 The Lyceum Theatre c.1871, from a stereoscopic image | |
 | |
| General information | |
|---|---|
| Architectural style | Neoclassical architecture |
| Location | Manhattan, New York City |
| Coordinates | 40°44′16″N73°59′50″W / 40.73778°N 73.99722°W |
| Opened | 1866 |
| Demolished | 1938 |
| Design and construction | |
| Architect(s) | Alexander Saeltzer |
The Fourteenth Street Theatre was a New York City theatre located at 107 West 14th Street just west of Sixth Avenue. [1]
It was designed by Alexander Saeltzer and opened in 1866 as the Theatre Francais, as a home for French language dramas and opera. [2]
The theatre was renamed the Lyceum in 1871. In 1879, it was taken over by producer J.H. Haverly who renamed it Haverly's 14th Street Theatre. By the mid-1880s, it had become simply the Fourteenth Street Theatre. [3]
By the mid-1910s, it was being used as a movie theatre, until actress Eva Le Gallienne made it the home of her stage company and renamed it to Civic Repertory Theatre in 1926. She mounted 34 successful productions at the theatre, [4] but the Great Depression ended that venture in 1934. [5]
Richard Le Gallienne was an English author and poet. The British-American actress Eva Le Gallienne (1899–1991) was his daughter by his second marriage to Danish journalist Julie Nørregaard (1863–1942).
Lyceum Theatre may refer to:
Lucille Lortel was an American actress, artistic director, and theatrical producer. In the course of her career Lortel produced or co-produced nearly 500 plays, five of which were nominated for Tony Awards: As Is by William M. Hoffman, Angels Fall by Lanford Wilson, Blood Knot by Athol Fugard, Mbongeni Ngema's Sarafina!, and A Walk in the Woods by Lee Blessing. She also produced Marc Blitzstein's adaptation of Bertolt Brecht and Kurt Weill's Threepenny Opera, a production which ran for seven years and according to The New York Times "caused such a sensation that it...put Off-Broadway on the map."
Eva Le Gallienne was a British-born American stage actress, producer, director, translator, and author. A Broadway star by age 21, in 1926 she left Broadway behind to found the Civic Repertory Theatre, where she served as director, producer, and lead actress. Noted for her boldness and idealism, she was a pioneering figure in the American theater, setting the stage for the Off-Broadway and regional theater movements that swept the country later in the 20th century.
Richard Waring was an American actor. He is perhaps best remembered for his role in the film Mr. Skeffington (1944).
Liturgical drama refers to medieval forms of dramatic performance that use stories from the Bible or Christian hagiography.
An ekkyklêma or eccyclema was a wheeled platform rolled out through a skênê in ancient Greek theatre. It was used to bring interior scenes out into the sight of the audience. Some ancient sources suggest that it may have been revolved or turned.
Union Square Theatre was the name of two different theatres near Union Square, Manhattan, New York City. The first was a Broadway theatre that opened in 1870, was converted into a cinema in 1921 and closed in 1936. The second was an Off-Broadway theatre that opened in 1985 and closed in 2016.
The Fulton Theatre was a Broadway theatre located at 210 West 46th Street in Manhattan, New York City, that was opened in 1911. It was renamed the Helen Hayes Theatre in 1955. The theatre was demolished in 1982. After the former Little Theatre on 44th Street became the current Helen Hayes Theatre, the Fulton Theatre was sometimes referred to as the First Helen Hayes Theatre.
Alison's House is a drama play in three acts by American playwright Susan Glaspell.
Enough Stupidity in Every Wise Man, sometimes published in English under the title Too Clever By Half, is a five-act comedy by Aleksandr Ostrovsky. The play offers a satirical treatment of bigotry and charts the rise of a double-dealer who manipulates other people's vanities. It is Ostrovsky's best-known comedy in the West.
The Ascension of Little Hannele, also known simply as Hannele, is an 1893 play by the German playwright Gerhart Hauptmann. In contrast to Hauptmann's naturalistic dramas, The Assumption of Hannele adopts a more symbolist dramaturgy and includes a dream sequence. The play is the first in recorded world literature with a child as its heroine. The play tells the story of a neglected and abused peasant child, who, on her deathbed, experiences a vision of divine powers welcoming her into the afterlife. It was first published in 1894. Hauptmann was awarded the Grillparzer Prize in 1896 for the play.
The Théâtre de l'Œuvre is a Paris theatre on the Right Bank, located at 3, Cité Monthiers, entrance 55, rue de Clichy, in the 9° arrondissement. It is commonly conflated and confused with the late-nineteenth-century theater company named Théâtre de l'Œuvre, founded by actor-director-producer Aurélien Lugné-Poe, who would not take control of this performance space until 1919. His company is best known for its earlier phase of existence, before it acquired this theatre venue. From 1893 to 1899, in various Parisian theatres, Lugné-Poe premiered modernist plays by foreign dramatists, as well as new work by French Symbolists, most notoriously Alfred Jarry’s nihilistic farce Ubu Roi, which opened in 1896 at Nouveau-Théâtre.
The Garden Theatre was a major theater on Madison Avenue and 27th Street in Manhattan, New York City. The theatre opened on September 27, 1890, and closed in 1925. Part of the second Madison Square Garden complex, the theatre presented Broadway plays for two decades and then, as high-end theatres moved uptown to the Times Square area, became a facility for German and Yiddish theatre, motion pictures, lectures, and meetings of trade and political groups.
The Lyceum Theatre was a theatre in New York City located on Fourth Avenue between 23rd and 24th Streets in Manhattan. It was built in 1885 and operated until 1902, when it was torn down to make way for the Metropolitan Life Insurance Company Tower. It was replaced by a new Lyceum Theatre on 45th Street. For all but its first two seasons, the theatre was home to Daniel Frohman's Lyceum Theatre Stock Company, which presented many important plays and actors of the day.
Alexander Saeltzer. Later journeyed across the Atlantic Ocean to the Americas and was a German-American architect active in the United States in New York City during the 1850s and 1860s, before the American Civil War (1861-1865). His work includes the prominent Anshe Chesed Synagogue, the Academy of Music, the Theatre Francais, the Duncan, Sherman & Company building and the South Wing of the Romanesque revival style structure at 425 Lafayette Street in Manhattan, built between 1853 and 1881, to be later used as the Astor Library.
The Broadway Theatre near 41st Street was a Broadway theatre in Manhattan, New York City, which operated from 1888 to 1929. It was located at 1445 Broadway.
The Mirror Theater was founded by Sabra Jones in 1983, who was also the Founding Artistic Director. The first program of the theater was the Mirror Repertory Company (MRC). Founding members of the company included Eva Le Gallienne, John Strasberg, and Geraldine Page. Sabra Jones reached out to Ellis Rabb, artistic director of the APA Phoenix Repertory Company, John Houseman of the Mercury Theater, and Eva Le Gallienne of the Civic Repertory Theatre Company. The company was intended to be "an alternating repertory company in the classic sense" of actor-manager leadership, which Rabb, Houseman, and La Gallienne pioneered. Alternating repertory refers to when one company performs a variety of plays in the same season with the same actors, which was formerly a mainstay of theater tradition. This system has been attributed with helping actors grow in their craft through a wide variety of roles. MRC was funded in its inception primarily by philanthropist Laurance S. Rockefeller, with additional donations from philanthropists and actors such as Paul Newman, Al Pacino, Dustin Hoffman, and others.
Jasper Deeter was an American-born stage and film actor, stage director, and founder of Hedgerow Theatre in Rose Valley, Pennsylvania, one of the first regional repertory theatres in the United States.
Oscar Gross Brockett was president of the American Theatre Association. An American Theater historian, he was Dean of the College of Fine Art at the University of Texas in Austin.
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