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![]() Snite Museum of Art, 2013, now Snite Research Center in the Visual Arts as of 2023 | |
Established | 1980 |
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Location | University of Notre Dame 100 Moose Krause Circle Notre Dame, Indiana |
Coordinates | 41°41′58″N86°14′06″W / 41.699490°N 86.235008°W |
Type | Art |
Website | raclinmurphymuseum |
The Snite Museum of Art, was the fine art museum on the University of Notre Dame campus, near South Bend, Indiana. [1] It included about 30,000 works of art that span cultures, eras, and media. The Museum supported faculty teaching and research and through programs, lectures, workshops, and exhibitions. Students played a role as gallery guides and as student advisory members.
In April 2023 the Snite Museum closed in anticipation of the completion of the new Raclin Murphy Museum of Art, less than half a mile to the south. [2]
The Bishops Gallery and Museum of Indian Antiquities established about 1875 in the Main Building, preceded the Snite Museum building which was constructed in 1980. By 1924, the Wightman Memorial Art Gallery had opened in Bond Hall. In 1952, O'Shaughnessy Hall, home of the Notre Dame College of Arts and Letters, included exhibition galleries. [3] During the 1950s, Croatian sculptor Ivan Meštrović was in residence at the University, working in the eponymous Meštrović Studio.
In 1975, the Fred B. Snite family donated funds to construct the Snite Museum of Art. The museum opened in 1980, incorporating both Meštrović's sculpture studio (Snite is also home to the Ivan Meštrović papers) [4] and the O'Shaughnessy art gallery, the latter used for the presentation of traveling and temporary exhibitions.
Joseph Antenucci Becherer became new director of the museum in 2018. [5]
With a new museum being constucted elsewhere on the campus, the Snite Museum closed in 2023, with plans to become the Snite Research Center in the Visual Arts. [6]
The museum opened in the fall of 1980, consolidating the adjacent O'Shaughnessy Hall Galleries and the studio of sculptor Ivan Meštrović with the new structure. The 70,000 square-foot building, designed by Ambrose Richardson, A.I.A., was a gift of the Snite Family in memory of Frederick Jr. '33. [ citation needed ]
With the donation in 2018 of funds from lead benefactors Ernestine Raclin and her daughter and son-in-law Carmen and Chris Murphy, enabled the construction of the new Museum complex built in two phases on the south edge of campus. The first phase of the Raclin Murphy Museum of Art includes approximately 70,000 square feet which houses the museum galleries and other functions. The design firm Robert A.M. Stern Architects (RAMSA) were the architects of the new museum, appointed in 2019. Construction began in April 2020 and the new building was opened on 1 December 2023. [7]
The Museum's holdings include prints, photography, French 18th- and 19th painting, Baroque period paintings, decorative arts, African art, Olmec and Mesoamerican art, Native American art and 20th-century art. Donated and gifted collections include the Jack and Alfrieda Feddersen Collection of Rembrandt Etchings; the Noah L. and Muriel S. Butkin Collection of 19th-Century French Art; the John D. Reilly Collection of Old Master and 19th-Century Drawings, the Janos Scholz Collection of 19th-Century European Photographs; the Mr. and Mrs. Russell G. Ashbaugh Jr. Collection of Meštrović Sculpture and Drawings; the George Rickey Sculpture Archive; and the Virginia A. Martin Collection of 18th-Century Decorative Arts.
A private donation by Charles S. Hayes made possible the creation of a public space for reflection, contemplation, and enjoyment of nature and art. Reopened in 2017, the Charles B. Hayes Family Sculpture Park was designed by American landscape architect Michael Van Valkenburgh on an eight-acre site at the south edge of the Notre Dame campus. A part of the Museum's permanent collection, the twelve sculptures in the park are by national and international artists, including Wing Generator by Richard Hunt.
Throughout the year, the Museum provides curriculum-related tours for 7,000 area-school children; after-school and summer programs at the Robinson Community Learning Center; summer art camps for at-risk children; art instruction for student teachers; and workshops for local K-12 instructors.
Ivan Meštrović was a Croatian and Yugoslav sculptor, architect, and writer. He was the most prominent modern Croatian sculptor and a leading artistic personality in contemporary Zagreb. He studied at Pavle Bilinić's Stone Workshop in Split and at the Academy of Fine Arts Vienna, where he was formed under the influence of the Secession. He traveled throughout Europe and studied the works of ancient and Renaissance masters, especially Michelangelo, and French sculptors Auguste Rodin, Antoine Bourdelle and Aristide Maillol. He was the initiator of the national-romantic group Medulić. During the First World War, he lived in emigration. After the war, he returned to Croatia and began a long and fruitful period of sculpture and pedagogical work. In 1942 he emigrated to Italy, in 1943 to Switzerland and in 1947 to the United States. He was a professor of sculpture at the Syracuse University and from 1955 at the University of Notre Dame in South Bend, Indiana.
George Warren Rickey was an American kinetic sculptor.
Keenan Hall is one of the 32 Residence Halls at University of Notre Dame. It is located on North Quad in front of North Dining hall, between Zahm Hall and Stanford Hall. Keenan Hall shares the building and The Chapel of The Holy Cross with adjacent dorm Stanford.
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The Meštrović Pavilion, also known as the Home of Croatian Artists and colloquially as the Mosque, is a cultural venue and the official seat of the Croatian Society of Fine Artists (HDLU) located on the Square of the Victims of Fascism in central Zagreb, Croatia. Designed by Ivan Meštrović and built in 1938, it has served several functions in its lifetime. An art gallery before World War II, it was converted into a mosque under the Independent State of Croatia and was subsequently transformed into the Museum of the Revolution in post-war Yugoslavia. In 1990, it was given back to the Croatian Association of Artists. After extensive renovation, it has served as a space for exhibitions and events since 2006.
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The College of Arts and Letters is the oldest and largest college within the University of Notre Dame. The Dean of the College of Arts and Letters is Sarah Mustillo.
The University of Notre Dame School of Architecture was the first Catholic university in America to offer a degree in architecture, beginning in 1898. The School offers undergraduate and post-graduate architecture programs.
Theodore Golubic was an American sculptor and painter. He studied sculpture at the Syracuse University under Ivan Meštrović and eventually became his assistant at Syracuse and Assistant Fellowship to Meštrović at Notre Dame University. He was a guest teacher at Notre Dame and PBS "Art School of the Air." After receiving his Master of Fine Arts degree from the University of Notre Dame. Later in his career he created three-dimensional sculpture to four-dimensional art that involved shadow and light. He is referenced in Who's Who in American Art, exhibited and commissioned both regionally and nationally. As a creative artist, he combined both science and art, and received five US technology patents in semiconductors, one for a three-dimensional packaging design.
Willie Cole is a contemporary American sculptor, printer, and conceptual and visual artist. His work uses contexts of postmodern eclecticism, and combines references and appropriation from African and African-American imagery. He also has used Dada’s readymades and Surrealism’s transformed objects, as well as icons of American pop culture or African and Asian masks.
Modern Gallery is a museum in Zagreb, Croatia that holds the most important and comprehensive collection of paintings, sculptures and drawings by 19th and 20th century Croatian artists. The collection numbers around 10,000 works of art, housed since 1934 in the historic Vranyczany Palace in the centre of Zagreb, overlooking the Zrinjevac Park. A secondary gallery is the Josip Račić Studio at Margaretska 3.
Ivan Meštrović Gallery, is an art museum in Split, Croatia dedicated to the work of the 20th-century sculptor, Ivan Meštrović. The gallery preserves and presents to the public the most significant works of Meštrović, and is in itself an art monument. The permanent collection includes works of sculpture, drawings, design, furniture and architecture. Holdings include original plaster models by the artist, as well as finished works in bronze, marble and wood. The gallery building and grounds were based on original plans by Meštrović himself, and included living and working areas, as well as exhibition spaces.
The Museum of Fine Arts, is an art museum in Split, Croatia containing works from the 14th century up to the present day providing an overview of the artistic developments in the local art scene. The museum was founded in 1931, and has a permanent exhibition of paintings and sculptures that includes works by major Croatian artists such as Vlaho Bukovac, Mato Celestin Medović, Branislav Dešković, Ivan Meštrović, Emanuel Vidović and Ignjat Job. The museum also has an extensive collection of icons, and holds special exhibits of works by contemporary artists.
The campus of the University of Notre Dame is located in Notre Dame, Indiana, and spans 1,250 acres comprising around 170 buildings. The campus is consistently ranked and admired as one of the most beautiful university campuses in the United States and around the world, particularly noted for the Golden Dome, the Basilica and its stained glass windows, the quads and the greenery, the Grotto, Touchdown Jesus, its collegiate gothic architecture, and its statues and museums. Notre Dame is a major tourist attraction in northern Indiana; in the 2015–2016 academic year, more than 1.8 million visitors, almost half of whom were from outside of St. Joseph County, visited the campus.
Joseph Antenucci Becherer is an American curator, professor, writer, and arts administrator. He is a scholar of modern and contemporary sculpture, organizing major exhibitions and installations from Auguste Rodin to Jonathan Borofsky, Henry Moore to Magdalena Abakanowicz, Jenny Holzer to Ai Weiwei.
Christ and the Samaritan Woman is an outdoor sculpture by Croatian sculptor Ivan Meštrović. Created in 1957, the sculpture resides in front of O’Shaughnessy Hall on the campus of the University of Notre Dame as part of the Shaheen-Mestrovic Memorial, which was completed in 1985 by the Department of Landscape Architecture and Planning in the South Bend office of Cole Associates. The marble and bronze sculpture depicts the events in John 4, in which Jesus converses and evangelizes to a woman from Samaria, with whom the Jews would not normally associate. Eli J. Shaheen, a Notre Dame alum, was the donor for the project, which is owned by the university. The “Woman at the Well,” as it is often referred, is flanked by sculptures of the gospel writers Luke the Evangelist and John the Evangelist. It has been regarded as the most notable and celebrated of Meštrović's works from his period at Notre Dame.
St. Luke is an outdoor sculpture by Croatian artist Ivan Meštrović. It is located on the courtyard in front of O’Shaughnessy Hall on the University of Notre Dame campus, which is in South bend, Indiana, and is owned by the University of Notre Dame.
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The Walsh Family Hall of Architecture is a building on the campus of the University of Notre Dame and houses of the Notre Dame School of Architecture. Construction started in 2016 and was completed in 2019. The school was previously hosted in Bond Hall. Designed by John Simpson, it is an example of New Classical architecture, for which the School of Architecture is well known for. The complex features a Greek-architecture inspired Hall of Casts, a stoa, a tower and a courtyard. The building design won several awards for its design.
The Pietà is a marble statue by Croatian artist Ivan Meštrović housed in the Basilica of the Sacred Heart on the campus of the University of Notre Dame. It is considered one of his most celebrated works. Meštrović conceived the work while imprisoned in Zagreb by the Ustaše and then sculpted it in Rome from a six ton block of Carrara marble. It is hence also known as Roman Pieta. Meštrović also made several copies of the work which are now held at the Ivan Meštrović Gallery, Vatican Museums, and Pontifical Croatian College.