|The Little Street|
|Medium||Oil on canvas|
|Dimensions||54.3 cm× 44 cm(21.4 in× 17 in)|
The Little Street (Het Straatje) is a painting by the Dutch painter Johannes Vermeer, executed c. 1657–58. It is exhibited at the Rijksmuseum of Amsterdam, and signed, below the window in the lower left-hand corner, "I V MEER".
The Netherlands is a country located mainly in Northwestern Europe. The European portion of the Netherlands consists of twelve separate provinces that border Germany to the east, Belgium to the south, and the North Sea to the northwest, with maritime borders in the North Sea with Belgium, Germany and the United Kingdom. Including three island territories in the Caribbean Sea—Bonaire, Sint Eustatius and Saba— it forms a constituent country of the Kingdom of the Netherlands. The official language is Dutch, but a secondary official language in the province of Friesland is West Frisian.
Johannes Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. He was a moderately successful provincial genre painter in his lifetime but evidently was not wealthy, leaving his wife and children in debt at his death, perhaps because he produced relatively few paintings.
The Rijksmuseum is a Dutch national museum dedicated to arts and history in Amsterdam. The museum is located at the Museum Square in the borough Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
The painting is made in oil on canvas, and it is a relatively small painting, being 54.3 centimetres (21.4 in) high by 44.0 centimetres (17.3 in) wide.
The painting, showing a quiet street, depicts a typical aspect of the life in a Dutch Golden Age town. It is one of only three Vermeer paintings of views of Delft, the others being View of Delft and the now lost House Standing in Delft.This painting is considered to be an important work of the Dutch master.
The Dutch Golden Age was a period in the history of the Netherlands, roughly spanning the 17th century, in which Dutch trade, science, military, and art were among the most acclaimed in the world. The first section is characterized by the Eighty Years' War, which ended in 1648. The Golden Age continued in peacetime during the Dutch Republic until the end of the century.
View of Delft is an oil painting by Johannes Vermeer, painted ca. 1660–1661. The painting of the Dutch artist's hometown is among his most popular, painted at a time when cityscapes were uncommon. It is one of three known paintings of Delft by Vermeer, along with The Little Street and the lost painting House Standing in Delft. The use of pointillism in the work suggests that it postdates The Little Street, and the absence of bells in the tower of the New Church dates it to 1660–1661. Vermeer's View of Delft has been held in the Dutch Royal Cabinet of Paintings at the Mauritshuis in The Hague since its establishment in 1822.
Straight angles alternate with the triangle of the house and of the sky giving the composition a certain vitality. The walls, stones and brickwork are painted in a thicker paint layer, such that it makes them almost palpable.
Vermeer achieved the realistic depiction of the surfaces with the masterful application of a relatively limited number of pigments.He employed red ochre and madder lake for the reddish-brown brick wall, the blue in the sky contains lead white and natural ultramarine. The green shutters and foliage are painted with azurite mixed with lead-tin-yellow.
Ochre or ocher is a natural clay earth pigment which is a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced by this pigment, especially a light brownish-yellow. A variant of ochre containing a large amount of hematite, or dehydrated iron oxide, has a reddish tint known as "red ochre".
Ultramarine is a deep blue color pigment which was originally made by grinding lapis lazuli into a powder. The name comes from the Latin ultramarinus, literally "beyond the sea", because the pigment was imported into Europe from mines in Afghanistan by Italian traders during the 14th and 15th centuries.
Azurite is a soft, deep blue copper mineral produced by weathering of copper ore deposits. In the early 19th century, it was also known as chessylite after the type locality at Chessy-les-Mines near Lyon, France. The mineral, a carbonate with the chemical formula Cu3(CO3)2(OH)2, has been known since ancient times, and was mentioned in Pliny the Elder's Natural History under the Greek name kuanos (κυανός: "deep blue," root of English cyan) and the Latin name caeruleum. The blue of azurite is exceptionally deep and clear, and for that reason the mineral has tended to be associated since antiquity with the deep blue color of low-humidity desert and winter skies. The modern English name of the mineral reflects this association, since both azurite and azure are derived via Arabic from the Persian lazhward (لاژورد), an area known for its deposits of another deep blue stone, lapis lazuli ("stone of azure").
While generally agreed to depict a contemporary street scene in 17th-century Delft, where Vermeer lived and worked, the exact location of the scene Vermeer painted has long been a topic of research and discussion, with studies arguing for the Voldersgracht, where the Vermeer Centre is located, or the Nieuwe Langendijk at the present-day numbers 22 to 26.
Delft is a city and municipality in the province of South Holland, Netherlands. It is located between Rotterdam, to the southeast, and The Hague, to the northwest. Together with them, it is part of both Rotterdam–The Hague metropolitan area and the Randstad.
The Vermeer Centre is an information center dedicated to the painter Johannes Vermeer and the work of his contemporaries in Delft, the Netherlands.
In 2015, archival research based on the city's quay dues register, which gives detailed measurements of all houses and passageways along the canals of Delft at the time, has resulted in the conclusion that the site is the Vlamingstraat, a street with a narrow canal, at the present-day numbers 40 and 42.The research also found that the property on the right in the painting belonged to Vermeer’s aunt, Ariaentgen Claes van der Minne. She had a business selling tripe, and the passageway beside the house was known as the Penspoort, or Tripe Gate. Vermeer’s mother and sister also lived on the same canal, diagonally opposite.
In 2017, this apparently sound conclusion was disputed by art historians Gert Eijkelboom and Gerrit Vermeer in the Dutch Journal of Historical Geography (Tijdschrift voor historische geografie). Their argumentation is essentially founded in the assertion that the painting does not depict an actual place, and thus cannot be accurately located. The authors said: "We do not know whether the question will ever be answered, because it seems that Vermeer's world-famous work is an allegorical representation, which he compiled from various elements and places."
Henricus Antonius "Han" van Meegeren was a Dutch painter and portraitist and is considered to be one of the most ingenious art forgers of the 20th century. Despite his life of crime, van Meegeren became a national hero after World War II when it was revealed that he had sold a forged painting to Reichsmarschall Hermann Göring during the Nazi occupation of the Netherlands.
Carel Pietersz. Fabritius was a Dutch painter. He was a pupil of Rembrandt and worked in his studio in Amsterdam. Fabritius, who was a member of the Delft School, developed his own artistic style and experimented with perspective and lighting. Among his works are A View of Delft (1652), The Goldfinch (1654), and The Sentry (1654).
Emanuel de Witte (1617–1692) was a Dutch perspective painter. In contrast to Pieter Jansz Saenredam, who emphasized architectural accuracy, De Witte was more concerned with the atmosphere of his interiors. Though few in number, de Witte also produced genre paintings.
The Milkmaid, sometimes called The Kitchen Maid, is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is now in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions".
Girl with a Pearl Earring is an oil painting by Dutch Golden Age painter Johannes Vermeer, dated c. 1665. Going by various names over the centuries, it became known by its present title towards the end of the 20th century after the large pearl earring worn by the girl portrayed there. The work has been in the collection of the Mauritshuis in The Hague since 1902 and has been the subject of various literary treatments. In 2006, the Dutch public selected it as the most beautiful painting in the Netherlands.
Leonaert Bramer, also Leendert or Leonard, was a Dutch painter known primarily for genre, religious, and history paintings. Very prolific as a painter and draftsman, he is noted especially for nocturnal scenes which show a penchant for exotic details of costume and setting. He also painted frescos—a rarity north of the Alps—which have not survived, as well as murals on canvas, few of which are extant. Bramer is one of the most intriguing personalities in seventeenth-century Dutch art.
Hendrick Corneliszoon van Vliet was a Dutch Golden Age painter remembered mostly for his church interiors.
Christ in the House of Martha and Mary is a painting finished in 1655 by the Dutch painter Johannes Vermeer. It is housed in the National Gallery of Scotland in Edinburgh. It is the largest painting by Vermeer and one of the very few with an overt religious motive. The story of Christ visiting the household of the two sisters Mary and Martha goes back to the New Testament. The work has also been called Christ in the House of Mary and Martha.
Officer and Laughing Girl, also known as Officer and a Laughing Girl, Officer With a Laughing Girl or De Soldaat en het Lachende Meisje, was painted by the Dutch artist Johannes Vermeer between 1655 and 1660. It was painted in oil on canvas, typical of most Dutch artists of the time, and is 50.5 by 46 cm. It now resides in The Frick Collection in New York.
Girl with a Red Hat is a rather small painting, signed by the Dutch painter Johannes Vermeer. It is seen as one of a number of Vermeer's tronies – depictions of models fancifully dressed that were not intended to be portraits of specific, identifiable subjects. Others believe it is a portrait. Whether Vermeer chose family members as models or found them elsewhere in Delft is irrelevant to the appreciation of his paintings. Its attribution to Vermeer – as it is on a (recycled) wood panel and not on canvas – has been a matter of controversy with scholars on both sides of the argument.
Johannes Bosboom was a Dutch painter and watercolorist of the Hague School, known especially for his paintings of church interiors.
Woman Reading a Letter is a painting by the Dutch painter Johannes Vermeer. Part of the collection of the City of Amsterdam as part of the Van der Hoop bequest, it has been in the Rijksmuseum since its inception, and was thus the first Vermeer they acquired.
Woman with a Pearl Necklace by Johannes Vermeer is a seventeenth-century Northern European painting. Painted in oils on canvas, Johannes Vermeer portrayed a young Dutch woman, most likely of upper-class-descent, dressing herself with two yellow ribbons, pearl earrings, and a pearl necklace. As a very popular artist of the 17th century, the Dutch Golden Age, Vermeer depicted many women in similar circumstances within interior, domestic scenes. The same woman also appears in The Love Letter and A Lady Writing a Letter.
Girl with a Flute is a small painting attributed to the Dutch Golden Age painter Johannes Vermeer, executed 1665–1670. The work is in possession of the National Gallery of Art in Washington, D.C., just as Woman Holding a Balance, A Lady Writing a Letter and Girl with a Red Hat.
Girl in a Blue Dress, also called Portrait of a Girl Dressed in Blue or simply Portrait of a Girl, is an oil painting by Johannes Cornelisz Verspronck in the collection of the Rijksmuseum. It was acquired by the museum in 1928 as a gift from the Vereniging Rembrandt.
Michiel Servaesz. Nouts or Nuyts was a Dutch Golden Age painter who also served as Amsterdam's town musician (stadsspeelman).
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