Eva Hesse was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.
Don Eddy is a contemporary representational painter. He gained recognition in American art around 1970 amid a group of artists that critics and dealers identified as Photorealists or Hyperrealists, based on their work's high degree of verisimilitude and use of photography as a resource material. Critics such as Donald Kuspit have resisted such labels as superficially focused on obvious aspects of his painting while ignoring its specific sociological and conceptual bases, dialectical relationship to abstraction, and metaphysical investigations into perception and being; Kuspit wrote: "Eddy is a kind of an alchemist … [his] art transmutes the profane into the sacred—transcendentalizes the base things of everyday reality so that they seem like sacred mysteries." Eddy has worked in cycles, which treat various imagery from different formal and conceptual viewpoints, moving from detailed, formal images of automobile sections and storefront window displays in the 1970s to perceptually challenging mash-ups of still lifes and figurative/landscapes scenes in the 1980s to mysterious multi-panel paintings in his latter career. He lives in New York City with his wife, painter Leigh Behnke.
The Park Place Gallery was a contemporary cooperative art gallery, in operation from 1963 to 1967, and was located in New York City. The Park Place Gallery was a notable as a post-World War II gallery for both its location and that it supported a group of artists working with geometric abstraction and space.
Lucy Rowland Lippard is an American writer, art critic, activist, and curator. Lippard was among the first writers to argue for the "dematerialization" at work in conceptual art and was an early champion of feminist art. She is the author of 26 books on contemporary art and has received numerous awards and accolades from literary critics and art associations.
Josephine Gail Baer is an American painter associated with minimalist art. She began exhibiting her work at the Fischbach Gallery, New York, and other venues for contemporary art in the mid-1960s. In the mid-1970s, she turned away from non-objective painting. Since then, Baer has fused images, symbols, words, and phrases in a non-narrative manner, a mode of expression she once termed "radical figuration." She lives and works in Amsterdam, Netherlands.
The Elizabeth A. Sackler Center for Feminist Art is located on the fourth floor of the Brooklyn Museum, New York City, United States. Since 2007 it has been the home of Judy Chicago's 1979 installation, The Dinner Party. The Center's namesake and founder, Elizabeth A. Sackler, is a philanthropist, art collector, and member of the Sackler family.
Sylvia Plimack Mangold is an American artist, painter, printmaker, and pastelist. She is known for her representational depictions of interiors and landscapes. She is the mother of film director/screenwriter James Mangold and musician Andrew Mangold.
Alice Adams is an American artist known for her sculpture and site-specific land art in the 1970s and for her major public art projects in transit systems, airports, university campuses and other urban sites throughout the United States since 1986. Her earlier work in tapestry and woven forms was important in the American fiber art movement.
John Button was an American artist, well known for his city-scapes. Educated at the University of California, Berkeley then moved to New York City in the early 1950s. He became friends with Fairfield Porter and Frank O'Hara and assumed his part in the New York School of Painters and Poets.
Vera Jacqueline Winsor was a Newfoundland-born American sculptor. Her style, which developed in the early 1970s as a reaction to the work of minimal artists, has been characterized as post-minimal, anti-form, and process art.
Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II Western Art, most strongly with American visual arts in the 1960s and early 1970s. Minimalism is often interpreted as a reaction to abstract expressionism and a bridge to postminimal art practices. Prominent artists associated with this movement include Ad Reinhardt, Nassos Daphnis, Tony Smith, Donald Judd, John McCracken, Agnes Martin, Dan Flavin, Robert Morris, Larry Bell, Anne Truitt, Yves Klein and Frank Stella. Artists themselves have sometimes reacted against the label due to the negative implication of the work being simplistic.
Frank Bernarducci is a New York City art dealer and curator. He is currently the owner of Bernarducci Gallery, located at 525 West 25th Street in New York, NY. Bernarducci began exhibiting Graffiti art in the 1980s in the East Village while being the director of Frank Bernarducci Gallery. Bernarducci continues to curate exhibitions featuring emerging and seasoned artists. His gallery is known for exhibiting realist and Photorealist art.
Gene Beery was an American painter and photographer, who has been described as an expressionist, Pop artist, minimalist, and conceptualist over his career of fifty-plus years. He was primarily known for his text-based canvases, based on the concept that words and the ideas they provoke can exist as works of art in themselves. Living and working in New York City in the late 1950s and early 1960s, Beery was at the center of the development of both Pop and Conceptual art. From the 1990s, Beery also worked as a photographer, intimately documenting his family, friends and life in a snapshot style. He lived and worked in Sutter Creek, California until his death on November 19, 2023, at the age of 86.
Printed Matter, Inc. is an independent 501(c)(3) non-profit grant-supported bookstore, artist organization, and arts space which publishes and distributes artists' books. It is currently located at 231 11th Avenue in the Chelsea neighborhood of New York City.
Cindy Heller Nemser was an American art historian and writer. Founder and editor of the Feminist Art Journal, she was an activist and prominent figure in the feminist art movement and was best known for her writing on the work of women artists such as Eva Hesse, Alice Neel, and Louise Nevelson.
Gary Kuehn is an American artist who pioneered the Postminimal and Process Art movements of the 1960s.
Alice Dalton Brown is an American painter known for realist works that capture the light and texture of specific, if often invented, places and moments. Her signature motifs include exteriors of Victorian houses, barns and waterscapes viewed through windows or sheer curtains, by which she explores the play of light, shadow, reflection and geometry across various surfaces. Critic J. Bowyer Bell wrote of Dalton Brown's style, "her realist works are more than the sum of their parts. In fact, there are so many parts so cunningly included, so many skills on display, that the result is almost an encyclopedia of what can be done."
Dona Nelson is an American painter, best known for immersive, gestural, primarily abstract works employing unorthodox materials, processes and formats to disrupt conventional notions of painting and viewership. A 2014 New Yorker review observed, "Nelson gives notice that she will do anything, short of burning down her house to bully painting into freshly spluttering eloquence." Since 2002, long before it became a more common practice, Nelson has produced free-standing, double-sided paintings that create a more complex, conscious viewing experience. According to New York Times critic Roberta Smith, Nelson has dodged the burden of a "superficially consistent style," sustained by "an adventuresome emphasis on materials" and an athletic approach to process that builds on the work of Jackson Pollock. Writers in Art in America and Artforum credit her experimentation with influencing a younger generation of painters exploring unconventional techniques with renewed interest. Discussing one of Nelson's visceral, process-driven works, curator Klaus Kertess wrote, the paint-soaked "muslin is at once the tool, the medium, and the made."
Lindsey Decker (1923–1994) was an American artist who was born in Lincoln, Nebraska.
Leigh Behnke is an American painter based in Manhattan in New York City, who is known for multi-panel, representational paintings that investigate perception, experience and interpretation. She gained recognition in the 1980s, during an era of renewed interest in imagery and Contemporary Realism.
