The Dance Notation Bureau (DNB) is a non-profit organization founded to preserve choreographic works through notating dance scores in Labanotation and collaborating with dance companies to stage reconstructions of those works. [1] Based in New York City, DNB was founded by Helen Priest Rogers, Eve Gentry, Janey Price, and Ann Hutchinson in 1940. [2] It has significant holdings of videotapes, photographs, programs, and production information. Its mission is to advance the art of dance through the use of a system of notation called Labanotation. This allows the dances to continue to be performed long after the lifetime of the artist.
In August 2007 [3] it recommenced active work on the notation of dance works following a hiatus since October 2005. [4] The DNB is both privately and publicly funded, including the National Endowment for the Arts and the New York State Council on the Arts and has a $500,000 endowment.
The use of notation can support the performance of dances when interpreted with DNB assisting about 150 performances each year, including 20 under license from the choreographer or their heirs.
The DNB's Extension for Education and Research is at the Ohio State University.
The DNB released an online catalog of its Notated Theatrical Dances Collection, including works by George Balanchine, Paul Taylor, Antony Tudor, Bill T. Jones, Doris Humphrey, William Forsythe, José Limón and Laura Dean. In addition, the DNB is digitizing its Moving Images Collection as the supplement to the Notated Theatrical Dances Catalog. These clips are available at YouTube site.
The music of Taiwan reflects the diverse culture of Taiwanese people. Taiwan has undergone several economic, social, and political changes through its cultural history, and Taiwanese music reflects those issues in its way. The music of the country has adopted a mixed style. As a country rich in Chinese folk culture and with many indigenous tribes with their own distinct artistic identity, various folk music styles are appreciated in Taiwan. In addition, people in Taiwan highly appreciate various style of Western classical music and pop music. Taiwan is a major Mandopop hub.
Labanotation is a system for analyzing and recording human movement, invented by Austro-Hungarian choreographer and dancer Rudolf von Laban, who developed his notation on movements in the 1920s.
Dance notation is the symbolic representation of human dance movement and form, using methods such as graphic symbols and figures, path mapping, numerical systems, and letter and word notations. Several dance notation systems have been invented, many of which are designed to document specific types of dance while others have been developed with capturing the broader spectrum of human movement potential. A dance score is a recorded dance notation that describes a particular dance.
Doris Batcheller Humphrey was an American dancer and choreographer of the early twentieth century. Along with her contemporaries Martha Graham and Katherine Dunham, Humphrey was one of the second generation modern dance pioneers who followed their forerunners – including Isadora Duncan, Ruth St. Denis, and Ted Shawn – in exploring the use of breath and developing techniques still taught today. As many of her works were annotated, Humphrey continues to be taught, studied and performed.
Judson Dance Theater was a collective of dancers, composers, and visual artists who performed at the Judson Memorial Church in Greenwich Village, Manhattan New York City between 1962 and 1964. The artists involved were avant garde experimentalists who rejected the confines of Modern dance practice and theory, inventing as they did the precepts of Postmodern dance.
Antony Tudor was an English ballet choreographer, teacher and dancer. He founded the London Ballet, and later the Philadelphia Ballet Guild in Philadelphia, Pennsylvania, U.S., in the mid-1950s.
Selma Jeanne Cohen was a historian, teacher, author, and editor who devoted her career to advocating dance as an art worthy of the same scholarly respect traditionally awarded to painting, music, and literature. She was the founding editor of the six-volume International Encyclopedia of Dance, completed in 1998.
Eugene Loring was an American dancer, choreographer, teacher, and administrator.
Congress on Research in Dance (CORD) was a professional organization for dance historians in the United States and worldwide that was founded in 1964 and then merged in 2017 with the Society of Dance History Scholars to form the Dance Studies Association (DSA).
Ann Hutchinson Guest was an American authority on dance notation and movement analysis, long based in the United Kingdom. She studied more than 80 dance notation systems and translated 20 to Labanotation. This gave her access to a number of dance works in their original version – such as Vaslav Nijinsky's L'Après-midi d'un Faune. Her extensive research, performing, and teaching career led her to establish the Language of Dance® approach to empower educators, artists, researchers, and other professionals in their study and use of Motif Notation to engage and deepen movement understanding.
Ingrid Brainard was a musicologist, dance historian, performer, and teacher of historical dance. She contributed significantly to the development of the fields of dance history in general and early dance history in particular.
Eshkol-Wachman movement notation is a notation system for recording movement on paper or computer screen. The system was created in Israel by dance theorist Noa Eshkol and Avraham Wachman, a professor of architecture at the Technion. The system is used in many fields, including dance, physical therapy, animal behavior and early diagnosis of autism.
The Russian State Institute of Performing Arts, formerly known as St Petersburg Theatre Arts Academy, formerly Leningrad State Institute of Theatre, Music, and Cinema (LGITMiK), is a theatre school in Saint Petersburg. It is the oldest Russian state theatre school, being founded in 1779, and has incorporated several mergers of other institutions during its history, including the Ostrovsky Leningrad Theatre Institute and the Leningrad Institute of Art History.
The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center, at 40 Lincoln Center Plaza, is located in Manhattan, New York City, at the Lincoln Center for the Performing Arts on the Upper West Side, between the Metropolitan Opera House and the Vivian Beaumont Theater. It houses one of the world's largest collections of materials relating to the performing arts. It is one of the four research centers of the New York Public Library's Research library system, and it is also one of the branch libraries.
Debra Hickenlooper Sowell is a dance historian and professor of humanities and theater history at Southern Virginia University. She retired as an associate professor of humanities in the Department of Humanities, Classics and Comparative Literature at Brigham Young University (BYU) in 2011.
Eve Gentry was a modern dancer, and later a Pilates master instructor. She was an original disciple of Joseph Pilates, and a master teacher of his technique to generations of instructors. She helped found the Dance Notation Bureau in New York City and later in 1991 she co-founded the Institute for the Pilates Method in Santa Fe, New Mexico.
The DNB Extension for Education and Research is housed in the Department of Dance at The Ohio State University in Columbus, Ohio. The DNB Extension was founded in the Department of Dance in 1968 as a way to further the work and library resources of the Dance Notation Bureau in New York, and to facilitate education and research in Labanotation, dance documentation, and dance preservation.
Jardin aux lilas is a ballet in one act choreographed by Antony Tudor to a composition by Ernest Chausson entitled Poème, Op. 25. With scenery and costumes designed by Hugo Stevenson, it was first presented by Ballet Rambert at the Mercury Theatre, London, on 26 January 1936. It is considered to be the first of the genre of psychological ballets.
The Laban/Bartenieff Institute of Movement Studies (LIMS) in New York was founded in 1978 as a center for the development and study of the principles of Laban Movement Analysis, formulated by Rudolf Laban and further developed by his student and colleague Irmgard Bartenieff. The institute maintains a library and media resource center that includes published and unpublished text, films and photographs on the subject of Laban Movement Analysis.
Pillar of Fire is a 30-minute dramatic ballet choreographed by Antony Tudor to Arnold Schoenberg's Verklärte Nacht, Op. 4.