The Roxy (New York City)

Last updated

The Roxy
Roxynycext.jpg
Exterior of the Roxy
The Roxy (New York City)
Location New York City (Chelsea, Manhattan), New York, United States
Coordinates 40°44′42″N74°00′25″W / 40.745013°N 74.006959°W / 40.745013; -74.006959
OwnerRichard Newhouse & Steven Greenberg (1978-1985) as Roxy's Roller Disco
Gene DiNino (1985-2007)
Type roller rink and nightclub
Opened1978
Closed2007

The Roxy (sometimes Roxy NYC) was a popular nightclub and former disco roller rink located at 515 West 18th Street in New York City.

Contents

Located in the Chelsea section of Manhattan, it began as a roller disco in 1978, founded by Steve Bauman, Richard Newhouse and Steve Greenberg. [1] It was acquired in 1985 by Gene DiNino.

The Roxy shut down permanently in March 2007.

Operation

Beginning in the early 1980s, the owners began hosting private party nights. Referred to by many as the "Studio 54 of roller rinks", these parties thrived for several years. Then, as the popularity of skating began to fade, the space was revamped into a dance club in June 1982 by Ruza Blue whose idea it was to transform the roller rink into a dance club.[ citation needed ]

The Roxy hosted a party for the famed Olympic gold medal-winning USA Ice Hockey team in 1980.[ citation needed ]

Ruza Blue, nicknamed "Kool Lady Blue", produced the first multi-racial, multi-cultural Hip Hop dance clubs in New York City. She was the founder of Club Negril (1981–82) and The Roxy where she showcased elements of Hip Hop plus more for the first time downtown in a nightclub environment on a regular weekly basis and this is where true Hip Hop first gained recognition. Her clubs featured a mash up of all musical styles from early hip hop, electro, funk, soul, disco, rock, punk, dub and electronic dance music. [2] Jon Baker, the future founder of Gee Street Records, worked the door. Hip hop pioneers such as Grand Mixer D.ST Jazzy Jay and Afrika Bambaataa began DJing there and Kool Lady Blue sponsored breaking or b-boy/b-girl competitions featuring the Rock Steady Crew, Graffiti Artist Murals, Emcees like Fab 5 Freddy hosting the nights and she even had the genius idea to book [3] Double-dutch exhibitions by The Fantastic Four local American Double Dutch League champions and added Double Dutch to the Hip Hop equation at Negril and The Roxy. [2] [4]

Artists such as Madonna, Run DMC, Kraftwerk, Shannon, Malcolm McLaren, New Edition, Kurtis Blow, The Beastie Boys, Yello, Dead or Alive, Cher, Bette Midler, Whitney Houston, Liza Minnelli, Chaka Khan, Donna Summer, Cyndi Lauper, Jorge Perez Evelyn,Grace Jones, Yoko Ono, LL Cool J, Lisa Marie Presley, Gloria Gaynor, and George Clinton and the P-Funk All-Stars all performed at the Roxy.[ citation needed ]

The site of many "dance floor tests" by recording artists, producers and remixers, the club's notoriously discerning, racially mixed clientele and cross cultural ethos was considered the ideal crowd to inspire on the dance floor. It was here that DJ's first played the test record of EBN-OZN's white rap/spoken word "AEIOU Sometimes Y" in 1982, the first commercially released record made on a computer in the United States. [5]

Kool Lady Blue's Friday nights at The Roxy played a huge role in the evolution of Hip Hop and Electronic Dance Music and are integral to Hip Hop history. She was also one of the first to promote Hip Hop culture on to the world stage.

The Roxy hosted one of New York City's largest weekly gay dance nights, Roxy Saturdays, promoted by John Blair Promotions, which featured many famous DJs including Junior Vasquez, Manny Lehman, Hex Hector, Victor Calderone, David Guetta, Frankie Knuckles, Paul van Dyk, Offer Nissim, Hector Fonseca and Peter Rauhofer.

During the late 1980s, it was operated under the name 1018, and was closed down in 1989 by the New York City Office of Midtown Enforcement as a nuisance, based on allegations of underaged drinking, drug sales, and violence. [6]

Closure

Roxy had stopped for several weeks in the fall of 2006, but resumed operation once again on December 2, 2006. The club closed its doors for good on March 10, 2007. [7] A documentary about the club's final party, entitled "Roxy: The Last Dance" premiered in August 2008 on the LOGO cable television network. [8]

There were plans for the club to be demolished in order to make room for new residential apartments. However, in July 2008, there was news that the Roxy would reopen under new management. The local community board that represents the interests of the residents near the club have stated that the club could reopen if it served the community in the long run. [9]

As of September 2017, the building is undergoing demolition to make way for high-end residential condominiums overlooking the adjacent High Line Park.[ citation needed ]

In September 2021, Lantern House luxury residential condominiums opened where The Roxy once stood.

Lantern House that replaced The Roxy nightclub in NYC. LanternHouse-TheRoxy.jpg
Lantern House that replaced The Roxy nightclub in NYC.


A performance at the club by Afrika Bambaattaa was captured in the 1984 film Beat Street . [10] [11]

See also

Related Research Articles

House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat.

<span class="mw-page-title-main">Fab Five Freddy</span> American artist

Fred Brathwaite, more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He gained wider recognition in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show Yo! MTV Raps.

<i>Beat Street</i> 1984 American drama dance film

Beat Street is a 1984 American dance drama film featuring New York City hip hop culture of the early 1980s. Set in the South Bronx, the film follows the lives of a pair of brothers and their group of friends, all of whom are devoted to various elements of early hip hop culture, including breakdancing, DJing and graffiti.

Electro is a genre of electronic dance music directly influenced by the use of the Roland TR-808 drum machines, with an immediate origin in early hip hop and funk genres. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.

In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement.

<span class="mw-page-title-main">Moodymann</span> American musician

Kenny Dixon Jr., better known by his stage name Moodymann, is an American musician based in Detroit, Michigan. He released his 1997 debut album Silentintroduction on the label Planet E Communications. He is the owner of the record labels Mahogani Music and KDJ Records. He is also a member of the group 3 Chairs.

<span class="mw-page-title-main">Dave Pearce</span> Musical artist

David Alistair Pearce is an English dance DJ, EDM producer and broadcaster, who has performed across the United Kingdom and the world. He previously presented Dance Anthems on BBC Radio 1 for ten years. He is renowned for playing a key role both as a performer and behind the scenes in the development of English dance and club culture.

ĒBN-ŌZN was an American 1980s New York-based experimental New Wave synth-pop duo, composed of Ned "Ebn" Liben and Robert "Ozn" Rosen,. The duo, which pioneered the sound recording technique of sampling, is best known for the 1983 hit single and award-winning music video "AEIOU Sometimes Y", the first commercially released and charted American single recorded on a computer, a Fairlight CMI.

<span class="mw-page-title-main">Roller disco</span> Skating rink for dancing on roller skates

A roller disco is a discothèque or skating rink where all the dancers wear roller skates of some kind. The music played is modern and easily danceable; historically disco but in modern times including almost any form of dance, pop, house, R&B, or rock music. Roller discos often involve the usage of a disco ball.

<span class="mw-page-title-main">Roseland Ballroom</span> Former multi-purpose hall in New York City

The Roseland Ballroom was a multipurpose hall, in a converted ice skating rink, with a colorful ballroom dancing pedigree, in New York City's theater district, on West 52nd Street in Manhattan.

Kenneth James Gabbert, better known by his stage name Ken Swift, is a second generation b-boy, or breakdancer. He was a longtime member and key figure in the Rock Steady Crew, and its former Vice President. He is now President of the Breaklife and VII Gems Hip Hop movement in New York City. Ken Swift began b-boying in 1978, at the age of twelve, when he was inspired by dancers on the Upper West Side of Manhattan. Widely known in the breakdancing world as "the Epitome of a B-Boy," he is widely considered by b-boys to be the individual who has had the greatest influence on breakdancing. Ken Swift is credited with the creation of many dance moves and terminology. His original footwork and "freeze style" became a foundational part of breaking, which were considered new concepts at the time.

<span class="mw-page-title-main">Jazzy Jay</span> Musical artist

John Byas, also known as The Original Jazzy Jay or DJ Jazzy Jay, is an American hip hop DJ and producer.

Disco Fever was a New York City dance club located in the South Bronx on Jerome Avenue and 167th street that operated from 1976 to 1986. After initially failing to draw many customers, Sal Abbatiello convinced his father, the owner, to hand over the reins. Abbatiello quickly began featuring hip hop artists including a young Grandmaster Flash, and the club greatly increased in popularity and fame. Hip hop group Run-D.M.C. performed their first show at the club.

<span class="mw-page-title-main">Kool DJ Red Alert</span> American DJ

Frederick Crute, known professionally as Kool DJ Red Alert, is an Antiguan-American disc jockey who rose to fame on WRKS 98.7 Kiss FM in New York City and is recognized as one of the founding fathers of hip hop music and culture. His weekly radio show airs on WBLS 107.5 FM from Monday to Saturday at 6pm EST.

<span class="mw-page-title-main">Mecca Dance Hall, Tottenham</span>

The Mecca Dance Hall was an entertainment venue in Tottenham, London, England.

<span class="mw-page-title-main">DJ Kool Herc</span> Jamaican American DJ (born 1955)

Clive Campbell, better known by his stage name DJ Kool Herc, is a Jamaican American DJ who is credited with being one of the founders of hip hop music in the Bronx, New York City, in 1973. Nicknamed the Father of Hip-Hop, Campbell began playing hard funk records of the sort typified by James Brown. Campbell began to isolate the instrumental portion of the record which emphasized the drum beat—the "break"—and switch from one break to another. Using the same two-turntable set-up of disco DJs, he used two copies of the same record to elongate the break. This breakbeat DJing, using funky drum solos, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers helped lead to the syncopated, rhythmically spoken accompaniment now known as rapping.

Hip-hop or hip hop is a genre of popular music that emerged in the early 1970s in New York City. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture; while often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.

<span class="mw-page-title-main">Afrika Bambaataa</span> American DJ, rapper, and producer

Lance Taylor, also known as Afrika Bambaataa, is a retired American DJ, rapper, and record producer from South Bronx, New York City. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing.

<span class="mw-page-title-main">History of DJing</span>

DJing is the act of playing existing recorded music for a live audience.

Sharon Green, also known as MC Sha-Rock, is considered the "first female rapper" or emcee. Born in Wilmington, North Carolina, she grew up in the South Bronx, New York City during the earliest years of hip hop culture and rap music. Within the hip-hop community she has been referred to as the "Mother of the Mic". As a member of the Funky 4 + 1, one of the first hip-hop crews to appear on national television, her style influenced notable rappers like MC Lyte and DMC of Run-DMC.

References

  1. Steve died in 2012. Cf. "Obituary: Steven GREENBERG", The New York Times, March 15, 2012
  2. 1 2 Telekom (November 12, 2012). "Ruza 'Kool Lady' Blue on Kraftwerk". Electronic Beats. Retrieved December 21, 2016.
  3. "Red Bull BC One - Blog". www.redbullbcone.com. Retrieved December 21, 2016.
  4. "Double Dutch's Forgotten Hip-Hop Origins - VICE". Vice. Retrieved December 21, 2016.
  5. "Interview with EBN", Guitar World Magazine (August 1984)
  6. Freitag, Michael (May 7, 1989). "Neighbors Complain As Nightclub Crowds Turn to Violence". New York Times. Retrieved May 25, 2019.
  7. Konigsberg, Eric, "Last Hurrah for a Gay Playground", The New York Times , March 12, 2007
  8. Roxy: The Last Dance from the Internet Movie Database
  9. Freedlander, David, Roxy nightclub ready to rise again,from New York Newsday , date July 8, 2008. (archived 2008)
  10. "How the Roxy became the Roxy" [usurped] . from The New York Blade , April 8, 2005 issue.
  11. Retrospectively Yours: Next Magazine's retrospective look at the Roxy from Next Magazine