Established | 1920 |
---|---|
Location | 10 East 71st Street, New York, NY 10021 (United States) |
Coordinates | 40°46′16″N73°58′02″W / 40.77118°N 73.96735°W |
Type | Library |
Manager | Stephen J. Bury (Andrew W. Mellon Chief Librarian) |
Director | Ian Wardropper (Anna-Maria and Stephen Kellen Director) |
Architect | John Russell Pope |
Website | http://www.frick.org/library |
The Frick Art Research Library (formerly known as the Frick Art Reference Library) is the art library of The Frick Collection, located in New York City. The library, founded in 1920 by Helen Clay Frick, offers access to materials on the study of art to students, scholars, and the public. Its collection encompasses art from the fourth to the mid-twentieth century. It serves the greater art and art history research community—in person and online—and is a member of the New York Art Resources Consortium (which also includes the libraries of the Brooklyn Museum and the Museum of Modern Art).
Helen Clay Frick founded the Frick Art Reference Library—renamed in 2024 to the Frick Art Research Library—in 1920 as a memorial to her father, Henry Clay Frick, [1] who had died in 1919. [2] Its first home was the bowling alley of the Henry Clay Frick House; [3] the library's staff worked in the house's basement. [4] In 1924, the library was relocated from the bowling alley to a one-story building at 6 East 71st Street next to the Frick residence; the new structure was designed by the architecture firm of Carrère and Hastings. [5] [6] The library’s current building, at 10 East 71st Street, was designed by John Russell Pope and opened to the public January 14, 1935. [7]
In 1943-1944, the Committee on the Protection of Cultural Treasures in War Areas—a branch of the Monuments, Fine Arts, and Archives Section unit, popularly known as the Monuments Men—headquartered at the library and prepared maps indicating historical sites and monuments for Allied troops to avoid during air strikes. [6] The maps and documents were later used to help restitution efforts. [8]
The Frick Art Reference Library formally merged with the Frick Collection in 1984. [8]
From 2007 to 2021, the Center for the History of Collecting aimed to support the study of the formation of American and European public and private art collections from the Renaissance and colonial periods to the present day. It hosted lectures and symposia, offered fellowships, and awarded a biennial book prize. It created the online publication The Archives Directory for the History of Collecting , which the library continues to edit, augment, and host today. The program’s other publications include six volumes of the Pennsylvania State University Press series The Frick Collection Studies in the History of Art Collecting in America; [9] two volumes in Brill’s Studies in the History of Collecting & Art Markets; [10] and three publications with Centro de Estudios Europa Hispánica.
From 2020 to 2024, the library, along with the Frick Collection, relocated to Frick Madison (at 945 Madison Avenue) during the renovation of 1 East 70th Street and 10 East 71st Street. [11] The library was renamed Frick Art Research Library in 2024 to better reflect its expanded mission and wealth of digital resources.
The library holds a vast array of physical and digital art historical research materials. As of 2024, this includes 300,000 monographs; 3,300 periodical titles; and 100,000 auction catalogs from over 1,000 auction houses, dating from the seventeenth century to the present. In addition, the library offers access to electronic resources including art and image databases, e-books, e-journals, and a selection of websites. Around 25% of its collection is made up of “unique items”—items not held by any other library in WorldCat. [6]
The Frick Art Periodicals Index, which indexes articles on western European and American art and artists, was started in 1923. The two indices—one in English, French, and Italian; the other in Eastern European languages—are fully digitized and available on EBSCO. [6]
The Photoarchive was the library’s founding collection. It holds more than 1.5 million photographic reproductions of works of art from the fourth to the mid-twentieth century. The documentation it offers is continuously updated and records details on each work of art and its history. It contains works of art by over 40,000 artists. [12]
The Archives department was established in 1997 under chief librarian Patricia Barnett. It encompasses the Frick Family Papers, the Frick’s institutional records, and manuscript collections such as photographs of artists and studios, gallery records, and art scholars’ papers.
The library is free to use for anyone 13 years of age or older with prior registration. All physical items in the collection can be requested in advance through the online catalog for consultation in the reading room and many items can be photographed or scanned. The library also offers interlibrary loan and document delivery services to registered researchers. Subscription databases are accessible onsite and many e-books are available remotely with a library account. In-person and virtual consultations are also available.
Frick Digital Collections is the library’s active digital archive, accessible from anywhere. It includes scanned books, auction catalogs, Photoarchive images, and Archives collections. A portion of digitized materials is also available on Internet Archive. [13]
The library formally initiated a collaborative web archiving program in January 2014, as a member of the New York Art Resources Consortium (NYARC). NYARC's web archive collections are developed and maintained in partnership with Archive-It, a subscription-based service of the Internet Archive. The NYARC consortium's web archiving program preserves at-risk websites across 10 public collections, such as those of New York City-based galleries, artists, auction houses, catalogues raisonnés, and art restitution research initiatives. The Frick Art Research Library/NYARC is also a founding member of the Collaborative ART Archive (CARTA). As of 2024, CARTA archives over 1,000 websites across 8 public collections related to art history and contemporary art practice.
The library’s Digital Art History program encourages exploration of new, interdisciplinary, and computational approaches to art historical research, creates tools, and publishes databases. Among its resources is the ARt Image Exploration Space (ARIES), an open-source, cloud-based browser application that allows users to create data visualizations and compare and manipulate digital images. ARIES was developed with New York University’s Tandon School of Engineering and the Universidade Federal Fluminense, Brazil. [14] The Montias Database of Seventeenth Century Dutch Inventories contains information on nearly 1,300 inventories of goods and over 51,000 works of art owned in Amsterdam during the seventeenth century. Spanish Artists from the Fourth to the Twentieth Century: A Critical Dictionary, originally a four-volume print publication, provides essential bibliographic information on more than 5,000 Spanish artists. The Archives Directory for the History of Collecting in America is a guide to primary source materials related to dealers, collectors, and galleries active in the United States and where they are located. One of its features is a map search interface. [15] The library freely shares its datasets on GitHub. [16] Its public programs, including lectures and symposia, are archived online. [17] More Digital Art History projects and resources, such as mapping the Photoarchive’s photography campaigns, are listed on the library’s Digital Initiatives page. [18]
The Frick Photoarchive is a founding member of PHAROS, the International Consortium of Photo Archives. [19]
The position of chief librarian has been known as the Andrew W. Mellon Chief Librarian since 1990. [20] There have been seven chief librarians of the Frick Art Research Library:
The Frick Collection is an art museum on the Upper East Side of Manhattan in New York City, New York, U.S. It was established in 1935 to preserve the art collection of the industrialist Henry Clay Frick. The collection consists of 14th- to 19th-century European paintings, as well as other pieces of European fine and decorative art. It is located at the Henry Clay Frick House, a Beaux-Arts mansion designed for Henry Clay Frick. The Frick also houses the Frick Art Research Library, an art history research center established by Frick's daughter Helen Clay Frick in 1920, which contains sales catalogs, books, periodicals, and photographs.
Henry Clay Frick was an American industrialist, financier, and art patron. He founded the H. C. Frick & Company coke manufacturing company, was chairman of the Carnegie Steel Company and played a major role in the formation of the giant U.S. Steel manufacturing concern. He had extensive real estate holdings in Pittsburgh and throughout the state of Pennsylvania. He later built the Neoclassical Frick Mansion in Manhattan, and upon his death donated his extensive collection of old master paintings and fine furniture to create the celebrated Frick Collection and art museum. However, as a founding member of the South Fork Fishing and Hunting Club, he was also in large part responsible for the alterations to the South Fork Dam that caused its failure, leading to the catastrophic Johnstown Flood. His vehement opposition to unions also caused violent conflict, most notably in the Homestead Strike.
Helen Clay Frick was an American philanthropist and art collector. She was born in Pittsburgh, Pennsylvania, the third child of the coke and steel magnate Henry Clay Frick (1849–1919) and his wife, Adelaide Howard Childs (1859–1931). Two of her siblings did not reach adulthood, and her father played favorites with his two surviving children, Childs Frick (1883–1965) and Helen. After the reading of their father's will, which favored Helen, the brother and sister were estranged for the rest of their lives.
The HBCU Library Alliance is a consortium of libraries at Historically Black Colleges and Universities (HBCUs). Founded in 2002 by deans and directors of libraries at HBCUs, the consortium comprises over 100 member organizations. The alliance specifically represents the organizations included in the White House HBCU Initiative. In 2019 the HBCU Library Alliance entered into a national partnership with the Council on Library and Information Resources.
The Henry Clay Frick House is a mansion and museum building on Fifth Avenue, between 70th and 71st streets, on the Upper East Side of Manhattan in New York City. Designed by Thomas Hastings as the residence of the industrialist Henry Clay Frick, the house contains the Frick Collection museum and the Frick Art Reference Library. The house and library building are designated as a New York City landmark and National Historic Landmark.
The New York Art Resources Consortium (NYARC) consists of the research libraries of three leading art museums in New York City: The Brooklyn Museum, The Frick Collection, and The Museum of Modern Art. With funding from The Andrew W. Mellon Foundation, NYARC was formed in 2006 to facilitate collaboration that results in enhanced resources for research communities. Called a groundbreaking partnership, NYARC also provides a framework for collaboration among art research libraries.
Art historical photo archives are collections of reproductions of works of art that document paintings, drawings, prints, sculpture, architecture and sometimes installation photos. They are essential resource tools for the study of art history. Image collections deepen understanding of specific objects of art and the careers of individual artists as they also provide the means for a comparative approach to the study of artists’ works, national schools and period styles. The documentation that accompanies the images can also reveal patterns of art collecting, art market fluctuations and the changeable nature of public opinion. Photo archives build their collections and gather documentation for the works of art they record through purchases, gifts and photography campaigns. Information about ownership, condition, attribution, and subject identification is recorded at the time of acquisition and is frequently updated.
The Frick Art Research Library’s Photoarchive in New York is a study collection of more than 1.5 million photographic reproductions of works of art from the fourth to the mid-twentieth century. It was founded in 1920 by Helen Clay Frick to facilitate object-oriented research. Alongside the reproductions, the extensive documentation it offers is continuously updated and records details on each work of art and its history, such as changes in ownership, attribution, and condition. It contains works of art by over 40,000 artists.
The Lenox Library was a library incorporated and endowed in 1870. It was both an architectural and intellectual landmark in Gilded Age–era New York City. It was founded by bibliophile and philanthropist James Lenox, and located on Fifth Avenue between 70th and 71st Streets on the Upper East Side of Manhattan. Renowned architect Richard Morris Hunt designed the building, which was considered one of the city's most notable buildings until its destruction in 1912.
The American Art Association was an art gallery and auction house with sales galleries, established in 1883.
The Brooklyn Museum Libraries and Archives holds approximately 300,000 volumes and over 3,000 linear feet of archives related to the history of the museum and its collections. The library collections comprise books, periodicals, auction catalogs, artist and institutional files as well as special collections containing photographs, sketches, artists' books, rare books and trade catalogues. The museum archives contains institutional records, curatorial correspondence, expedition reports, and other related textual and visual records dating to the founding of the institution.
Stephen John Bury is an English art historian and the Andrew W. Mellon Chief Librarian of the Frick Art Research Library in New York City. He is known for his scholarship on artists' books, although his research interests also include the literature of art, the impact of the digital on the future of humanities, and the use of the past in the project of modernism.
Ethelwyn Manning was the second Chief Librarian of the Frick Art Reference Library. During World War II, she assisted the Committee of the American Council of Learned Societies (ACLS) on Protection of Cultural Treasures in War Areas, later known as the Monuments, Fine Arts, and Archives program (MFAA).
Virginia Purdy Bacon was an American heiress and art dealer.
Hannah Johnson Howell was the third Chief Librarian of the Frick Art Reference Library.
Mildred Steinbach was an art historian and the fourth Chief Librarian of the Frick Art Reference Library.
Helen Sanger served as the fifth chief librarian of the Frick Art Reference Library and the institution's first Andrew W. Mellon Chief Librarian, a position inaugurated in 1990.
Patricia J. Barnett served as the sixth Chief Librarian and second Andrew W. Mellon Chief Librarian of the Frick Art Reference Library.
Valley of the Yosemite is a painting by the German American painter Albert Bierstadt that was completed in 1864. Initially associated with the Hudson River School, Bierstadt rose to prominence for his paintings of the Rocky Mountains, which established him as one of the best painters of the western American landscape. His later paintings of Yosemite were also received with critical acclaim and public praise.