Avery Architectural and Fine Arts Library | |
---|---|
Location | New York City, New York, United States |
Type | Academic library |
Established | 1890 |
Branch of | Columbia University Libraries |
Collection | |
Size | 400,000 |
Other information | |
Website | library |
Avery Architectural and Fine Arts Library, the world's largest architecture library, is located in Avery Hall on the Morningside Heights campus of Columbia University in New York City. Serving Columbia's Graduate School of Architecture, Planning and Preservation and the Department of Art History and Archaeology, Avery Library collects books and periodicals in architecture, historic preservation, art history, painting, sculpting, graphic arts, decorative arts, city planning, real estate, and archaeology, as well as archival materials primarily documenting 19th- and 20th-century American architects and architecture. The architectural, fine arts, Ware, and archival collections are non-circulating. The Avery-LC Collection, primarily newer print books, does circulate.
Avery Library is named for New York architect Henry Ogden Avery, a friend of William Robert Ware, who was the first professor of architecture at Columbia University in 1881. Soon after Avery's death in 1890, his parents, Samuel Putnam Avery and Mary Ogden Avery, established the library as a memorial to their son. They offered his collection of 2,000 books, mostly in architecture, archaeology, and the decorative arts, many of his original drawings, as well a $30,000 to round out the book collection and to create an endowment. The Library now holds more than 400,000 volumes and receives approximately 900 periodicals, with legacy holdings of approximately 1,900 serial titles. [1]
Avery Library's collection in architecture literature is among the largest in the world and includes such highlights as the first Western printed book on architecture, De re aedificatoria (1485), by Leone Battista Alberti; Francesco Colonna's Hypnerotomachia Poliphili (1499); works by Giovanni Battista Piranesi; and classics of modernism by Frank Lloyd Wright and Le Corbusier, with the rarest materials held in the library's Classics (Rare Book) Department. In 2012, Avery, in partnership with the Museum of Modern Art, acquired the entire archive of Frank Lloyd Wright. [2]
Art Properties oversees the collection of art and cultural artifacts owned by Columbia University. More than 90% of the collection comes from donations and bequests by alumni, faculty, administrators, and students. Comprising more than 13,000 works of art in all media, displayed in buildings at each campus and held in storage, the art collection reflects all cultures and time periods. Highlights from the collection include: the public outdoor sculpture on all the campuses, including works by Auguste Rodin, Daniel Chester French, Henry Moore, and Clement Meadmore; nearly 2,000 paintings, including hundreds of portraits of Columbia administrators and faculty since the eighteenth century; about 1,000 works of fine art photography from daguerreotypes to contemporary works; the Sackler Collection of over 2,000 Asian art works, including Buddhist sculpture in stone, bronze, and polychrome wood from India, China, Japan, and the Ancient Near East; and hundreds of works on paper (drawings, watercolors, prints) and decorative arts (ceramics, tapestries, furniture) from around the globe. Among the larger collections of works by individual artists are photographs and prints by Andy Warhol and the largest collection of paintings, drawings, and watercolors by Florine Stettheimer (1871–1944). [3]
Avery Classics is the rare book department of Avery Library. It contains approximately 40,000 printed volumes published over seven centuries, from Leon Battista Alberti's De re aedificatoria (1485) to the recent limited edition volume, Olafur Eliasson’s Your House (2006). The Classics collection also has important holdings of manuscripts, broadsides, photographs, periodicals, graphic suites—including Giovanni Battista Piranesi's Carceri (Prisons) and Vedute di Roma (Views of Rome)—and printed ephemera. Notable special collections within Classics include the Trade Catalog Collection, which is one of the largest collections of catalogs of the American building trades anywhere, and the American View Book Collection, which includes books, pamphlets, and brochures that document cities, towns, and buildings throughout the United States. While an appointment is necessary, Avery Classics is open to the general public for research. [4]
Avery's Drawings & Archives department is among the largest and most significant architectural archives in the world. [1] Its holdings include more than two million architectural drawings, photographs, manuscripts, business records, audio-visual recordings, and other related materials, primarily documenting the architectural history New York City and the surrounding region, with significant and wide-ranging examples of American and international architecture relating to the work of New York-based architects and alumni of Columbia's School of Architecture.
Among the notable architects and designers represented in the collection are:
The Archives also holds the records of the Empire State Building, Guastavino Fireproof Construction Company, the New York Architectural Terra-Cotta Company, and Woodlawn Cemetery in the Bronx, New York, as well as papers of artist and writer Kenyon Cox, journalist Douglas Haskell, who was editor of Architectural Forum , and drawings by mural and stained glass artist John LaFarge. The department also has major archives of architectural photography, including works by C. D. Arnold, George Cserna, Samuel H. Gottscho, and Joseph W. Molitor. Lastly, the department holds Antonio Lafreri’s "Speculum Romanae Magnificentiae".
Avery Library is also home to the Avery Index to Architectural Periodicals. Begun at Avery in 1934 by Talbot Hamlin, [5] the Index provides citations to articles in approximately 300 current and over 1,000 retrospective architectural and related periodicals, with primary emphasis on architectural design and history as well as archaeology, landscape architecture, interior design, decorative arts, garden history, historic preservation, urban planning and design, real estate development, and environmental studies. The Index also includes a large body of obituaries of architects. Until July 1, 2009, the Getty Information Institute and later GRI co-produced the index. On that date, GRI transferred the database back to Columbia University, which continues to maintain it. [6]
Frank Lloyd Wright Sr. was an American architect, designer, writer, and educator. He designed more than 1,000 structures over a creative period of 70 years. Wright played a key role in the architectural movements of the twentieth century, influencing architects worldwide through his works and mentoring hundreds of apprentices in his Taliesin Fellowship. Wright believed in designing in harmony with humanity and the environment, a philosophy he called organic architecture. This philosophy was exemplified in Fallingwater (1935), which has been called "the best all-time work of American architecture".
Leon Battista Alberti was an Italian Renaissance humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer; he epitomised the nature of those identified now as polymaths. He is considered the founder of Western cryptography, a claim he shares with Johannes Trithemius.
Giovanni BattistaPiranesi was an Italian classical archaeologist, architect, and artist, famous for his etchings of Rome and of fictitious and atmospheric "prisons". He was the father of Francesco Piranesi, Laura Piranesi and Pietro Piranesi.
Bertram Grosvenor Goodhue was an American architect celebrated for his work in Gothic Revival and Spanish Colonial Revival design. He also designed notable typefaces, including Cheltenham and Merrymount for the Merrymount Press. Later in life, Goodhue freed his architectural style with works like El Fureidis in Montecito, California, one of three estates he designed.
Marion Mahony Griffin was an American architect and artist. She was one of the first licensed female architects in the world, and is considered an original member of the Prairie School. Her work in the United States developed and expanded the American Prairie School, and her work in India and Australia reflected Prairie School ideals of indigenous landscape and materials in the newly formed democracies. The scholar Debora Wood stated that Griffin "did the drawings people think of when they think of Frank Lloyd Wright ." According to architecture critic, Reyner Banham, Griffin was "America’s first woman architect who needed no apology in a world of men."
Russell Sturgis was an American architect and art critic of the 19th and early 20th centuries. He was one of the founders of the Metropolitan Museum of Art in 1870.
The Wolfsonian–Florida International University or The Wolfsonian-FIU, located in the heart of the Art Deco District of Miami Beach, Florida, is a museum, library and research center that uses its collection to illustrate the persuasive power of art and design. For fifteen years, The Wolfsonian has been a division within Florida International University.
Ogden Codman Jr. was an American architect and interior decorator in the Beaux-Arts styles, and co-author with Edith Wharton of The Decoration of Houses (1897), which became a standard in American interior design.
The Birmingham Museum of Art is a museum in Birmingham, Alabama. Its collection includes more than 24,000 paintings, sculptures, prints, drawings, and decorative arts representing various cultures, including Asian, European, American, African, Pre-Columbian, and Native American. The museum is also home to some Renaissance and Baroque paintings, sculptures,and decorative arts from the late 13th century to c. 1750.
Charles-Louis Clérisseau was a French architect, draughtsman, antiquary, and artist who became a leading authority on ancient Roman architecture and Roman ruins in Italy and France. With his influence extending to Russia, England, and the United States, and clients including Catherine the Great and Thomas Jefferson, Clérisseau played a key role in the genesis of neoclassical architecture during the second half of the 18th century.
Ely Jacques Kahn was an American commercial architect who designed numerous skyscrapers in New York City in the twentieth century. In addition to buildings intended for commercial use, Kahn's designs ranged throughout the possibilities of architectural programs, including facilities for the film industry. Many of the buildings he designed under the 1916 Zoning Resolution feature architectural setbacks to keep the building profitably close to its permitted "envelope"; these have been likened to the stepped form of the Tower of Babel. Kahn is also known for his guidance to author Ayn Rand.
Samuel Herman Gottscho was an American architectural, landscape, and nature photographer.
Edgar A. Tafel was an American architect, best known as a disciple of Frank Lloyd Wright.
The Getty Research Institute (GRI), located at the Getty Center in Los Angeles, California, is "dedicated to furthering knowledge and advancing understanding of the visual arts".
Samuel Putnam Avery (1822–1904) was an American connoisseur and dealer in art.
The Ryerson & Burnham Libraries are the art and architecture research collection of the Art Institute of Chicago. The libraries cover all periods with extensive holdings in the areas of 18th-, 19th- and 20th-century architecture and 19th-century painting, prints, drawings, and decorative arts. A variety of materials important to scholarly research includes architects' diaries, correspondence, job files, photographs, sketchbooks, scrapbooks, articles, transcripts, and personal papers.
The Fleming Museum of Art is a museum of art and anthropology at the University of Vermont in Burlington, Vermont. The museum's collection includes around 24,000 objects from a wide variety of eras and places.
George Joseph Ranalli is an American modernist architect, scholar, curator, and fellow of the American Institute of Architects. He is based in New York City.
Henry Ogden Avery was an American architect and the namesake of the Avery Architectural and Fine Arts Library at Columbia University. He was the first professor of architecture at Columbia University, appointed in 1881.
Felice Stampfle was an American Curator of Drawings and Prints at the Morgan Library for nearly 40 years, and editor of the scholarly journal Master Drawings.