 | |
| Address | 334 East 74th Street Manhattan, New York City, New York United States |
|---|---|
| Coordinates | 40°46′10″N73°57′22″W / 40.76944°N 73.95611°W |
| Capacity | 199-204 seats |
| Construction | |
| Opened | 1959 [1] |
| Architect | Barrie B. Greenbie [1] |
The East 74th Street Theater, [2] sometimes spelled as the East 74th Street Theatre, was an Off-Broadway theater at 334 East 74th Street in Manhattan in New York City in the United States.
Frank Day Tuttle, a theatrical and radio producer and director, purchased, renovated, and converted the Bohemian Club into the East 74th Street Theater. [3] [4] Barrie B. Greenbie designed the theater in 1959. [1]
The Off-Broadway theater was located at 334 East 74th Street, between First Avenue and Second Avenue, on the Upper East Side in Manhattan, New York City. [5] [6] [7] It had 199-204 seats. [7] [8] Its stage was described as "miniscule." [9] The Players Magazine described it in 1959 as "small and attractive." [10]
In 1961, the Phoenix Theatre rented the theater for 30 weeks, during which time it called it the Phoenix 74th Street. [5]
In 1959, the theater put on the comedy The Tempest by William Shakespeare. [7]
Among the other plays presented at the theater were The Crystal Heart (1960; with Mildred Dunnock, and Virginia Vestoff in her first professional appearance, with top seats selling for $4.96 ($49.06 in current dollar terms), [11] George Gershwin's Oh, Kay! (1960; with Linda Lavin, Penny Fuller, and Marti Stevens, and with high school student Daniel Lewis working a follow spot in the lighting), The Shoemaker and the Peddler (1960), One Way Pendulum by N. F. Simpson (1961), Hotel Passionato (1965), The Bernard Shaw Story (1965-66), Jean Erdman's The Coach with the Six Insides (1967), Stephen D. (1967; with Roy Scheider), and The Victims (1968). [12] [13] [14] [15] [16] [17]
In the fall of 1965, Jack Moore and Jeff Duncan formed the Dance Theater Workshop, and produced a series of Monday evening concerts at the theater. [18] [19] In 1966, the theater hosted a subscription series devoted to modern and ethnic dance. [20] [21]
June Havoc was an American actress, dancer, stage director and memoirist.
Alvin Ailey Jr. was an American dancer, director, choreographer, and activist who founded the Alvin Ailey American Dance Theater (AAADT). He created AAADT and its affiliated Alvin Ailey American Dance Center as havens for nurturing Black artists and expressing the universality of the African-American experience through dance.
Herbert David Ross was an American actor, choreographer, director and producer who worked predominantly in theater and film. He was nominated for two Academy Awards and a Tony Award.
Virginia Vestoff was an American actress of film, television and Broadway.
Mildred Dorothy Dunnock was an American stage and screen actress. She was twice nominated for an Academy Award: first Death of a Salesman in 1951, then Baby Doll in 1956.
Barbara Barrie is an American actress and author.
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The Nederlander Theatre is a Broadway theater at 208 West 41st Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, it was designed by William Neil Smith for theatrical operator Walter C. Jordan. It has around 1,235 seats across two levels and is operated by the Nederlander Organization. Since 1980, it has been named for American theater impresario David Tobias Nederlander, father of theatrical producer James M. Nederlander. It is the southernmost Broadway theater in the Theater District.
The Lyceum Theatre is a Broadway theater at 149 West 45th Street, between Seventh Avenue and Sixth Avenue, in the Theater District of Midtown Manhattan in New York City. Opened in 1903, the Lyceum Theatre is one of the oldest surviving Broadway venues, as well as the oldest continuously operating legitimate theater in New York City. The theater was designed by Herts & Tallant in the Beaux-Arts style and was built for impresario Daniel Frohman. It has 922 seats across three levels and is operated by The Shubert Organization. The facade became a New York City designated landmark in 1974, and the lobby and auditorium interiors were similarly designated in 1987.
Dance Theater Workshop, colloquially known as DTW, was a New York City performance space and service organization for dance companies that operated from 1965 to 2011. DTW merged with the Bill T. Jones/Arnie Zane Dance Company to form New York Live Arts, which continues in operation as of 2023.
Marti Stevens is a singer and actress. She has appeared in television shows such as It Takes a Thief, The Love Boat and Stagecoach West. She appeared in an Australian production of the play Forty Carats and in High Spirits, the musical version of Blithe Spirit, in London's West End in 1964. She also had a starring role in the 1962 film, All Night Long.
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