East 73rd Street Historic District | |
Location | Upper East Side, New York, NY |
---|---|
Coordinates | 40°46′14″N73°57′39″W / 40.77056°N 73.96083°W |
Area | 1.4 acres (5,700 m2) [1] |
Built | 1860–1920 [1] |
Architect | Various |
Architectural style | Italianate, Romanesque, Beaux-Arts |
NRHP reference No. | 82003374 |
NYCL No. | 1058–1071, 1229 |
Significant dates | |
Added to NRHP | July 22, 1982 |
Designated NYCL | May 13, 1980 |
The East 73rd Street Historic District is a block of that street on the Upper East Side of the New York City borough of Manhattan, on the south side of the street between Lexington and Third Avenues. It is a neighborhood of small rowhouses built from the mid-19th to early 20th centuries.
Many of the houses were originally carriage houses for wealthy residents of the Upper East Side, such as Edward Harkness, and their facades still reflect that origin. Among the architects who designed the buildings were Richard Morris Hunt and Charles Romeyn. Later owners included Joseph Pulitzer. Eventually the buildings were converted for automotive use. Some have become purely residential.
The block has remained architecturally distinct even as those around it have seen larger and more modern construction replace all or some of their original buildings. In 1980 the individual buildings were designated New York City Landmarks, and two years later it was added to the National Register of Historic Places as a single historic district.
Most of the buildings on either side of 73rd Street between Lexington and Third Avenues are part of the 1.4-acre (5,700 m2) district. Specifically, the fifteen buildings from 161 to 169 and from 166 to 182 East 73rd Street make up the historic district. This excludes the two large apartment buildings, constructed later at the intersection with Lexington Avenue on the west side of the block.
This area is flat and just outside the boundaries of the larger Upper East Side Historic District, designated later. The buildings along this block are from three to five stories in height, lower than the more modern buildings on adjacent blocks. All are contributing properties; there are no non-contributing resources in the district.
At the time of its creation the district was not contiguous with the Upper East Side Historic District to the west. In 2010 that district's boundaries were extended slightly by the city so that it now includes the buildings at 150 and 153–157 (usually referred to as 155) East 73rd Street, immediately adjacent to the district. [2] This extension has not yet been recognized at the state or federal level.
Development of the future Upper East Side began in the early 1860s with the construction of rowhouses for middle and working class buyers on the cross streets several blocks east of Central Park. Among those houses were a row of six built by an E.H. Robbins on East 73rd. [3] Two of those, 171 and 175, are the only rowhouses left from that group. [1]
In the decades at the end of the century, the city's wealthy began building large houses for themselves near the park, sometimes demolishing the original rowhouses to do so. The East 73rd Street houses were not in an ideal location for such housing, but they were the right distance for carriage houses for their horses and buggies: a short walk from their houses but far enough away that the noise and odor would not disturb them. They usually included housing for the servants who fed and drove the horses. [1]
Richard Morris Hunt designed 166 East 73rd, the first one, for art collector Henry Marquand in 1883. [4] In 1890 the large stable at 182 was built to rent stable space to owners who did not want or could not afford to build their own carriage houses. [5] The other carriage houses were gradually built in the 1890s, with the last ones completed early in the next century. [6] Among these, Charles Romeyn contributed the neo-Flemish building next to Hunt's in 1899. [7] Shortly after Marquard's death, Hunt's was sold to Joseph Pulitzer, then publisher of the New York World , who lived several blocks to the east at 73rd and Park. [1] [4]
By this time the automobile was beginning to come into use, especially among the wealthy residents of the Upper East Side. In 1906 the newest building in the district, 177–79 East 73rd, was built specifically to house cars instead of horses. [8] Two years later, in 1908, the commercial stable across from it at 182 was converted for automotive use as well. [5]
At that same time, in 1907, Standard Oil heir and philanthropist Edward Harkness, who lived nearby at Fifth Avenue and 75th Street, bought 161. He spent two years converting it into a garage with a squash court and locker room upstairs, in addition to chauffeur's quarters. [9] Gradually the other carriage houses followed, with some being sold and converted into owner-occupied housing with an attached garage. By 1920 this process was complete, and the neighborhood assumed its present form. [1]
During the 20th century some of the buildings took on importance in the city's musical community. Pulitzer's estate sold the carriage house at 166 to the MacDowell Club, named after composer and pianist Edward MacDowell, after his death. The club in turn sold it to the Central Gospel Chapel of New York, which met there until 1980. [4] In 1950 the Dalcroze School of Music in New York, the only music teachers' training school in the Western Hemisphere personally authorized by Émile Jaques-Dalcroze, moved into 161 for a few decades. [1] [9]
The district's buildings fall into three types, representing different eras of local development: two Italianate rowhouses, 11 carriage houses and two taller structures built for commercial purposes. The rowhouses are the oldest, dating to the early development of the Upper East Side during the Civil War. The carriage houses came later, some built on the site of demolished early rowhouses, with the commercial buildings coming near the end of the block's development. [1]
The two rowhouses are both on the north side of the street, at 171 and 175. Both are narrow three-story brick Italianate buildings built in 1860, part of an original row of six. They are trimmed with stone around the windows and doors and decorative wooden cornices. The house at 171 also retains a cast iron veranda shading the first floor. [1] Once common in the city, few now remain. [3] [10]
All the carriage houses follow a similar basic plan that persists despite later conversion into private homes and a variety of facade materials. The ground floor entrance has a large round or segmental arch, but is sometimes flat, with an accompanying pedestrian entrance. Specifically equestrian decorative touches such as symbols or cartouches were kept to a minimum. The interiors have often been extensively remodeled for their current residential use. They are two or three stories tall. [1]
Among the carriage houses, 161 and 163 are distinguished by rock-faced brick with limestone trim. Equestrian symbols such as saddle pouches, horse heads and reins are carved into their ground floors. Their galvanized iron friezes are further decorated with embossed garlands and rosettes. [9] [11] The neighboring building at 165 East 73rd is a Beaux-Arts style building in yellow Roman brick with foliate carvings. The Romanesque house at 166 has a finely detailed corbelled brick cornice with its date of construction, 1883, in cast iron letters below. [4]
Architectural eclecticism arises further down the block's south side. At 168 East 73rd the roofline is broken by the stepped gable, a hallmark of the neo-Flemish Renaissance style unusual in the city and usually not developed to the extent it is at 168 East 73rd. [7] Next door, 170 and 172–74 show signs of the Neo-Grec style with the latter also having some Queen Anne elements. [12] [13] The last building in the carriage house row on the south side, 178 East 73rd, combines Beaux Arts decor with neo-Georgian brickwork. [6]
The two commercial buildings, at 177–79 and 182 East 73rd, are the highest on the block at five stories. Both were originally built for paying customers who rented and were not wealthy enough to afford their own separate buildings rather, with 177–79 the only one on the block designed with automobile use in mind. It is a Beaux Arts building on an exposed limestone and granite foundation with the middle stories faced in brick with terra cotta trim. Its upper story is a mansard roof pierced by three unusually large dormer windows with terra cotta enframements. The central dormer takes the form of a triumphal arch with heavy stone blocks. Its overall level of decoration is unusually sophisticated for a utilitarian structure. [8]
Across the street, 182 East 73rd is a brick Romanesque Revival structure with stone trim and cornices separating several of its stories. Above the fourth story "S KAYTON & CO." is inscribed on a corbelled name panel in the middle of a round-arched cornice. Many of the windows are set in arches themselves. [5]
The Upper East Side, sometimes abbreviated UES, is a neighborhood in the borough of Manhattan in New York City, bounded approximately by 96th Street to the north, the East River to the east, 59th Street to the south, and Central Park and Fifth Avenue to the west. The area incorporates several smaller neighborhoods, including Lenox Hill, Carnegie Hill, and Yorkville. Once known as the Silk Stocking District, it has long been the most affluent neighborhood in New York City.
Fifth Avenue is a major and prominent thoroughfare in the borough of Manhattan in New York City. The avenue stretches downtown (southward) from West 143rd Street in Harlem to Washington Square Park in Greenwich Village. Fifth Avenue in Midtown Manhattan is the most expensive shopping street in the world.
Eleventh Avenue is a north–south thoroughfare on the far West Side of the borough of Manhattan in New York City, located near the Hudson River. Eleventh Avenue originates in the Meatpacking District in the Greenwich Village and West Village neighborhoods at Gansevoort Street, where Eleventh Avenue, Tenth Avenue, and West Street intersect. It is considered part of the West Side Highway between 22nd and Gansevoort Streets.
The West Village is a neighborhood in the western section of the larger Greenwich Village neighborhood of Lower Manhattan, New York City. The West Village is bounded by the Hudson River to the west and 14th Street to the north. The eastern boundary is variously cited as Greenwich Avenue, Seventh Avenue, or Sixth Avenue, while the southern boundary is either Houston Street or Christopher Street.
The Longwood Historic District is a recognized historic district located in the center of the Longwood neighborhood in the South Bronx, New York. It encompasses about three square blocks roughly bounded by Beck Street, Longwood, Leggett, and Prospect Avenues.
Church Street and Trinity Place form a single northbound roadway in Lower Manhattan, New York City. Its northern end is at Canal Street and its southern end is at Morris Street, where Trinity Place merges with Greenwich Street. The dividing point is Liberty Street.
Thom & Wilson, the New York City-based architectural office of Arthur M. Thom and James W. Wilson, was a prolific partnership that turned out numerous brownstones in somewhat generic Romanesque Revival and Renaissance Revival styles.
The Clinton Avenue Historic District in Albany, New York, United States, is a 70-acre (28 ha) area along that street between North Pearl and Quail streets. It also includes some blocks along neighboring streets such as Lark and Lexington.
Village Preservation is a nonprofit organization that advocates for the architectural preservation and cultural preservation in several neighborhoods of Lower Manhattan in New York City. Founded in 1980, it has advocated for New York City designated landmark status for a variety of sites like the Stonewall Inn and Webster Hall. The organization and its Executive Director, Andrew Berman, have been described as influential in New York real estate, while some of its activities to prevent development and to support restrictive zoning have attracted criticism.
The South Village is a largely residential area that is part of the larger Greenwich Village in Lower Manhattan, New York City, directly below Washington Square Park. Known for its immigrant heritage and bohemian history, the architecture of the South Village is primarily tenement-style apartment buildings, indicative of the area's history as an enclave for Italian-American immigrants and working-class residents of New York.
The houses at 208–218 East 78th Street in Manhattan, New York, United States, are a group of six attached brick rowhouses built during the early 1860s, on the south side of the street between Second and Third Avenues. They are the remnant of 15 built along that street as affordable housing when the Upper East Side was just beginning to be developed.
The houses at 157–165 East 78th Street are a row of five attached brick houses on that street in Manhattan, New York, United States. They are the remainder of an original group of 11 built in 1861, when the area was originally being developed due to the extension of rail transit into it.
The East 80th Street Houses are a group of four attached rowhouses on that street in the New York City borough of Manhattan. They are built of brick with various stone trims in different versions of the Colonial Revival architectural style.
The Isaac T. Hopper House is a Greek Revival townhouse at 110 Second Avenue between East 6th and 7th Streets in the East Village neighborhood of Manhattan, New York City. Located just south of the New Middle Collegiate Church, it was built in 1837 and 1838 as a rowhouse. The building was also known as the Ralph and Ann E. Van Wyck Mead House, after its first owner. 110 Second Avenue is the only remaining rowhouse out of a group of four at 106–112 Second Avenue that was used by the Meads' extended family, and was originally known as 108 Second Avenue.
The 12 rowhouses at 322–344 East 69th Street are located on the south side of that street between First and Second avenues on the Upper East Side of the New York City borough of Manhattan. They are Neo-Grec brownstone structures built around 1879, in two sets designed by different architects.
Woeber Carriage Works, also known as the G. Hager & Co. Carriage Works and the Davenport Plow Works, is a historic building located on Lot 3, Block 20 of the original town of Davenport, Iowa, United States. It was listed on the Davenport Register of Historic Properties on November 15, 2000. In 2020 it was included as a contributing property in the Davenport Downtown Commercial Historic District on the National Register of Historic Places.
The Jumel Terrace Historic District is a small New York City and national historic district located in the Washington Heights neighborhood of Manhattan, New York City. It consists of 50 residential rowhouses built between 1890 and 1902, and one apartment building constructed in 1909, as the heirs of Eliza Jumel sold off the land of the former Roger Morris estate. The buildings are primarily wood or brick rowhouses in the Queen Anne, Romanesque and Neo-Renaissance styles. Also located in the district, but separately landmarked, is the Morris-Jumel Mansion, dated to about 1765.
Charles T. Mott was an architect in the U.S. He designed many rowhouses in Manhattan, New York City and Halliehurst (1890), for businessman and government official Stephen Benton Elkins who later became a U.S. Senator. Halliehurst is in what is now Elkins, West Virginia and is part of the Davis & Elkins College campus. He also designed an annex to the Seville Hotel building and many West Side Rowhouses in Manhattan, New York City. He was a fellow in the American Institute of Architects.
The Lescaze House is a four-story house at 211 East 48th Street in the East Midtown and Turtle Bay neighborhoods of Manhattan in New York City. It is along the northern sidewalk of 48th Street between Second Avenue and Third Avenue. The Lescaze House at 211 East 48th Street was designed by William Lescaze in the International Style between 1933 and 1934 as a renovation of a 19th-century brownstone townhouse. It is one of three houses in Manhattan designed by Lescaze.
The Apple Bank Building, also known as the Central Savings Bank Building and 2100 Broadway, is a bank and residential building at 2100–2114 Broadway on the Upper West Side of Manhattan in New York City. Constructed as a branch of the Central Savings Bank, now Apple Bank, from 1926 to 1928, it occupies a trapezoidal city block bounded by 73rd Street to the south, Amsterdam Avenue to the east, 74th Street to the north, and Broadway to the west. The Apple Bank Building was designed by York and Sawyer in the Renaissance Revival and palazzo styles, patterned after an Italian Renaissance-style palazzo.