Portrait of Nicolaus Kratzer | |
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Artist | Hans Holbein the Younger |
Year | 1528 [1] |
Medium | tempera on oak |
Dimensions | 0.83 cm× 0.67 cm(0.33 in× 0.26 in) [1] |
Location | Louvre, Paris |
Accession | 1343; MR 751 [1] |
Website | collections |
Portrait of Nicolaus Kratzer is a 1528 half-length portrait by Hans Holbein the Younger. It is now in the Louvre, [1] whilst a copy after it hangs in the National Portrait Gallery. [2] It shows the astronomer Nikolaus Kratzer, a friend of Thomas More and Holbein himself. In his hand he holds a half-finished polyhedral sundial, whilst on the shelves behind him are a semi-circular star quadrant, a shepherd's dial and other instruments.
Hans Holbein the Elder was a German painter.
Ambrosius Holbein was a German and later a Swiss artist in painting, drawing, and printmaking. He was the elder brother, by about three years, of Hans Holbein the Younger, but he appears to have died in his mid-twenties, leaving behind only a small body of work.
Hans Holbein the Younger was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the Late Gothic school.
The Ambassadors is a 1533 painting by Hans Holbein the Younger.
Nicholas Kratzer, also known as Nicolaus Kratzer and Nicholas Crutcher, was a German mathematician, astronomer, and horologist. Much of Kratzer's professional life was spent in England, where he was appointed as astronomer to King Henry VIII.
The artists of the Tudor court are the painters and limners engaged by the monarchs of England's Tudor dynasty and their courtiers between 1485 and 1603, from the reign of Henry VII to the death of Elizabeth I.
Catherine Howard was Queen of England from July 1540 until November 1541 as the fifth wife of King Henry VIII. She was the daughter of Lord Edmund Howard and Joyce Culpeper, a cousin to Anne Boleyn, and the niece of Thomas Howard, 3rd Duke of Norfolk. Thomas Howard was a prominent politician at Henry's court. He secured her a place in the household of Henry's fourth wife, Anne of Cleves, where Howard caught the King's interest. She married him on 28 July 1540 at Oatlands Palace in Surrey, just 19 days after the annulment of his marriage to Anne. He was 49, and it is widely accepted that she was about 17 at the time of her marriage to Henry VIII.
Portrait of Sir Thomas More is an oak panel painting created in 1527 by the German artist and printmaker Hans Holbein the Younger, now in the Frick Collection in New York.
Portrait of Henry VIII is a lost painting by Hans Holbein the Younger depicting Henry VIII. It is one of the most iconic images of Henry VIII and is one of the most famous portraits of any English or British monarch. It was created in 1536–1537 as part of the Whitehall Mural showing the Tudor dynasty at the Palace of Whitehall, Westminster, which was destroyed by fire in 1698, but is still well known through many copies.
The Exhibition of National Portraits was a series of three grand exhibitions in London at the South Kensington Museum between 1866 and 1868. The first one opened in April 1866, and contained portraits of people from or linked to the history of England until the Glorious Revolution. The second exhibition displayed portraits between the Glorious Revolution and 1800, with the final exhibition showing portraits from people living after 1800, including living people. The second and third exhibition also included portraits that by right should have been present in one of the previous exhibitions, but weren't shown then. The third exhibition for example showed 9 works attributed to Hans Holbein, 9 works by Anthony van Dyck, 27 by Reynolds and 34 by Gainsborough, even though they should normally have been shown in the previous exhibitions.
Bartholomäus Bruyn (1493–1555), usually called Barthel Bruyn or Barthel Bruyn the Elder, was a German Renaissance painter active in Cologne. He painted altarpieces and portraits, and was Cologne's foremost portrait painter of his day.
The Portrait of Sir Richard Southwell is a painting by the German Renaissance master Hans Holbein the Younger, executed around 1536–1537. It is housed in the Uffizi, Florence.
Sir Thomas More and Family is a lost painting by Hans Holbein the Younger, painted circa 1527 and known from a number of surviving copies.
Portrait of Thomas Cromwell is a small oil painting by the German and Swiss artist Hans Holbein the Younger, usually dated to between 1532 and 1534, when Cromwell, an English lawyer and statesman who served as chief minister to King Henry VIII of England from 1532 to 1540, was around 48 years old. It is one of two portraits Holbein painted of him; the other is a tondo from a series of medallions of Tudor courtiers.
Portrait of Christina of Denmark is an oil on oak panel painting by Hans Holbein the Younger completed in 1538. It was commissioned that year by Thomas Cromwell, agent for Henry VIII, as a betrothal painting following the death of the English Queen Jane Seymour. It shows the then sixteen-year-old Christina of Denmark, widowed to Duchess of Milan since she had been 13 years. Her striking manner and strength of character are apparent in the portrait. Although Henry was taken by the representation, the marriage proposal did not go ahead, not least because Christina was aware of Henry's earlier mistreatment of his wives. She is reported as saying, "If I had two heads, I would happily put one at the disposal of the King of England". Various political and practical obstacles related to her ties with the Lutheran church also thwarted the match.
Portrait of a Lady with a Squirrel and a Starling is an oil-on-oak portrait completed in around 1526–1528 by German Renaissance painter Hans Holbein the Younger. The painting shows a demurely dressed young woman sitting against a plain blue background and holding in her lap a squirrel on a chain eating a nut; a starling sits on a grape vine in the background with its beak pointing at her right ear. The grape, a Biblical motif, for Holbein was a symbol of abundance and wealth. The subject of this portrait is believed to be Anne Lovell, wife of Sir Francis Lovell (d. 1551), an Esquire of the Body to Henry VIII.
Hans Holbein the Younger painted the Portrait of Erasmus of Rotterdam several times, and his paintings were much copied, at the time and later. It is difficult to disentangle Holbein's original work from that of his workshop and other copyists. Possibly five largely original versions survive, as well as a number of drawings made as studies.
Portrait of Charles de Solier, Sieur de Morette is an oil on oak painting completed in around 1534–1535 by German painter and printmaker, Hans Holbein the Younger, now at the Gemäldegalerie Alte Meister, Dresden. It depicts the French diplomat, Charles de Solier (1480–1552), Francis I's ambassador to England.