Ambrosius Holbein was a German and later a Swiss artist in painting, drawing, and printmaking. He was the elder brother, by about three years, of Hans Holbein the Younger, but he appears to have died in his mid-twenties, leaving behind only a small body of work.
Hans Holbein the Younger was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the Late Gothic school.
Oswald Myconius was a Swiss Protestant theologian and Protestant reformer. He was a follower of Huldrych Zwingli.
Georg Giese was a prominent Hanseatic merchant, who managed his family's office at London's Steelyard for at least 12 years and is noted for having had his portrait painted by Hans Holbein the Younger.
The Kunstmuseum Basel houses the oldest public art collection in the world and is generally considered to be the most important museum of art in Switzerland. It is listed as a Swiss heritage site of national significance.
Catherine Howard was Queen of England from July 1540 until November 1541 as the fifth wife of King Henry VIII. She was the daughter of Lord Edmund Howard and Joyce Culpeper, a cousin to Anne Boleyn, and the niece of Thomas Howard, 3rd Duke of Norfolk. Thomas Howard was a prominent politician at Henry's court, and he secured her a place in the household of Henry's fourth wife, Anne of Cleves, where she caught the King's interest. She married him on 28 July 1540 at Oatlands Palace in Surrey, just 19 days after the annulment of his marriage to Anne. He was 49, and it is widely accepted that she was about 17 at the time of her marriage to Henry VIII.
The Body of the Dead Christ in the Tomb is an oil and tempera on limewood painting created by the German artist and printmaker Hans Holbein the Younger between 1520 and 1522.
The Darmstadt Madonna is an oil painting by the German-Swiss artist Hans Holbein the Younger. Completed ca. 1526—1530 in Basel, the work shows the Bürgermeister of Basel Jakob Meyer zum Hasen, his first wife, his current wife, and his daughter grouped around the Madonna and infant Jesus.
Lais of Corinth is an oil-and-tempera painting on wood completed in 1526 by the German-Swiss Northern Renaissance painter Hans Holbein the Younger. It portrays the famous Lais of Corinth, a courtesan of ancient Greece who charged a high price for her favours. It has been suggested that Holbein is also referring to the Lais who was the lover of Apelles, the great painter of antiquity. The model, the same used for the Venus and Amor, has been identified as either Magdalena Offenburg or her daughter Dorothea, as it was noted by Basilius Amerbach in the archives from the Amerbach-Cabinet, that the woman depicted was someone of the Offenburg family. Dorothea would have been eighteen years of age in 1526. It was assumed that either of the two may have been Holbein's mistress. Both paintings, the Venus as the Lais, came into the possession of the Amerbach Cabinet in the late 1500s.
The Kunstmuseum Solothurn or Art Museum Solothurn is an art museum in the Swiss town Solothurn.
Jakob Meyer zum Hasen was the bürgermeister of the city of Basel from 1516 to 1521. A money changer by profession, he was the first bürgermeister of Basel to be a tradesman, belonging to a guild rather than a member of the aristocracy or a wealthy family. He is known as a patron of the painter Hans Holbein the Younger, having commissioned the Darmstadt Madonna and a double portrait from him.
The Amerbach Cabinet was a collection of artifacts, paintings, libraries, assembled by members of the Amerbach family, most notably by the two law professors of the University of Basel, Bonifacius Amerbach and his son Basilius Amerbach the Younger.
Hans Holbein the Younger painted the Portrait of Erasmus of Rotterdam several times, and his paintings were much copied, at the time and later. It is difficult to disentangle Holbein's original work from that of his workshop and other copyists. Possibly five largely original versions survive, as well as a number of drawings made as studies.
The Portrait of Bonifacius Amerbach is a painting by the German master of the Renaissance Hans Holbein the Younger. It is deposited in the Basler Kunstmuseum as part of the Amerbach Cabinet. It is painted in mixed technique on pine panel and measures 29.9 cm x 28.3 cm.
Hans of Antwerp was a goldsmith and merchant working in Tudor London. He supplied silver plate and jewels to the court of Henry VIII.
Portrait of the Artist's Family is a portrait of the family of the painter Hans Holbein the Younger by the artist himself. It depicts Holbein's wife Elsbeth Binzenstock, their son Philipp and their daughter Katharina. Holbein painted it during his stay in Basel after his return from England. It was painted, between 1528 and 1529, on paper and glued on wood.
The Schwarzwald family was a wealthy, patrician, merchant family living in the Hanseatic city of Danzig from the 15th to the 18th century. The family, which had its origins in the Black Forest in south-west Germany, can be traced back to Georg von Schwarzwald, who settled in Danzig in the early 1400s.
Portrait Miniature of Hans Schwarzwaldt is a watercolour on vellum portrait completed in around 1535–1540 by German artist and printmaker, Hans Holbein the Younger. The painting shows a young man against a clear blue background. Only the head and shoulders are shown, turned three-quarters to the viewer's right, the eyes cast down. The light brown hair is close cropped, and the sitter is wearing a brown doublet, trimmed with black, with a small, open falling collar with white strings attached. There is no inscription. The subject of this portrait was identified as a Danzig merchant, Hans Schwarzwaldt (1513-1575), based on a very strong resemblance to another portrait made by Holbein in 1543, but his age does not match the inscription. It has been suggested that the young man might be Gregory Cromwell, 1st Baron Cromwell, the son of Henry VIII's chief minister, Thomas Cromwell, 1st Earl of Essex.
Portrait of Johann von Schwarzwaldt is a tempera on parchment portrait completed in 1543 by German artist and printmaker, Hans Holbein the Younger. The painting shows a young man against a blue background, turned three-quarters to the viewer's right. The sitter is wearing a deep black velvet cap and a black silk gown, a shade lighter, with a finely embroidered white shirt showing at the neck and wrist. The eyes are lowered, half covered by the lids, the arms folded. He has two rings on his left hand and is holding leather gloves. There is a flanking inscription at head height —· ANNO · ETATIS // SVÆ · 24 · 1543· — indicating that he was born about 1519. The subject of this portrait was identified as a Danzig merchant, Hans (Johann) von Schwarzwald, but his age does not match the inscription. It has been suggested that the young man might be Gregory Cromwell, 1st Baron Cromwell, the son of Henry VIII's chief minister, Thomas Cromwell, 1st Earl of Essex.
Portrait of Charles de Solier, Sieur de Morette is an oil on oak painting completed in around 1534–1535 by German painter and printmaker, Hans Holbein the Younger, now at the Gemäldegalerie Alte Meister, Dresden. It depicts the French diplomat, Charles de Solier (1480–1552), Francis I's ambassador to England.
