Girl Interrupted at Her Music

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Girl Interrupted at her Music
Artist Johannes Vermeer
Medium Oil on canvas
Dimensions39.4 cm× 44.5 cm(15.5 in× 17.5 in)
Location Frick Collection, New York City

Girl Interrupted at Her Music is a painting by the Dutch artist Johannes Vermeer. It was painted in the baroque style, probably between the years 1658 and 1659, using oil on canvas. Since 1901 it has been in the Frick Collection in New York City. [1]


In this painting, Vermeer depicts a young woman at her music with an older gentleman. This painting shows the typical courtship during the 17th century in Europe. It also focuses on the importance of music when it comes to love.

The room that they are shown in is one of higher class, most likely belonging to a person of haute bourgeoisie. The painting is very reminiscent of Vermeer’s other works.

Important objects and symbols

Wine glass

The wine glass, discreetly shown on the table behind the songbook, is tied with both joyfulness and seduction. In the 17th century it was popular to paint scenes that depicted feasts that included drinking, gaming, and playing music. Later on, these large gatherings became smaller and more exclusive with two or three people shown. Drinking wine was also associated with love during this time period. You can see that the glass is full and untouched, which symbolizes the slow moving relationship between the man and the woman.


On the left side of the painting is a multi-paned window, from which the light source is provided for the scene. Vermeer used the same window design in nine of his other works ( The Music Lesson , The Girl with the Wine Glass , The Glass of Wine , Officer and Laughing Girl , Lady Writing a Letter with her Maid , Woman with a Water Jug , Woman with a Lute , Woman Holding a Balance , and Woman with a Pearl Necklace ). Some experts questioned whether this painting was by Vermeer. The precision of the lighting from the window was thought to prove that it was in fact an original Vermeer.


The chairs depicted in the painting are thought to have been from Spain. They are some of the few objects in the painting that were not damaged by heavy restoration. You can see the minute details including the lion head carving, the brass studs, and the “lozenge” pattern that were all popular aspects of furniture during the time.


The hazy painting in the background of the scene is of Cupid. The painting within a painting was discovered after its restoration in 1907; it had been covered up by a wall and a hanging violin. Several observations have been made about the Cupid painting and what it could have to do with the overall painting, including that Cupid may be warning the couple about the dangers of love, that Cupid's upraised hand was a symbol that you must only have one lover, that Cupid is holding up a blank card which represents love as a game, or shows that "love is in the air". The reason for Vermeer including the miniature Cupid painting may never be revealed due to the painting's damaged condition.


On the table sits a vase made of porcelain and silver, likely used for serving wine. One of the main centers for porcelain in the Netherlands was and still is Delft, although they had "limited success" in recreating Chinese porcelain.


The man in the painting is likely upper class, due to his fashionable attire.


Love and music often went hand in hand in the 17th century, especially with the presence of a musical duet between a man and a woman. Playing music with one another was one of the few activities where young people of the opposite sex could socialize. The two in the painting were likely part of the haute bourgeoisie, which meant that they were worldly and educated when it came to music, and each likely had a personal collection of songbooks.

Cultural references

The painting is a theme in the book Girl, Interrupted , the title of that book being based on the title of the painting.

See also


  1. "Girl Interrupted at Her Music" . Retrieved 2018-09-20.

1. Janson, J.. "Girl Interrupted at Her Music." Essential Vermeer. N.p., 2011. Web. 12 Mar 2012. <>. 2. Liedtke, Walter. "Johannes Vermeer (1632–1675)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. (October 2003) 3. <>