Old Master

Last updated
Artemisia Gentileschi is an Old Master of Italian Baroque art Artemisia Gentileschi - St Catherine of Alexandria - WGA8560.jpg
Artemisia Gentileschi is an Old Master of Italian Baroque art

In art history, "Old Master" (or "old master") [1] [2] refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print (for example an engraving, woodcut, or etching) made by an artist in the same period. The term "old master drawing" is used in the same way.

Contents

In theory, "Old Master" applies only to artists who were fully trained, were Masters of their local artists' guild, and worked independently, but in practice, paintings produced by pupils or workshops are often included in the scope of the term. Therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term.

Period covered

In the eighteenth and nineteenth centuries, the term was often understood as having a starting date of perhaps 1450 or 1470; paintings made before that were "primitives", but this distinction is no longer made. The Oxford English Dictionary defines the term as "A pre-eminent artist of the period before the modern; esp. a pre-eminent western European painter of the 13th to 18th centuries." The first quotation given is from 1696, in the diary of John Evelyn: "My L: Pembroke..shewed me divers rare Pictures of very many of the old & best Masters, especially that of M: Angelo..,& a large booke of the best drawings of the old Masters." [3] The term is also used to refer to a painting or sculpture made by an Old Master, a usage datable to 1824. [3] There are comparable terms in Dutch, French, and German; the Dutch may have been the first to make use of such a term, in the 18th century, when oude meester mostly meant painters of the Dutch Golden Age of the previous century. Les Maitres d'autrefois of 1876 by Eugene Fromentin may have helped to popularize the concept, although "vieux maitres" is also used in French. The famous collection in Dresden at the Gemäldegalerie Alte Meister is one of the few museums to include the term in its actual name, although many more use it in the title of departments or sections. The collection in the Dresden museum essentially stops at the Baroque period.

The end date is necessarily vague – for example, Goya (1746–1828) is certainly an Old Master, [2] though he was still painting and printmaking at his death in 1828. The term might also be used for John Constable [2] (1776–1837) or Eugène Delacroix (1798–1868), but usually is not. Edward Lucie-Smith gives an end date of 1800, noting "formerly used of paintings earlier than 1700". [4]

The term tends to be avoided by art historians as too vague, especially when discussing paintings, although the terms "Old Master Prints" and "Old Master drawings" are still used. It remains current in the art trade. Auction houses still usually divide their sales between, for example, "Old Master Paintings", "Nineteenth-century paintings", and "Modern paintings". Christie's defined the term as ranging "from the 14th to the early 19th century". [5]

Anonymous artists

Artists, most often from early periods, whose hand has been identified by art historians, but to whom no identity can be confidently attached, are often given names by art historians such as Master E.S. (from his monogram), Master of Flémalle (from a previous location of a work), Master of Mary of Burgundy (from a patron), Master of Latin 757 (from the shelf mark of a manuscript he illuminated), Master of the Embroidered Foliage (from his characteristic technique), Master of the Brunswick Diptych, or Master of Schloss Lichtenstein .

List of the most important Old Master painters

Rucellai Madonna by Duccio, c. 1285. Madonna em Majestade dita Rucellai - Duccio.jpg
Rucellai Madonna by Duccio, c.1285.

Gothic/Proto-Renaissance

Early Renaissance

Portrait of a young woman by Sandro Botticelli, 1480 Sandro Botticelli - Idealized Portrait of a Lady (Portrait of Simonetta Vespucci as Nymph) - Google Art Project.jpg
Portrait of a young woman by Sandro Botticelli, 1480

High Renaissance

Sistine Chapel ceiling, Ignudi, Michelangelo, 1509 Michelangelo, ignudo 02.jpg
Sistine Chapel ceiling, Ignudi , Michelangelo, 1509

Venetian School (Early Renaissance, High Renaissance and Mannerism)

Sienese School

Northern Renaissance

"Kreuzigung Christi" (English: "Crucifixion of Christ") by Lucas Cranach the Elder, 1503 Lucas Cranach d. A. - The Lamentation of Christ - The Schleissheim Crucifixion - Alte Pinakothek.jpg
"Kreuzigung Christi" (English: "Crucifixion of Christ") by Lucas Cranach the Elder, 1503

Spanish Renaissance

Mannerism

Holy Family with St. Anne and the Infant St. John by Agnolo Bronzino, c. 1545 Agnolo di Cosimo, called Bronzino - Holy Family with St. Anne and the Infant St. John - Google Art Project.jpg
Holy Family with St. Anne and the Infant St. John by Agnolo Bronzino, c. 1545

Baroque painting

Supper at Emmaus by Caravaggio, 1601 Caravaggio - Cena in Emmaus.jpg
Supper at Emmaus by Caravaggio, 1601
Portrait of George Villiers, 1st Duke of Buckingham by Peter Paul Rubens, c. 1625 'Equestrian Portrait of the George Villiers, 1st Duke of Buckingham'.jpg
Portrait of George Villiers, 1st Duke of Buckingham by Peter Paul Rubens, c. 1625
Las Meninas by Diego Velazquez, 1656 Las Meninas, by Diego Velazquez, from Prado in Google Earth.jpg
Las Meninas by Diego Velázquez, 1656

Dutch Golden Age and Flemish Baroque painting

The Concert by Gerard van Honthorst, 1623 The Concert A22894.jpg
The Concert by Gerard van Honthorst, 1623

Rococo

Capitulations of Wedding and Rural Dance by Antoine Watteau, 1711 Capitulaciones de boda y baile campestre (Watteau).jpg
Capitulations of Wedding and Rural Dance by Antoine Watteau, 1711
An Experiment on a Bird in an Air Pump by Joseph Wright of Derby, 1768 An Experiment on a Bird in an Air Pump by Joseph Wright of Derby, 1768.jpg
An Experiment on a Bird in an Air Pump by Joseph Wright of Derby, 1768

British

Vedutism

Neoclassicism

Romanticism

The Great Red Dragon and the Woman Clothed with the Sun by William Blake, circa 1805 William Blake 003.jpg
The Great Red Dragon and the Woman Clothed with the Sun by William Blake, circa 1805

See also

Related Research Articles

<span class="mw-page-title-main">Renaissance art</span> Visual arts produced during the European Renaissance

Renaissance art is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.

<span class="mw-page-title-main">School of Fontainebleau</span> Art movement by artists active at Fontainebleau 1530s-1610

The School of Fontainbleau refers to two periods of artistic production in France during the late French Renaissance centered on the royal Palace of Fontainebleau that were crucial in forming Northern Mannerism, and represent the first major production of Italian Mannerist art in France.

The year 1500 in art involved some significant events and new works.

Events from the year 1610 in art.

Events from the year 1599 in art.

<span class="mw-page-title-main">Dutch and Flemish Renaissance painting</span>

Dutch and Flemish Renaissance painting represents the 16th-century response to Italian Renaissance art in the Low Countries, as well as many continuities with the preceding Early Netherlandish painting. The period spans from the Antwerp Mannerists and Hieronymus Bosch at the start of the 16th century to the late Northern Mannerists such as Hendrik Goltzius and Joachim Wtewael at the end. Artists drew on both the recent innovations of Italian painting and the local traditions of the Early Netherlandish artists.

Events from the year 1530 in art.

Events from the year 1560 in art.

<span class="mw-page-title-main">1540 in art</span> Overview of the events of 1540 in art

Events from the year 1540 in art.

Events from the year 1553 in art.

Events from the year 1550 in art.

Events from the year 1612 in art.

Events from the year 1662 in art.

Events from the year 1590 in art.

The decade of the 1490s in art involved some significant events.

The decade of the 1480s in art involved some significant events.

The decade of the 1470s in art involved some significant events.

The decade of the 1430s in art involved some significant events.

The decade of the 1440s in art involved some significant events.

<span class="mw-page-title-main">Northern Mannerism</span> Art movement

Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, especially Mannerist ornament in architecture; this article concentrates on those times and places where Northern Mannerism generated its most original and distinctive work.

References

  1. The term is spelled either way in the literature. Major UK and US dictionaries, incl. the Oxford Online Dictionaries, American Heritage Dictionary, Macmillan, Cambridge, and Random House dictionaries use lowercase; Oxford English Dictionary, Collins, and Merriam-Webster dictionaries also mention the uppercase spelling.
  2. 1 2 3 Old Masters Department, Christies.com.
  3. 1 2 "old master, n. and adj." OED Online. Oxford University Press, December 2016. Web.
  4. Lucie-Smith, Edward, The Thames & Hudson Dictionary of Art Terms, p. 152, 2003 (2nd edn), Thames & Hudson, World of Art series, ISBN   0500203652
  5. Now rewritten less succinctly to the same effect.