In art history, "Old Master" (or "old master") [1] [2] refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print (for example an engraving, woodcut, or etching) made by an artist in the same period. The term "old master drawing" is used in the same way.
In theory, "Old Master" applies only to artists who were fully trained, were Masters of their local artists' guild, and worked independently, but in practice, paintings produced by pupils or workshops are often included in the scope of the term. Therefore, beyond a certain level of competence, date rather than quality is the criterion for using the term.
In the eighteenth and nineteenth centuries, the term was often understood as having a starting date of perhaps 1450 or 1470; paintings made before that were "primitives", but this distinction is no longer made. The Oxford English Dictionary defines the term as "A pre-eminent artist of the period before the modern; esp. a pre-eminent western European painter of the 13th to 18th centuries." The first quotation given is from 1696, in the diary of John Evelyn: "My L: Pembroke..shewed me divers rare Pictures of very many of the old & best Masters, especially that of M: Angelo..,& a large booke of the best drawings of the old Masters." [3] The term is also used to refer to a painting or sculpture made by an Old Master, a usage datable to 1824. [3] There are comparable terms in Dutch, French, and German; the Dutch may have been the first to make use of such a term, in the 18th century, when oude meester mostly meant painters of the Dutch Golden Age of the previous century. Les Maitres d'autrefois of 1876 by Eugene Fromentin may have helped to popularize the concept, although "vieux maitres" is also used in French. The famous collection in Dresden at the Gemäldegalerie Alte Meister is one of the few museums to include the term in its actual name, although many more use it in the title of departments or sections. The collection in the Dresden museum essentially stops at the Baroque period.
The end date is necessarily vague – for example, Goya (1746–1828) is certainly an Old Master, [2] though he was still painting and printmaking at his death in 1828. The term might also be used for John Constable [2] (1776–1837) or Eugène Delacroix (1798–1868), but usually is not. Edward Lucie-Smith gives an end date of 1800, noting "formerly used of paintings earlier than 1700". [4]
The term tends to be avoided by art historians as too vague, especially when discussing paintings, although the terms "Old Master Prints" and "Old Master drawings" are still used. It remains current in the art trade. Auction houses still usually divide their sales between, for example, "Old Master Paintings", "Nineteenth-century paintings", and "Modern paintings". Christie's defined the term as ranging "from the 14th to the early 19th century". [5]
The relevant part of the large and important collection of the Royal Museums of Fine Arts of Belgium in their main building in Brussels was renamed in recent years as the Oldmasters Museum in Dutch and English, and Musée Oldmasters in French. It was previously called the "Royal Museum of Ancient Art" in English (French: Musée royal d'art ancien; Dutch: Koninklijk Museum voor Oude Kunst). [6]
Artists, most often from early periods, whose hand has been identified by art historians, but to whom no identity can be confidently attached, are often given names by art historians such as Master E.S. (from his monogram), Master of Flémalle (from a previous location of a work), Master of Mary of Burgundy (from a patron), Master of Latin 757 (from the shelf mark of a manuscript he illuminated), Master of the Embroidered Foliage (from his characteristic technique), Master of the Brunswick Diptych, or Master of Schloss Lichtenstein .
Renaissance art is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.
The year 1500 in art involved some significant events and new works.
Events from the year 1610 in art.
Events from the year 1599 in art.
Dutch and Flemish Renaissance painting represents the 16th-century response to Italian Renaissance art in the Low Countries, as well as many continuities with the preceding Early Netherlandish painting. The period spans from the Antwerp Mannerists and Hieronymus Bosch at the start of the 16th century to the late Northern Mannerists such as Hendrik Goltzius and Joachim Wtewael at the end. Artists drew on both the recent innovations of Italian painting and the local traditions of the Early Netherlandish artists.
Events from the year 1530 in art.
Events from the year 1560 in art.
Events from the year 1540 in art.
Events from the year 1553 in art.
Events from the year 1550 in art.
Events from the year 1612 in art.
Events from the year 1611 in art.
Events from the year 1631 in art.
Events from the year 1590 in art.
The decade of the 1490s in art involved some significant events.
The decade of the 1480s in art involved some significant events.
The decade of the 1470s in art involved some significant events.
The decade of the 1430s in art involved some significant events.
The decade of the 1440s in art involved some significant events.
Northern Mannerism is the form of Mannerism found in the visual arts north of the Alps in the 16th and early 17th centuries. Styles largely derived from Italian Mannerism were found in the Netherlands and elsewhere from around the mid-century, especially Mannerist ornament in architecture; this article concentrates on those times and places where Northern Mannerism generated its most original and distinctive work.