Gabriel de Saint-Aubin, also Gabriel Jacques de Saint-Aubin, (Paris, 14 April 1724 - Paris, 14 February 1780) was a French draftsman, printmaker, etcher and painter.
Gabriel de Saint-Aubin, also Gabriel Jacques de Saint-Aubin, (Paris, 14 April 1724 - Paris, 14 February 1780) was a French draftsman, printmaker, etcher and painter.
His brothers Charles Germain de Saint Aubin and Augustin de Saint-Aubin were also artists, as was his niece, Marie-François, daughter of Charles. [1] He was a student of Étienne Jeaurat and Hyacinthe Collin de Vermont. After three failures to win a Prix de Rome from 1752 to 1754, he left the Académie des Beaux-Arts and joined the Guild of Saint Luke.
A distinctive aspect of Saint-Aubin's art is its inordinate fondness for observation of society on the streets of the capital, which he sketched scenes or entertainment in his wanderings. As such, his engravings etchings and large watercolors are a valuable record of the Parisian artistic life in the eighteenth century. Gallery
François Boucher was a French painter, draughtsman and etcher, who worked in the Rococo style. Boucher is known for his idyllic and voluptuous paintings on classical themes, decorative allegories, and pastoral scenes. He was perhaps the most celebrated painter and decorative artist of the 18th century.
The Place de la Concorde is one of the major public squares in Paris, France. Measuring 7.6 ha in area, it is the largest square in the French capital. It is located in the city's eighth arrondissement, at the eastern end of the Champs-Élysées.
Blois is a commune and the capital city of Loir-et-Cher department, in Centre-Val de Loire, France, on the banks of the lower Loire river between Orléans and Tours.
Jean-Antoine Watteau was a French painter and draughtsman whose brief career spurred the revival of interest in colour and movement, as seen in the tradition of Correggio and Rubens. He revitalized the waning Baroque style, shifting it to the less severe, more naturalistic, less formally classical, Rococo. Watteau is credited with inventing the genre of fêtes galantes, scenes of bucolic and idyllic charm, suffused with a theatrical air. Some of his best known subjects were drawn from the world of Italian comedy and ballet.
Anne-Louis Girodet de Roussy-Trioson, also known as Anne-Louis Girodet-Trioson or simply Girodet, was a French painter and pupil of Jacques-Louis David, who participated in the early Romantic movement by including elements of eroticism in his paintings. Girodet is remembered for his precise and clear style and for his paintings of members of the Napoleonic family.
Jean-Honoré Fragonard was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism. One of the most prolific artists active in the last decades of the Ancien Régime, Fragonard produced more than 550 paintings, of which only five are dated. Among his most popular works are genre paintings conveying an atmosphere of intimacy and veiled eroticism.
Ange-Jacques Gabriel was the principal architect of King Louis XV of France. His major works included the Place de la Concorde, the École Militaire, and the Petit Trianon and opera theater at the Palace of Versailles. His style was a careful balance between French Baroque architecture and French neoclassicism.
Charles Germain de Saint Aubin was a French draftsman and embroidery designer to King Louis XV. Published a classic reference on embroidery, L'Art du Brodeur in 1770. In addition to his embroidery designs, he was known for his drawings and engravings.
Marie-Denise Villers was a French painter who specialized in portraits.
Joseph-Siffred Duplessis was a French painter known for the clarity and immediacy of his portraits.
The Salon Carré is an iconic room of the Louvre Palace, created in its current dimensions during a reconstruction of that part of the palace following a fire in February 1661. It gave its name to the longstanding tradition of Salon exhibitions of contemporary art in Paris which had its heyday there between 1725 and 1848. Since 1849, it has been permanently used by the Louvre Museum, which currently uses it to display Italian Renaissance painting.
St Francis Xavier Church (French: Église Saint-François-Xavier or Église Saint-François-Xavier-des-Missions-étrangères is a parish Roman Catholic church in the 7th arrondissement of Paris dedicated to Francis Xavier, the patron saint of missions. Built in the late 19th century, It gave its name to the nearby Metro station Saint-François-Xavier. It contains the tomb of Madeleine Sophie Barat, a French saint of the Catholic Church and founder of the Society of the Sacred Heart, a worldwide religious institute of educators.It also known for its collection of Italian Baroque and Mannerist paintings, including a work by Tintoretto.
The Portrait of Antoine-Laurent Lavoisier and his Wife is a double portrait of the French chemist Antoine Lavoisier and his wife and collaborator Marie-Anne Pierrette Paulze, commissioned from the French painter Jacques-Louis David in 1788 by Marie-Anne. It is now in the Metropolitan Museum of Art in New York.
Gabriel Huquier (1695–1772) was an entrepreneurial French draughtsman, engraver, printmaker, publisher, and art collector, who became a pivotal figure in the production of French 18th-century ornamental etchings and engravings
Robert Charles Perrier was a French haute couture textile supplier, songwriter, socialite and art collector. His vintage silks rank among the world’s most coveted luxury fabrics, including exclusivities created for Coco Chanel, Christian Dior and Yves Saint Laurent, now exhibited at the Metropolitan Museum of Art, the Musée de la Mode et du Textile and the Victoria and Albert Museum. Perrier is further credited in history for having introduced synthetic fabrics to French haute couture, a major novelty at the time.
Jean de Liège, (c.1330-1381) was a 14th-century sculptor of Flemish origin, mainly active in France, who specialized in funerary sculptures.
Augustin de Saint-Aubin sometimes styled Auguste de Saint-Aubin, belongs to an important dynasty of French designers and engravers.
Marie-Françoise de Saint-Aubin (1753–1822) was a French artist.
Mezzetino is an oil-on-canvas painting in the Metropolitan Museum of Art, New York, by the French Rococo painter Jean-Antoine Watteau. Dated within 1717–1720, Mezzetino forms a full-length single-figure composition, depicting the eponymous character in commedia dell'arte. In the 18th century, Mezzetino was owned by Jean de Jullienne, the friend and patron of Watteau who supervised the four-volume edition of prints after the artist's works, for which the picture was engraved by Benoit Audran the Elder; after Jullienne's death in 1766, it was acquired for the Hermitage in Saint Petersburg, then recently established by Empress Catherine II of Russia. During the Soviet sales in the 1920s and 1930s, Mezzetino was sold to British-American businessman Calouste Gulbenkian; it was later sold to the Wildenstein art firm in Paris and New York, from which it was bought in 1934 by the Metropolitan Museum of Art, where it remains; the institution also owns a preparatory study—a drawing of the man's head.
Charles-François-Adrien Macret was a French designer and engraver. His works were signed, variously, as Macret, Carolus Macret, C. Macret and C.F. Macret.
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