A mansard or mansard roof (also called French roof or curb roof) is a multi-sided gambrel-style hip roof characterised by two slopes on each of its sides, with the lower slope at a steeper angle than the upper, and often punctured by dormer windows. [1] [2] [3] The steep roofline and windows allow for additional floors of habitable space [4] (a garret), and reduce the overall height of the roof for a given number of habitable storeys. The upper slope of the roof may not be visible from street level when viewed from close proximity to the building.
The earliest known example of a mansard roof is credited to Pierre Lescot on part of the Louvre built around 1550. This roof design was popularised in the early 17th century by François Mansart (1598–1666), [5] an accomplished architect of the French Baroque period. [6] It became especially fashionable during the Second French Empire (1852–1870) of Napoléon III. [7] Mansard in Europe (France, Germany and elsewhere) also means the attic or garret space itself, not just the roof shape [8] and is often used in Europe to mean a gambrel roof.
Two distinct traits of the mansard roof – steep sides and a double pitch – sometimes lead to it being confused with other roof types. Since the upper slope of a mansard roof is rarely visible from the ground, a conventional single-plane roof with steep sides may be misidentified as a mansard roof. The gambrel roof style, commonly seen in barns in North America, is a close cousin of the mansard. Both mansard and gambrel roofs fall under the general classification of "curb roofs" (a pitched roof that slopes away from the ridge in two successive planes). [9]
The mansard is a curb hip roof, with slopes on all sides of the building, and the gambrel is a curb gable roof, with slopes on only two sides. (The curb is a horizontal, heavy timber directly under the intersection of the two roof surfaces.) A significant difference between the two, for snow loading and water drainage, is that, when seen from above, gambrel roofs culminate in a long crease at the main ridge beam, whereas mansard roofs form a rectangular shaped crease, outlined by the curb beams, with a low-pitched roof inside this rectangle.[ citation needed ]
French roof is often used as a synonym for a mansard but is also defined as an American variation [10] of a mansard with the lower pitches nearly vertical and larger in proportion to the upper pitches. [11] [12]
In France and Germany, no distinction is made between gambrels and mansards – they are both called "mansards". In the French language, mansarde can be a term for the style of roof, or for the garret living space, or attic, directly within it. [13]
The mansard style makes maximum use of the interior space of the attic and offers a simple way to add one or more storeys to an existing (or new) building without necessarily requiring any masonry. [14] [15] Often the decorative potential of the mansard is exploited through the use of convex or concave curvature and with elaborate dormer window surrounds.[ citation needed ]
One frequently seen explanation for the popularity of the mansard style is that it served as a method of tax avoidance. One such example of this claim, from the 1914 book How to Make a Country Place, reads, "Monsieur Mansard is said to have circumvented that senseless window tax of France by adapting the windowed roof that bears his name." This is improbable in many respects: Mansart was a profligate spender of his clients' money, and while a French window tax did exist, it was enacted in 1798, 132 years after Mansart's death, and did not exempt mansard windows. [16] [17] [18]
Later examples suggest that either French or American buildings were taxed by their height (or number of storeys) to the base of the roof, or that mansards were used to bypass zoning restrictions. [19] [20] This last explanation is the nearest to the truth: a Parisian law had been in place since 1783, restricting the heights of buildings to 20 metres (65 feet). [21] The height was only measured up to the cornice line, making any living space contained in a mansard roof exempt. [22] A 1902 revision of the law permitted building three or even four storeys within such a roof. [23]
In London in the 1930s, building regulations decreed that "a building (not being a church or a chapel) shall not be erected of, or be subsequently increased to, a greater height than 80 ft., exclusive of two stories in the roof, and of ornamental towers". This was to stop buildings blocking the light, and effectively mandated mansard roofs for tall buildings. [24]
The style was popularised in France by architect François Mansart (1598–1666). Although he was not the inventor of the style, his extensive and prominent use of it in his designs gave rise to the term "mansard roof", an adulteration of his name. [16] The design tradition was continued by numerous architects, including Jules Hardouin-Mansart (1646–1708), his great-nephew, who is responsible for Château de Dampierre in Dampierre-en-Yvelines.[ citation needed ]
The mansard roof became popular once again during Haussmann's renovation of Paris beginning in the 1850s, in an architectural movement known as Second Empire style.[ citation needed ]
Second Empire influence spread throughout the world, frequently adopted for large civic structures such as government administration buildings and city halls, as well as hotels and railway stations. In the United States and Canada, and especially in New England, the Second Empire influence spread to family residences and mansions, often incorporated with Italianate and Gothic Revival elements. A mansard-topped tower became a popular element incorporated into many designs, such as Main Building (Vassar College), Poughkeepsie, New York, which shows a large mansard-roofed structure with two towers. [26] [27] [28] [29]
The examples and perspective in this section deal primarily with the United States and do not represent a worldwide view of the subject.(September 2020) |
The 1916 Zoning Resolution adopted by New York City promoted the use of mansard roofs; rules requiring the use of setbacks on tall buildings were conducive to the mansard design. [31] [32]
In the 1960s and 1970s, a modernised form of mansard roof, sometimes with deep, narrow windows, became popular for both residential and commercial architecture in many areas of the United States. In many cases, these are not true mansard roofs but flat on top, the sloped façade providing a way to conceal heating, ventilation and air-conditioning equipment from view. The style grew out of interest in postmodern stylistic elements and the "French eclectic" house style popular in the 1930s and 1940s, and in housing also offered a way to provide an upper storey despite height restrictions. Houses with mansard roofs were sometimes described as French Provincial; architect John Elgin Woolf popularised it in the Los Angeles area, calling his houses Hollywood Regency. [33]
The roof of two Victorian Railways hopper wagons resembled a mansard roof. The Australian Commonwealth Railways CL class locomotive also has a mansard roof.[ citation needed ]
Jules Hardouin-Mansart was a French Baroque architect and builder whose major work included the Place des Victoires (1684–1690); Place Vendôme (1690); the domed chapel of Les Invalides (1690), and the Grand Trianon of the Palace of Versailles. His monumental work was designed to glorify the reign of Louis XIV of France.
A bungalow is a small house or cottage that is single-storey, sometimes with a smaller upper storey set in the roof and windows that come out from the roof, and may be surrounded by wide verandas.
A dormer is a roofed structure, often containing a window, that projects vertically beyond the plane of a pitched roof. A dormer window is a form of roof window.
François Mansart was a French architect credited with introducing classicism into the Baroque architecture of France. The Encyclopædia Britannica identifies him as the most accomplished of 17th-century French architects whose works "are renowned for their high degree of refinement, subtlety, and elegance".
A rafter is one of a series of sloped structural members such as steel beams that extend from the ridge or hip to the wall plate, downslope perimeter or eave, and that are designed to support the roof shingles, roof deck, roof covering and its associated loads. A pair of rafters is called a couple. In home construction, rafters are normally made of wood. Exposed rafters are a feature of some traditional roof styles.
Sunlight House is a Grade II listed building in the Art Deco style on Quay Street in Manchester, England. Completed in 1932 for Joseph Sunlight, at 14 storeys it was the tallest building in Manchester, and the top floors of turrets and multiple dormer windows and mansard roofs create a distinctive skyline.
A garret is a habitable attic, a living space at the top of a house or larger residential building, traditionally small with sloping ceilings. In the days before elevators this was the least prestigious position in a building, at the very top of the stairs.
A gambrel or gambrel roof is a usually symmetrical two-sided roof with two slopes on each side. The upper slope is positioned at a shallow angle, while the lower slope is steep. This design provides the advantages of a sloped roof while maximizing headroom inside the building's upper level and shortening what would otherwise be a tall roof, as well as reducing the span of each set of rafters. The name comes from the Medieval Latin word gamba, meaning horse's hock or leg. The term gambrel is of American origin, the older, European name being a curb roof.
This page is a glossary of architecture.
French Baroque architecture, usually called French classicism, was a style of architecture during the reigns of Louis XIII (1610–1643), Louis XIV (1643–1715) and Louis XV (1715–1774). It was preceded by French Renaissance architecture and Mannerism and was followed in the second half of the 18th century by French Neoclassical architecture. The style was originally inspired by the Italian Baroque architecture style, but, particularly under Louis XIV, it gave greater emphasis to regularity, the colossal order of façades, and the use of colonnades and cupolas, to symbolize the power and grandeur of the King. Notable examples of the style include the Grand Trianon of the Palace of Versailles, and the dome of Les Invalides in Paris. In the final years of Louis XIV and the reign of Louis XV, the colossal orders gradually disappeared, the style became lighter and saw the introduction of wrought iron decoration in rocaille designs. The period also saw the introduction of monumental urban squares in Paris and other cities, notably Place Vendôme and the Place de la Concorde. The style profoundly influenced 18th-century secular architecture throughout Europe; the Palace of Versailles and the French formal garden were copied by other courts all over Europe.
The Security Building is a historic site in Miami, Florida. It is located at 117 Northeast 1st Avenue. On January 4, 1989, it was added to the U.S. National Register of Historic Places. The building has 16 floors with a height of 225 feet (69 m) and was built from 1926 to 1927.
Dutch Colonial is a style of domestic architecture, primarily characterized by gambrel roofs having curved eaves along the length of the house. Modern versions built in the early 20th century are more accurately referred to as "Dutch Colonial Revival", a subtype of the Colonial Revival style.
French architecture consists of architectural styles that either originated in France or elsewhere and were developed within the territories of France.
A loft conversion or an attic conversion is the process of transforming an empty attic space or loft into a functional room, typically used as a bedroom, office space, a gym, or storage space. Loft conversions are one of the most popular forms of home improvement in the United Kingdom as a result of their numerous perceived benefits.
75 Holland Road in Hove, part of the English coastal city of Brighton and Hove, is now in residential use as loft-style apartments called Palmeira Yard, but was originally a repository belonging to the Brighton & Hove Co-operative Supply Association, the main cooperative business organisation in the area. Elaborately designed in 1893 in the French Second Empire style by local architect Thomas Lainson of the firm Lainson & Sons, the storage building had built-in stables and was lavishly decorated with terracotta. After a period of ownership by haulage and removals company Pickfords, who used the building for furniture storage, a local architecture firm carried out the conversion into mixed-use live-work units between 2004 and 2006. English Heritage has listed the building at Grade II for its architectural and historical importance.
A hip roof, hip-roof or hipped roof, is a type of roof where all sides slope downward to the walls, usually with a fairly gentle slope, with variants including tented roofs and others. Thus, a hipped roof has no gables or other vertical sides to the roof.
The Franklin Pierce House was a historic house at 52 South Main Street in Concord, New Hampshire, United States. Built in 1852, it was a significant local example of Second Empire architecture, and was one of two surviving Concord homes of President Franklin Pierce at the time of its listing on the National Register of Historic Places in 1979. Pierce died in the house in 1869. It was destroyed by fire on September 17, 1981.
Second Empire architecture in the United States and Canada is an architectural style that was popular in both nations in the late 19th century between 1865 and 1900. Second Empire architecture was influenced by the redevelopment in the mid-19th century of ancient Paris, the capital city of France, under former President of the French Republic (1848-1852), and later Emperor Napoleon III's Second French Empire (1852-1870), and was influenced partly by the architectural styles of the earlier French Renaissance.
International House is a heritage-listed commercial building at 14-16 York Street, in the Sydney central business district, in the City of Sydney local government area of New South Wales, Australia. It was designed by Robertson & Marks and built during 1913 by Howie, Brown & Moffat, Master Builders. It is also known as Pomeroy House. It was added to the New South Wales State Heritage Register on 2 April 1999.
mansard – two slopes on each of its four sides; one part very steep and curved, often with dormers
Mansard: A roof made with slopes of different pitches, usually providing an upper floor of usable space within a roof structure.
Mansard: A hipped roof with two pitches; the lower is the steeper, while the pitch approaching the ridge is much gentler, sometimes almost flat. Associated with Second Empire architecture.