Franklin Patrick Herbert Jr. was an American science-fiction author best known for his 1965 novel Dune and its five sequels. He also wrote short stories and worked as a newspaper journalist, photographer, book reviewer, ecological consultant, and lecturer.
Hard science fiction is a category of science fiction characterized by concern for scientific accuracy and logic. The term was first used in print in 1957 by P. Schuyler Miller in a review of John W. Campbell's Islands of Space in the November issue of Astounding Science Fiction. The complementary term soft science fiction, formed by analogy to hard science fiction, first appeared in the late 1970s. The term is formed by analogy to the popular distinction between the "hard" (natural) and "soft" (social) sciences, although there are examples generally considered as "hard" science fiction such as Isaac Asimov's Foundation series, built on mathematical sociology. Science fiction critic Gary Westfahl argues that neither term is part of a rigorous taxonomy; instead they are approximate ways of characterizing stories that reviewers and commentators have found useful.
Science fiction is a genre of speculative fiction, which typically deals with imaginative and futuristic concepts such as advanced science and technology, space exploration, time travel, parallel universes, and extraterrestrial life. It is related to fantasy, horror, and superhero fiction and contains many subgenres. Its exact definition has long been disputed among authors, critics, scholars, and readers.
A warp drive or a drive enabling space warp is a fictional superluminal spacecraft propulsion system in many science fiction works, most notably Star Trek, and a subject of ongoing physics research. The general concept of "warp drive" was introduced by John W. Campbell in his 1957 novel Islands of Space and was popularized by the Star Trek series. Its closest real-life equivalent is the Alcubierre drive, a theoretical solution of the field equations of general relativity.
Christopher Frank Foss is a British artist and science fiction illustrator. He is best known for his science fiction book covers and the black and white illustrations for the original editions of The Joy of Sex.
Military science fiction is a subgenre of science fiction and military fiction that depicts the use of science fiction technology, including spaceships and weapons, for military purposes and usually principal characters who are members of a military organization, usually during a war; occurring sometimes in outer space or on a different planet or planets. It exists in a range of media, including literature, comics, film, television and video games.
Speculative and science fiction writers have often addressed the social, political, technological, and biological consequences of pregnancy and reproduction through the exploration of possible futures or alternative realities.
Planetary romance is a subgenre of science fiction in which the bulk of the action consists of adventures on one or more exotic alien planets, characterized by distinctive physical and cultural backgrounds. Some planetary romances take place against the background of a future culture where travel between worlds by spaceship is commonplace; others, particularly the earliest examples of the genre, do not, and invoke flying carpets, astral projection, or other methods of getting between planets. In either case, it is the planetside adventures which are the focus of the story, not the mode of travel.
Science Fiction Studies (SFS) is an academic journal founded in 1973 by R. D. Mullen. The journal is published three times per year at DePauw University. As the name implies, the journal publishes articles and book reviews on science fiction, but also occasionally on fantasy and horror when the topic also covers some aspect of science fiction as well. Known as one of the major academic publications of its type, Science Fiction Studies is considered the most "theoretical" of the academic journals that publish on science fiction.
A sense of wonder is an intellectual and emotional state frequently invoked in discussions of science and biology, higher consciousness, science fiction, and philosophy.
Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto" in 2004, signed by author Geoff Ryman and "The Clarion West 2004 Class". The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
There have been many attempts at defining science fiction. This is a list of definitions that have been offered by authors, editors, critics and fans over the years since science fiction became a genre. Definitions of related terms such as "science fantasy", "speculative fiction", and "fabulation" are included where they are intended as definitions of aspects of science fiction or because they illuminate related definitions—see e.g. Robert Scholes's definitions of "fabulation" and "structural fabulation" below. Some definitions of sub-types of science fiction are included, too; for example see David Ketterer's definition of "philosophically-oriented science fiction". In addition, some definitions are included that define, for example, a science fiction story, rather than science fiction itself, since these also illuminate an underlying definition of science fiction.
Artificial intelligence is a recurrent theme in science fiction, whether utopian, emphasising the potential benefits, or dystopian, emphasising the dangers.
Science in science fiction is the study or of how science is portrayed in works of science fiction, including novels, stories, and films. It covers a large range of topics, since science takes on many roles in science fiction. Hard science fiction is based on engineering or the "hard" sciences, whereas soft science fiction is based on the "soft" sciences, and especially the social sciences.
A raygun is a science-fiction directed-energy weapon that releases energy, usually with destructive effect. They have various alternate names: ray gun, death ray, beam gun, blaster, laser gun, laser pistol, phaser, zap gun, etc. In most stories, when activated, a raygun emits a ray, typically visible, usually lethal if it hits a human target, often destructive if it hits mechanical objects, with properties and other effects unspecified or varying.
An experimental language is a constructed language designed for linguistics research, often on the relationship between language and thought.
The anthropologist Leon E. Stover says of science fiction's relationship to anthropology: "Anthropological science fiction enjoys the philosophical luxury of providing answers to the question "What is man?" while anthropology the science is still learning how to frame it". The editors of a collection of anthropological SF stories observed:
Anthropology is the science of man. It tells the story from ape-man to spaceman, attempting to describe in detail all the epochs of this continuing history. Writers of fiction, and in particular science fiction, peer over the anthropologists' shoulders as the discoveries are made, then utilize the material in fictional works. Where the scientist must speculate reservedly from known fact and make a small leap into the unknown, the writer is free to soar high on the wings of fancy.
The following outline is provided as an overview of and topical guide to science fiction:
Space travel, or space flight is a classic science-fiction theme that has captivated the public and is almost archetypal for science fiction. Space travel, interplanetary or interstellar, is usually performed in space ships, and spacecraft propulsion in various works ranges from the scientifically plausible to the totally fictitious.
Pastoral science fiction is a subgenre of science fiction which uses bucolic, rural settings, like other forms of pastoral literature. Since it is a subgenre of science fiction, authors may set stories either on Earth or another habitable planet or moon, sometimes including a terraformed planet or moon. Unlike most genres of science fiction, pastoral science fiction works downplay the role of futuristic technologies. The pioneer is author Clifford Simak (1904–1988), a science fiction Grand Master whose output included stories written in the 1950s and 1960s about rural people who have contact with extraterrestrial beings who hide their alien identity.
