Milton Clark Avery was an American modern painter. Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. He was the husband of artist Sally Michel Avery and the father of artist March Avery.
Photorealism is a genre of art that encompasses painting, drawing and other graphic media, in which an artist studies a photograph and then attempts to reproduce the image as realistically as possible in another medium. Although the term can be used broadly to describe artworks in many different media, it is also used to refer specifically to a group of paintings and painters of the American art movement that began in the late 1960s and early 1970s.
The New York School was an informal group of American poets, painters, dancers, and musicians active in the 1950s and 1960s in New York City. They often drew inspiration from surrealism and the contemporary avant-garde art movements, in particular action painting, abstract expressionism, jazz, improvisational theater, experimental music, and the interaction of friends in the New York City art world's vanguard circle.
Abstract Imagists is a term derived from a 1961 exhibition in the Guggenheim Museum, New York called American Abstract Expressionists and Imagists. This exhibition was the first in the series of programs for the investigation of tendencies in American and European painting and sculpture.
Ian Hornak was an American draughtsman, painter and printmaker. He was one of the founding artists of the Hyperrealist and Photorealist fine art movements; credited with having been the first Photorealist artist to incorporate the effect of multiple exposure photography into his landscape paintings; and the first contemporary artist to entirely expand the imagery of his primary paintings onto the frames.
The 9th Street Art Exhibition of Paintings and Sculpture is the official title artist Franz Kline hand-lettered onto the poster he designed for the Ninth Street Show. Now considered historic, the artist-led exhibition marked the formal debut of Abstract Expressionism, and the first American art movement with international influence. The School of Paris, long the headquarters of the global art market, typically launched new movements, so there was both financial and cultural fall-out when all the excitement was suddenly emanating from New York. The postwar New York avant-garde, artists like Willem de Kooning and Jackson Pollock, would soon become "art stars," commanding large sums and international attention. The Ninth Street Show marked their "stepping-out," and that of nearly 75 other artists, including Harry Jackson, Helen Frankenthaler, Michael Goldberg, Joan Mitchell, Grace Hartigan, Robert De Niro Sr., John Ferren, Philip Guston, Elaine de Kooning, Lee Krasner, Franz Kline, Ad Reinhardt, David Smith, Milton Resnick, Joop Sanders, Robert Motherwell, Barnett Newman, and many others who were then mostly unknown to an art establishment that ignored experimental art without a ready market.
Jon Schueler was an American painter known for his large-scale, abstract compositions which evoke nature. Recognized first as a second-generation Abstract Expressionist he lived in New York City and in Mallaig, Scotland, inspired by the dramatic skies over the Sound of Sleat. His work is included in international collections such as the Scottish National Gallery of Modern Art (Edinburgh), Whitney Museum of American Art, and the National Gallery of Australia (Canberra).
New York Figurative Expressionism is a visual arts movement and a branch of American Figurative Expressionism. Though the movement dates to the 1930s, it was not formally classified as "figurative expressionism" until the term arose as a counter-distinction to the New York–based postwar movement known as Abstract Expressionism.
The Stable Gallery, originally located on West 58th Street in New York City, was founded in 1953 by Eleanor Ward. The Stable Gallery hosted early solo New York exhibitions for artists including Marisol Escobar, Robert Indiana and Andy Warhol.
The Gertrude Kasle Gallery opened in 1965 in Detroit, United States. It operated for eleven years, displaying American contemporary art.
Gerrit Henry was an American art critic, author and poet.
Irving Kriesberg was an American painter, sculptor, educator, author, and filmmaker, whose work combined elements of Abstract Expressionism with representational human, animal, and humanoid forms. Because Kriesberg blended formalist elements with figurative forms he is often considered to be a Figurative Expressionist.
Robert Goodnough was an American abstract expressionist painter. A veteran of World War II, Goodnough was one of the last of the original generation of the New York School;, even though he began exhibiting his work in galleries in New York City in the early 1950s. Robert Goodnough was among the 24 artists from the total of 256 participants who were included in the famous 9th Street Art Exhibition, (1951) and in all the following New York Painting and Sculpture Annuals from 1953 to 1957. These Annuals were important because the participants were chosen by the artists themselves. Early in his career starting in 1950 he showed his paintings at the Wittenborn Gallery, NYC. He had shown at the Tibor de Nagy Gallery in New York City from 1952 to 1970 and again from 1984 to 1986. In 1960 and 1961 he had solo exhibitions at The Art Institute of Chicago. A veteran of scores of solo exhibitions and hundreds of group exhibitions in the United States and abroad, Goodnough also had solo exhibitions in 1969 at the Whitney Museum of American Art in NYC and the Albright-Knox Art Gallery in Buffalo. A major work by Goodnough is included in The Governor Nelson A. Rockefeller Empire State Plaza Art Collection in Albany, NY. In later years his paintings were also associated with the Color Field movement.
William Clutz was an American artist known for urban paintings, pastels, and charcoal drawings of pedestrian scenes transformed by light. He was associated with a revival in figurative representation in American art during the 1950s and 1960s.
Cecile Gray Bazelon was an American painter living in New York City. Bazelon was best known for her perspectives of unpeopled New York cityscapes, and her depictions of interior spaces framed in geometric patterns.
John Millard Ferren was an American artist and educator. He was active from 1920 until 1970 in San Francisco, Paris and New York City.
Ray Ciarrocchi is a New York-based figurative painter. Ciarrocchi has presented numerous solo exhibitions in New York, additional US cities and Italy as well as dozens of group exhibitions in varied locations and venues. His paintings, watercolors, drawings and monotypes are in many museum and private collections both nationally and abroad.
Eric Ian Hornak-Spoutz is an American art dealer, historian and museum curator. Spoutz has owned art galleries in Detroit, Michigan, Cape Coral, Florida, Palm Beach, Florida, and Los Angeles, California.
Angelo Ippolito was an American painter best known for color field oils on canvas that have been exhibited and collected internationally, as well as for his central role in inaugurating the downtown art scene of postwar New York.
Sally Michel Avery was an artist and illustrator who created modernist paintings of abstracted figures, landscapes, and genre scenes capturing personal moments of every day life. She was the co-creator of the "Avery style", wife and collaborator of artist Milton Avery, and mother of artist March Avery. Throughout their lives, Michel and Avery shared their studio space together, painting side by side, critiquing each other's work, and developing a shared style which includes the use of abstracted subjects, expressionistic color fields, and harmonious but unusual colors juxtapositions. Michel's work is the collections of the Metropolitan Museum of Art, the National Gallery of Art, the Pennsylvania Academy of Fine Arts, the Wadsworth Atheneum, and the Israel Museum, among others.
