Adam and Sophie Gimbel Design Library | |
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Location | New York City, United States of America |
Type | Visual Arts |
The Adam and Sophie Gimbel Design Library was the visual arts library of The New School. Used primarily by students in the Parsons division of The New School, it was located in the Sheila Johnson Design Center, in the Greenwich Village neighborhood of Manhattan, New York City.
Prior to the merging of Parsons with The New School of Social Research in 1970, [1] the library had gone by the name Parsons Design Library. In 1972, the library was renamed after donor Adam Gimbel, and in 1982 there was a re-dedication ceremony to honor both Adam and his wife Sophie. [2] The library was closed on December 20, 2013, [3] when New School opened a new library facility located on the 6th floor of 63 Fifth Avenue. [4]
Gimbel was the second largest library at the university, with a total of 121,371 holdings. 50,000 book volumes, 200 periodical subscriptions and over 20 art-and-design-specific online database subscriptions. [5] Current New School Libraries include:
The majority of the Gimbel's old collections were migrated to the University Center Library by the end of 2013. [3]
Hester Street is a street in the Lower East Side of the New York City borough of Manhattan. It stretches from Essex Street to Centre Street, with a discontinuity between Chrystie Street and Forsyth Street for Sara Delano Roosevelt Park. There is also a discontinuity at Allen Street, which was created in 2009 with the rebuilding of the Allen Street Mall. At Centre Street, Hester Street shifts about 100 feet (30 m) to the north and is called Howard Street to its far western terminus at Mercer Street.
Parsons School of Design, known colloquially as Parsons, is a private art and design college located in the Greenwich Village neighborhood of New York City. Founded in 1896 after a group of progressive artists broke away from established Manhattan art academies in protest of limited creative autonomy, Parsons is one of the oldest schools of art and design in New York.
Gimbel Brothers was an American department store corporation that operated for over a century, from 1842 until 1987. Gimbel patriarch Adam Gimbel opened his first store in Vincennes, Indiana, in 1842. In 1887, the company moved its operations to the Gimbel Brothers Department Store in Milwaukee, Wisconsin. It became a chain when it opened a second, larger store in Philadelphia, Pennsylvania, in 1894, moving its headquarters there. At the urging of future company president Bernard Gimbel, grandson of the founder, the company expanded to New York City in 1910.
The New School is a private research university in New York City. It was founded in 1919 as The New School for Social Research with an original mission dedicated to academic freedom and intellectual inquiry and a home for progressive thinkers. Since then, the school has grown to house five divisions within the university. These include the Parsons School of Design, the Eugene Lang College of Liberal Arts, the College of Performing Arts, which includes the Mannes School of Music, The New School for Social Research, and the Schools of Public Engagement.
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McBurney School was a boys college-preparatory school in Manhattan run by the YMCA of Greater New York. Its name commemorates Robert Ross McBurney, a prominent New York YMCA leader during the late 19th century.
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Irving Kriesberg was an American painter, sculptor, educator, author, and filmmaker, whose work combined elements of Abstract Expressionism with representational human, animal, and humanoid forms. Because Kriesberg blended formalist elements with figurative forms he is often considered to be a Figurative Expressionist.
Bernard Feustman Gimbel was an American businessman and president of the Gimbels department store.
Sophie Gimbel was an American fashion designer for Salon Moderne of Saks Fifth Avenue. She was a leading designer for nearly 40 years and an innovator of the "New Look" that gained popularity after World War II.
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Paul J. Smith was an arts administrator, curator, and artist based in New York. Smith was professionally involved with the art, craft, and design fields since the early 1950s and was closely associated with the twentieth-century studio craft movement in the United States. He joined the staff of the American Craftsmen's Council in 1957, and in 1963 was appointed Director of the Museum of Contemporary Crafts, a position he held for the next 25 years. In September 1987, he assumed the title of director emeritus and continued to work as an independent curator and consultant for museums, arts organizations, and collectors.
George Herms is an American artist best known for creating assemblages out of discarded, often rusty, dirty or broken every-day objects, and juxtaposing those objects so as to infuse them with poetry, humor and meaning. He is also known for his works on paper, including works with ink, collage, drawing, paint and poetry. The prolific Herms has also created theater pieces, about which he has said, "I treat it as a Joseph Cornell box big enough that you can walk around in. It's just a continuation of my sculpture, one year at a time." Legendary curator Walter Hopps, who met Herms in 1956, "placed Herms on a dazzling continuum of assemblage artists that includes Pablo Picasso, Kurt Schwitters, Marcel Duchamp, and Joseph Cornell, as well as California luminaries Wallace Berman and Edward Kienholz." Often called a member of the West Coast Beat movement, Herms said that Wallace Berman taught him that "any object, even a mundane cast-off, could be of great interest if contextualized properly." "That’s my whole thing," Herms says. "I turn shit into gold. I just really want to see something I've never seen before." George Herms lives and works in Los Angeles.
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