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Daniel Lewis (born July 12, 1944) is a U.S. choreographer and dance teacher, currently the Dean of Dance at the New World School of the Arts.
Lewis was born in Brooklyn, New York and graduated from the Fiorello H. LaGuardia High School of Music & Art and Performing Arts. Beginning in 1962, Lewis danced with the José Limón Dance Company for 12 years, originating many roles. As Limón's assistant, Lewis completed the choreography of the Waldstein Sonata. In addition, Lewis danced with the companies of Ruth Currier, Felix Fibich, Stuart Hodes, Sofie Maslow, David Wood, Norman Walker, Matthew Diamond, Charles Weidman, Anna Sokolow, the American Dance Theater, the Juilliard Dance Ensemble, Contemporary Dance System, and Daniel Lewis Dance.
In 1960 he worked a follow spot in the lighting at the East 74th Street Theater for George Gershwin's Oh, Kay! (with Linda Lavin, Penny Fuller, and Marti Stevens appearing as actors). [1]
He danced in the Yiddish Theatre from 1960 to 1964. He danced in the CBS Productions of And David Wept (choreography by José Limón), Dreams (choreography by Anna Sokolow), Lamp Unto My Feet, and Camera Three, along with many PBS and WNET (NYC) programs.
Lewis joined the dance faculty of the Juilliard School in 1967, and was assistant to the school's Director of Dance, Martha Hill, between 1984 and 1987. He also served as an adjunct professor at New York University and a professor at Amherst College for six years. In 1987, Lewis joined the New World School of the Arts of the Miami Dade College as founding Dean of the Dance Department. Lewis established the dance division's eight-year Bachelor of Fine Arts (BFA) program. In 1988, he formed Miami Dance Futures, Inc., a production company for the Miami Balanchine Conference, the Dance History Scholars’ Conference, the National High School Dance Festival and the Daniel Lewis Dance Sampler.
In 2012, Lewis received an Honorary Doctor of Fine Arts Degree from the University of Florida.
Doris Batcheller Humphrey was an American dancer and choreographer of the early twentieth century. Along with her contemporaries Martha Graham and Katherine Dunham, Humphrey was one of the second generation modern dance pioneers who followed their forerunners – including Isadora Duncan, Ruth St. Denis, and Ted Shawn – in exploring the use of breath and developing techniques still taught today. As many of her works were annotated, Humphrey continues to be taught, studied and performed.
Louis Horst was a composer, and pianist. He helped to define the principles of modern dance choreographic technique, most notably the matching of choreography to pre-existing musical structure and the use of contemporary music for dance scores.
Anna Sokolow was an American dancer and choreographer. Sokolow's work is known for its social justice focus and theatricality. Throughout her career, Sokolow supported of the development of modern dance around the world, including in Mexico and Israel.
Lar Lubovitch is an American choreographer. He founded his own dance company, the Lar Lubovitch Dance Company in 1968. Based in New York City, the company has performed in all 50 American states as well as in more than 30 countries. As of 2005, he had choreographed more than 100 dances for the company. In addition to the company, Lubovitch has also done creative work in ballet, ice-skating venues, and musical theater, notably Into the Woods. He has played a key role in raising funds to fight AIDS.
Donald McKayle was an American modern dancer, choreographer, teacher, director and writer best known for creating socially conscious concert works during the 1950s and '60s that focus on expressing the human condition and, more specifically, the black experience in America. He was "among the first black men to break the racial barrier by means of modern dance." His work for the concert stage, especially Games (1951) and Rainbow Round My Shoulder (1959), has been the recipient of widespread acclaim and critical attention. In addition, McKayle was the first black man to both direct and choreograph major Broadway musicals, including the Tony Award-winners Raisin (1973) and Sophisticated Ladies (1981), and he worked extensively in television and film. As a young man he appeared with some of the twentieth century's most important choreographers, including Martha Graham, Anna Sokolow, and Merce Cunningham, and in some of Broadway's landmark productions, including House of Flowers (1958) and West Side Story (1957), where he served for a time as the production's dance captain. A Tony Award and Emmy Award nominee, McKayle held an endowed chair for the last decades of his life in the Dance Department at UC Irvine, where he was the Claire Trevor Professor of Dance. He previously served on the faculties of Connecticut College, Sarah Lawrence College, and Bennington College.
Gawain Garth Fagan, CD is a Jamaican modern dance choreographer. He is the founder and artistic director of Garth Fagan Dance, a modern dance company based in Rochester, New York.
Bill Cratty was an American modern dancer and choreographer.
José Arcadio Limón was a dancer and choreographer from Mexico and who developed what is now known as 'Limón technique'. In the 1940s, he founded the José Limón Dance Company, and in 1968 he created the José Limón Foundation to carry on his work.
Robert Garland is the artistic director of the Dance Theatre of Harlem, where he was a principal dancer and their first official resident choreographer. He has also choreographed for the New York City Ballet, The Royal Ballet, San Francisco Ballet, and the Oakland Ballet, among many others.
Modern dance is a broad genre of western concert or theatrical dance which includes dance styles such as ballet, folk, ethnic, religious, and social dancing; and primarily arose out of Europe and the United States in the late 19th and early 20th centuries. It was considered to have been developed as a rejection of, or rebellion against, classical ballet, and also a way to express social concerns like socioeconomic and cultural factors.
Josefina Lavalle was a Mexican ballet dancer, choreographer and ballet director. She established together with Guillermina Bravo the national ballet company in Mexico City in 1948
Colin Connor is a Canadian–British dancer, choreographer, and educator, based in the United States. With over forty commissions that span the worlds of contemporary dance, ballet and flamenco. Works draws from a large range of influences – musical, literary, social, and scientific – all used to bring attention back to the communicative power of the human body. He frequently, collaborates with artists of other disciplines, including composers, artists, and designers. As a choreographer, teacher and dancer, Connor is currently influencing the next generation of contemporary dancers and dance makers. Dancers who have trained with Connor have gone on to Mark Morris Dance Group, Scapino Ballet, Hubbard Street Dance, The Limon Dance Company and others.
Henning Rübsam is a choreographer and dancer based in New York City. He is the artistic director of SENSEDANCE, a faculty member of The Juilliard School and Fordham University, and a visiting guest professor at Texas Academy of Ballet. He is the dance curator for Arts at Work and a resident choreographer for Hartford City Ballet.
Norman Lloyd was an American pianist, composer, educator, author and supporter of the arts who scored works for modern dance, documentary film and classical chamber. Through his work as an educator, notably at Juilliard, he exerted a significant influence on the teaching of musical theory; and later as the author of books including the popular "Fundamentals of Sight Singing and Ear Training". He continued to influence and support the arts as creator of the Rockefeller Foundation's arts program and its first director. He was the son of David Lloyd, a steel mill worker and minor league baseball player, and grandson of William Lloyd, a coal miner who immigrated to the United States from Wales in 1845.
Ze'eva Cohen is an Israeli American dancer and modern/ postmodern dance choreographer who founded and directed the dance program at Princeton University between 1969 and 2009.
Linda Rabin is a Canadian dancer, choreographer and educator. The daughter of Max Rabin, a clothing salesman, and Mina Rosen, a Polish immigrant, she was born in Montreal. Rabin studied modern dance with José Limón, with Anna Sokolow, at the Juilliard School where she received a Bachelor of Fine Arts and at the Martha Graham School. She also studied Asian dance forms and Asian dance theatre in Japan, Bali, India and Nepal. She has studied Body/Mind Centering, Alexander Technique, shiatsu, Pilates and ideokinesis.
Joan Miller was an American dancer, choreographer, and educator. She was the artistic director of The Joan Miller Chamber Arts/Dance Players, a mixed-media dance company that used satire to make social commentary and provoke social change, from 1970 to 2007. Miller was also the founder and director of the dance program at Lehman College from 1970 to 2000.
Nancy Louise Spanier is an American dancer, choreographer, artistic director, filmmaker and educator. Her body of choreographic works includes pieces commissioned internationally by museums, universities, dance companies and foundations. She is the founder of the Nancy Spanier Dance Theatre of Colorado, a repertory company known for its highly theatrical and imagistic performances that explore themes through the integration of sculpture, props, and film. Spanning her career, she has incorporated a variety of performance genres and has collaborated, among others, with award-winning playwright Jean-Claude van Itallie, and Anaïs Nin, who documented Spanier's performance in her last diary. Spanier is a professor emerita at the University of Colorado, Boulder where she taught dance from 1969 to 2003.
Carl Flink is an American choreographer, dancer, director and academic based in Minneapolis, MN USA. He is the founder and artistic director of Black Label Movement, a contemporary dance company based in Minneapolis. He is also the Nadine Jette Sween Professor of Dance and director of the dance program at University of Minnesota. Flink was a member of the Jose Limón Dance Company from 1992 to 1998, among other NYC based dance companies including Creach/Koester Men Dancing, Janis Brenner & Dancers and Nina Winthrop & Dancers. He has been a frequent guest artist with Shapiro & Smith Dance.
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