's demise, and later Palma il Vecchio and Andrea Previtali. His main pupil Francesco Rizzo is also sometimes known as Francesco da Santacroce. [1] To confuse names further, a Francesco di Simone, was putatively active in the early 15th century in Naples, a pupil of Simone Napoletano and colleague of Colantonio del Fiore. [2] Finally Simone Ferrucci is a Quattrocento sculptor also known as Francesco di Simone Ferrucci.
Santi di Tito was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism.
Simone Cantarini or Simone da Pesaro, called il Pesarese was an Italian painter and etcher. He is mainly known for his history paintings and portraits executed in an original style, which united aspects of Bolognese classicism with a bold naturalism.
Raffaello Sanzio Morghen was an Italian engraver.
Giovanni Battista Naldini (1535–1591) was an Italian painter in a late-Mannerist style, active in Florence.
Giuseppe Bonati was an Italian painter of the Baroque period, active in Rome and Ferrara.
Lazzaro Baldi was an Italian painter and engraver of the Baroque period, active mainly in Rome.
Pietro Negroni, also called Il Giovane Zingaro and Lo zingarello di Cosenza, was an Italian painter of the Renaissance period, active mainly in Naples. He was known for his altarpieces, mythological scenes and portraits.
Francesco Rizzo da Santacroce, also known as simply Francesco da Santacroce or Francesco di Bernardo de' Vecchi Da Santa Croce was an Italian painter of the Renaissance period, active mainly in Bergamo and Venice.
The decade of the 1490s in art involved some significant events.
Astolfo Petrazzi (1583–1665) was an Italian painter of the Baroque period, active mainly in his hometown of Siena, but also Spoleto and Rome. He was a pupil of mainly Francesco Vanni, but also worked under Ventura Salimbeni and Pietro Sorri. He died in Siena.
Anton Maria Maragliano was an Italian sculptor of the Baroque period, known primarily for his wooden statues. He was born in Genoa, where he led an important workshop.
Andrea Ferrucci (1465–1526), also known as Andrea di Piero Ferruzzi and as Andrea da Fiesole, was an Italian sculptor who was born in Fiesole, Tuscany, in 1465. He was a first cousin once removed of the artist Francesco di Simone Ferrucci (1437–1493), under whom he studied.
Girolamo da Santacroce was a 16th-century Italian painter of the Renaissance period, active mainly in Venice and the Venetian mainland.
Ottaviano Nelli (1375–1444?) was an Italian painter of the early Quattrocento. Nelli primarily painted frescoes, but also panel paintings. He had several pupils and two painters were influenced by him.
Simone Ferrucci (1437–1493), also Francesco di Simone Ferrucci, was an Italian sculptor.
Santa Maria del Parto a Mergellina is a church located in the quartiere of Chiaia in Naples, Italy. The church is peculiarly perched on top of a private building, and accessed by a stairway, placed behind a restaurant located in piazza Mergellina.
The church of the Croce di Lucca is a religious edifice in central Naples, Italy, on the Via dei Tribunali.
Marchisiano da Tolentino, also known as Marchisiano di Giorgio da Tolentino, was an Italian painter, born and active in his native Tolentino, Italy.
Pasquale Romanelli was an Italian sculptor, apprentice of Lorenzo Bartolini.
Francesco Botti (1640–1711) was an Italian painter of the Baroque period, active in his native Florence.
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