An animal tale or beast fable generally consists of a short story or poem in which animals talk. They may exhibit other anthropomorphic qualities as well, such as living in a human-like society. It is a traditional form of allegorical writing. [1]
Animal tales can be understood in universal terms of how animal species relate to each other (for example, predators wishing to eat prey), rather than human groups in a specific society. Thus, readers are able to understand characters' motives, even if they do not come from the same cultural background as the author. Animal tales can be appreciated in times and locations far removed from their origins.
Important traditions in beast fables are represented by the Panchatantra and Kalila and Dimna (Sanskrit and Arabic originals), Aesop (Greek original), One Thousand and One Nights (Arabian Nights) and separate trickster traditions (West African and Native American). The medieval French cycle of allegories, Roman de Reynart is called a beast-epic, with the recurring figure Reynard the Fox. [2]
Beast fables are commonly translated between languages and often used for educational purposes. For example, Latin versions of Aesop's Fables were standard educational material in the European Middle Ages, over a millennium after they were written. Because of their lack of human social context, animal tales can readily spread from culture to culture. The Uncle Remus stories introduced African-style trickster character Br'er Rabbit to American culture. Br'er Rabbit is smaller and weaker than most characters he encounters, but defeats them with cleverness, similar to tricksters of African folklore, such as Anansi.
First published in 1902, the Peter Rabbit books follow various animal characters and are each intended to teach a particular moral to children. [3] The Wind in the Willows (1908) is another British children's novel of the era.
In the 1945 English novel Animal Farm , various political ideologies are personified as animals, such as the Stalinist Napoleon Pig, and the numerous "sheep" that followed his directions without question. Rather than being a story for children, this book was intended for adults attempting to understand the new political landscape during the post-World War II Red Scare.
Post-war English examples of the genre include the "Uncle" series (1964–1973) by J. P. Martin, and the novels of Richard Adams, most notably Watership Down (1972).
Many modern books, films, and video games can be considered animal tales. In American cinema, there is also the Academy Award-winning film Zootopia , which serves as a fable about prejudice and stereotypes where the talking animal characters experience both social problems with their species serving as an analogy to racial groups. [4]
The 2017 video game Night in the Woods has been cited as an allegory for becoming an adult, [5] [ unreliable source? ] as well as for late-stage capitalism. [6]
Aggretsuko , a 2016 anime, features talking animal characters and examines themes such as misogyny and workplace anxiety. [7] [ unreliable source? ]
Cartoons and other media featuring talking animals are central to the furry fandom subculture. [8]
Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson, which may at the end be added explicitly as a concise maxim or saying.
Reynard the Fox is a literary cycle of medieval allegorical Dutch, English, French and German fables. The first extant versions of the cycle date from the second half of the 12th century. The genre was popular throughout the Late Middle Ages, as well as in chapbook form throughout the Early Modern period.
An apologue or apolog is a brief fable or allegorical story with pointed or exaggerated details, meant to serve as a pleasant vehicle for a moral doctrine or to convey a useful lesson without stating it explicitly. Unlike a fable, the moral is more important than the narrative details. As with the parable, the apologue is a tool of rhetorical argument used to convince or persuade.
Uncle Remus is the fictional title character and narrator of a collection of African American folktales compiled and adapted by Joel Chandler Harris and published in book form in 1881. Harris was a journalist in post–Reconstruction era Atlanta, and he produced seven Uncle Remus books. He did so by introducing tales that he had heard and framing them in the plantation context. He wrote his stories in a dialect which was his interpretation of the Deep South African-American language of the time. For these framing and stylistic choices, Harris's collection has garnered controversy since its publication. Many of these stories are believed to have Creek Indian influence too.
"Henny Penny", more commonly known in the United States as "Chicken Little" and sometimes as "Chicken Licken", is a European folk tale with a moral in the form of a cumulative tale about a chicken who believes that the world is coming to an end. The phrase "The sky is falling!" features prominently in the story, and has passed into the English language as a common idiom indicating a hysterical or mistaken belief that disaster is imminent. Similar stories go back more than 25 centuries and "Henny Penny" continues to be referred to in a variety of media.
Ysengrimus is a Latin fabliau and mock epic, containing a series of anthropomorphic fables thought to have been written in 1148 or 1149 CE by the poet Nivardus. Its chief character is Isengrim, the Wolf. The plot describes how the trickster figure Reynard, the Fox, overcomes Isengrim's various schemes.
The fox appears in the folklore of many cultures, but especially European and East Asian, as a figure of cunning, trickery, or as a familiar animal possessed of magic powers, and sometimes associated with transformation. Literature, film, television, games, music, and other forms of cultural expression may reflect the folklore image and reputation.
Beast poetry, in the context of European literature and medieval studies, refers to a corpus of poems written in Latin from the 8th to the 11th century.
French folklore encompasses the fables, folklore, fairy tales and legends of the French people.
Beasts is a novel by American writer John Crowley, published in 1976 by Doubleday.
Dialogus creaturarum, is a collection of 122 Latin-language fables and, as the title implies, dialogues of creatures.
The Morall Fabillis of Esope the Phrygian is a work of Northern Renaissance literature composed in Middle Scots by the fifteenth century Scottish makar, Robert Henryson. It is a cycle of thirteen connected narrative poems based on fables from the European tradition. The drama of the cycle exploits a set of complex moral dilemmas through the figure of animals representing a full range of human psychology. As the work progresses, the stories and situations become increasingly dark.
Br'er Rabbit is a central figure in an oral tradition passed down by African-Americans of the Southern United States and African descendants in the Caribbean, notably Afro-Bahamians and Turks and Caicos Islanders. He is a trickster who succeeds by his wits rather than by brawn, provoking authority figures and bending social mores as he sees fit. Popular adaptations of the character, originally recorded by Joel Chandler Harris in the 19th century, include Walt Disney Productions' Song of the South in 1946.
Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology. Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals.
Aesop is an almost certainly legendary Greek fabulist and storyteller, said to have lived c. 620–564 BCE, and credited with a number of fables now collectively known as Aesop's Fables. Although his existence remains unclear and no writings by him survive, numerous tales credited to him were gathered across the centuries and in many languages in a storytelling tradition that continues to this day. Many of the tales associated with him are characterized by anthropomorphic animal characters.
Talking animals are a common element in mythology and folk tales, children's literature, and modern comic books and animated cartoons. Fictional talking animals often are anthropomorphic, possessing human-like qualities. Whether they are realistic animals or fantastical ones, talking animals serve a wide range of uses in literature, from teaching morality to providing social commentary. Realistic talking animals are often found in fables, religious texts, indigenous texts, wilderness coming of age stories, naturalist fiction, animal autobiography, animal satire, and in works featuring pets and domesticated animals. Conversely, fantastical and more anthropomorphic animals are often found in the fairy tale, science fiction, toy story, and fantasy genres.
The Ecbasis captivi is an anonymous Latin beast fable that probably dates to the middle of the 11th century, and was likely written in the Vosges region of France. It is the oldest example of a European beast fable to survive, and the first medieval European example of anthropomorphic animals. The poem is written in hexameters with Leonine internal rhyme frequently used throughout the poem. The text survives in two manuscripts, both of which now are at the Royal Library of Belgium.
J. M. Condé was an early 20th century "golden age" book illustrator and comic strip artist best known for his ink and watercolor illustrations for books by Joel Chandler Harris and Albert Bigelow Paine. He also worked on at least two comic strips, one of which was derived from Harris's "Br'er Rabbit" stories.