 | |
| Address | 334 East 74th Street Manhattan, New York City, New York United States |
|---|---|
| Coordinates | 40°46′10″N73°57′22″W / 40.76944°N 73.95611°W |
| Capacity | 199-204 seats |
| Construction | |
| Opened | 1959 [1] |
| Architect | Barrie B. Greenbie [1] |
The East 74th Street Theater, [2] sometimes spelled as the East 74th Street Theatre, was an Off-Broadway theater at 334 East 74th Street in Manhattan in New York City in the United States.
Frank Day Tuttle, a theatrical and radio producer and director, purchased, renovated, and converted the Bohemian Club into the East 74th Street Theater. [3] [4] Barrie B. Greenbie designed the theater in 1959. [1]
The Off-Broadway theater was located at 334 East 74th Street, between First Avenue and Second Avenue, on the Upper East Side in Manhattan, New York City. [5] [6] [7] It had 199-204 seats. [7] [8] Its stage was described as "miniscule." [9] The Players Magazine described it in 1959 as "small and attractive." [10]
In 1961, the Phoenix Theatre rented the theater for 30 weeks, during which time it called it the Phoenix 74th Street. [5]
In 1959, the theater put on the comedy The Tempest by William Shakespeare. [7]
Among the other plays presented at the theater were The Crystal Heart (1960; with Mildred Dunnock, and Virginia Vestoff in her first professional appearance, with top seats selling for $4.96 ($51.08 in current dollar terms), [11] George Gershwin's Oh, Kay! (1960; with Linda Lavin, Penny Fuller, and Marti Stevens, and with high school student Daniel Lewis working a follow spot in the lighting), The Shoemaker and the Peddler (1960), One Way Pendulum by N. F. Simpson (1961), Hotel Passionato (1965), The Bernard Shaw Story (1965-66), Jean Erdman's The Coach with the Six Insides (1967), Stephen D. (1967; with Roy Scheider), and The Victims (1968). [12] [13] [14] [15] [16] [17]
In the fall of 1965, Jack Moore and Jeff Duncan formed the Dance Theater Workshop, and produced a series of Monday evening concerts at the theater. [18] [19] In 1966, the theater hosted a subscription series devoted to modern and ethnic dance. [20] [21]
Robert Louis Fosse was an American actor, choreographer, dancer, and film and stage director. Known for his work on stage and screen, he is arguably the most influential figure in the field of jazz dance in the twentieth century. He received numerous accolades including an Academy Award, a BAFTA Award, three Primetime Emmy Awards, and 9 Tony Awards.
June Havoc was a Canadian-born American actress, dancer, stage director and memoirist.
Herbert David Ross was an American actor, choreographer, director and producer who worked predominantly in theater and film. He was nominated for two Academy Awards and a Tony Award.
Virginia Vestoff was an American actress of film, television and Broadway.
Mildred Dorothy Dunnock was an American stage and screen actress. She was nominated twice for an Academy Award for her works in Death of a Salesman (1951) and Baby Doll (1956).
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The Broadhurst Theatre is a Broadway theater at 235 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Broadhurst Theatre is named for British-American theatrical producer George Broadhurst, who leased the theater before its opening. It has 1,218 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks.
Dance Theater Workshop, colloquially known as DTW, was a New York City performance space and service organization for dance companies that operated from 1965 to 2011. DTW merged with the Bill T. Jones/Arnie Zane Dance Company to form New York Live Arts, which continues in operation as of 2023.
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