Kim Stanley Robinson | |
---|---|
Born | Waukegan, Illinois, U.S. | March 23, 1952
Occupation | Writer |
Education | University of California, San Diego (BA, PhD) Boston University (MA) |
Genre | Science fiction |
Academic background | |
Thesis | The Novels of Philip K. Dick (1982) |
Doctoral advisor | Donald Wesling |
Other advisors | Frederic Jameson |
Academic work | |
Discipline | English and American literature |
Sub-discipline | Science fiction |
Institutions | |
Notable works | Mars trilogy |
Kim Stanley Robinson (born March 23, 1952) is an American science fiction writer best known for his Mars trilogy. Many of his novels and stories have ecological, cultural, and political themes and feature scientists as heroes. Robinson has won numerous awards, including the Hugo Award for Best Novel, the Nebula Award for Best Novel and the World Fantasy Award. The Atlantic has called Robinson's work "the gold standard of realistic, and highly literary, science-fiction writing." [1] According to an article in The New Yorker , Robinson is "generally acknowledged as one of the greatest living science-fiction writers." [2]
Robinson was born in Waukegan, Illinois. He moved to Southern California as a child. [3]
In 1974, he earned a B.A. in literature from the University of California, San Diego. [4] In 1975, he earned an M.A. in English from Boston University. In 1978 Robinson moved to Davis, California, to take a break from his graduate studies at the University of California, San Diego (UC San Diego). During this time, he worked as a bookseller for Orpheus Books. He also taught freshman composition and other courses at University of California, Davis. [5]
In 1982, Robinson earned a PhD in English from UC San Diego. [4] His original PhD advisor was literary critic and Marxist scholar Fredric Jameson, [6] who had pointed Robinson toward works by Philip K. Dick. Jameson described Dick to his student as "the greatest living American writer". [4] Jameson moved to UC Santa Cruz and Robinson finished his doctoral thesis under Donald Wesling. [7] The dissertation was entitled The Novels of Philip K. Dick. [8]
In 2009, Robinson was an instructor at the Clarion Workshop. [9] In 2010, he was the guest of honor at the 68th World Science Fiction Convention, held in Melbourne. [10] In April 2011, Robinson presented at the second annual Rethinking Capitalism conference, held at the University of California, Santa Cruz. [11] Among other points made, his talk addressed the cyclical nature of capitalism. [12]
Robinson was appointed as a Muir Environmental Fellow in 2011 by John Muir College at UC San Diego. [13]
Sheldon Brown described Robinson's novels as ways to explore how nature and culture continuously reformulate one another; Three Californias Trilogy as California in the future; Washington DC undergoing the impact of climate change in the Science in the Capital series; or Mars as a stand-in for Earth in the Mars trilogy to think about re-engineering on a global scale, both social and natural conditions. [14]
Virtually all of Robinson's novels have an ecological component; sustainability is one of his primary themes (a strong contender for the primary theme would be the nature of a plausible utopia). The Orange County trilogy is about the way in which the technological intersects with the natural, highlighting the importance of keeping the two in balance. In the Mars trilogy, one of the principal divisions among the population of Mars is based on dissenting views on terraforming. Colonists debate whether or not the barren Martian landscape has a similar ecological or spiritual value when compared with a living ecosphere like Earth's. Forty Signs of Rain has an entirely ecological thrust, taking global warming as its principal subject.
Robinson's work often explores alternatives to modern capitalism. [15] In the Mars trilogy, it is argued that capitalism is an outgrowth of feudalism, which could be replaced in the future by a more democratic economic system. Worker ownership and cooperatives figure prominently in Green Mars and Blue Mars as replacements for traditional corporations. The Orange County trilogy explores similar arrangements; Pacific Edge includes the idea of attacking the legal framework behind corporate domination to promote social egalitarianism. Tim Kreider writes in the New Yorker that Robinson may be our greatest political novelist and describes how Robinson uses the Mars trilogy as a template for a credible utopia. [2] His works have made reference to real-world examples of economic organization that have been cited as examples of alternatives to conventional capitalist structures, such as the Mondragon Corporation and the Kerala model. [16]
Robinson's writing also reflects an interest in economic models that reject the growth-oriented basis of capitalism: Robert Markley has identified the work of Murray Bookchin as an influence on his thinking, as well as steady-state economics. [16]
Robinson's work often portrays characters struggling to preserve and enhance the world around them in an environment characterized by individualism and entrepreneurialism, often facing the political and economic authoritarianism of corporate power acting in this environment. Robinson has been described as anti-capitalist, and his work often portrays a form of frontier capitalism that promotes egalitarian ideals that closely resemble socialist systems, but faced with a capitalism that is maintained by entrenched hegemonic corporations. In particular, his Martian Constitution draws upon social democratic ideals explicitly emphasizing a community-participation element in political and economic life. [17]
Robinson's works often portray the worlds of tomorrow in a manner similar to the mythologized American Western frontier, showing a sentimental affection for the freedom and wildness of the frontier. This aesthetic includes a preoccupation with competing models of political and economic organization.
The environmental, economic, and social themes in Robinson's oeuvre stand in marked contrast to the right-libertarian science fiction prevalent in much of the genre (Robert A. Heinlein, Poul Anderson, Larry Niven, and Jerry Pournelle being prominent examples). He has been described as "one of America's best-selling […] left-wing novelists" and his work has been called "probably the most successful attempt to reach a mass audience with an anti-capitalist utopian vision since Ursula K. Le Guin's 1974 novel, The Dispossessed ". [18]
Robinson's work often features scientists as heroes. They are portrayed in a mundane way compared to most work featuring scientists: rather than being adventurers or action heroes, Robinson's scientists become critically important because of research discoveries, networking and collaboration with other scientists, political lobbying, or becoming public figures. Robinson captures the joy of scientists as they work at something they care about. [19] Robert Markley has argued that Robinson "views science as the model for a utopian politics... Even in Robinson's novels that don't seem to be sci-fi, like Shaman, the inductive method, the collective search for greater knowledge about the world that can be put to use for the good for all, is front and center". [16] The Mars trilogy and The Years of Rice and Salt rely heavily on the idea that scientists must take responsibility for ensuring public understanding and responsible use of their discoveries. Robinson's scientists often emerge as the best people to direct public policy on important environmental and technological questions, of which politicians are often ignorant.
Related to Robinson's focus on the environment are his themes of the imminent catastrophe of global warming and the need to limit greenhouse gas emissions in the present day. His 2012 novel 2312 explores the detrimental, long-term effects of climate change, which include food shortages, global instability, mass extinction, and 7-metre (23 ft) sea level rise that has drowned many major coastal cities. [1] The novel condemns the people of the period it calls "the Dithering", from 2005 to 2060, for failing to address climate change and thereby causing mass suffering and death in the future. [1] Robinson and his work accuse global capitalism for the failure to address climate change. [1] In his 2017 novel New York 2140 Robinson explores the themes of climate change and global warming, setting the novel in the year 2140 when the New York City he imagines is beset by a 50-foot (15 m) sea level rise that submerges half of the city. [20] Climate change is also the focus of his Science in the Capital series [1] and his 2020 novel The Ministry for the Future .
Asteroid 72432 Kimrobinson discovered by astronomer Donald P. Pray in 2001, was named in his honor. [21] The official naming citation was published by the Minor Planet Center on April 22, 2016 ( M.P.C. 99892). [22]
In 2008, Time magazine named Robinson a "Hero of the Environment" for his optimistic focus on the future. [19]
Robinson and his wife have two sons. Robinson has lived in Washington, D.C., California, and during some of the 1980s, in Switzerland. At times, Robinson was a stay-at-home dad. [6] He later moved to Davis, California, in a cohousing community. [6]
Robinson has described himself as an avid backpacker with the Sierra Nevada serving as his home range and a big influence on how he sees the world. [5]
Politically, Robinson identifies as a democratic socialist, and in a February 2019 interview mentioned he is a dues-paying member of the Democratic Socialists of America. [26] He has also remarked that libertarianism has never "[made] any sense to me, nor sounds attractive as a principle." [27]
Hard science fiction is a category of science fiction characterized by concern for scientific accuracy and logic. The term was first used in print in 1957 by P. Schuyler Miller in a review of John W. Campbell's Islands of Space in the November issue of Astounding Science Fiction. The complementary term soft science fiction, formed by analogy to the popular distinction between the "hard" (natural) and "soft" (social) sciences, first appeared in the late 1970s. Though there are examples generally considered as "hard" science fiction such as Isaac Asimov's Foundation series, built on mathematical sociology, science fiction critic Gary Westfahl argues that while neither term is part of a rigorous taxonomy, they are approximate ways of characterizing stories that reviewers and commentators have found useful.
Icehenge is a science fiction novel by American author Kim Stanley Robinson, published in 1984.
Mars, the fourth planet from the Sun, has appeared as a setting in works of fiction since at least the mid-1600s. Trends in the planet's portrayal have largely been influenced by advances in planetary science. It became the most popular celestial object in fiction in the late 1800s, when it became clear that there was no life on the Moon. The predominant genre depicting Mars at the time was utopian fiction. Around the same time, the mistaken belief that there are canals on Mars emerged and made its way into fiction, popularized by Percival Lowell's speculations of an ancient civilization having constructed them. The War of the Worlds, H. G. Wells's novel about an alien invasion of Earth by sinister Martians, was published in 1897 and went on to have a major influence on the science fiction genre.
Utopian and dystopian fiction are subgenres of speculative fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
Gregory Dale Bear was an American science fiction writer. His work covered themes of galactic conflict, parallel universes, consciousness and cultural practices, and accelerated evolution. His last work was the 2021 novel The Unfinished Land. Greg Bear wrote over 50 books in total.
The Mars trilogy is a series of science fiction novels by Kim Stanley Robinson that chronicles the settlement and terraforming of the planet Mars through the personal and detailed viewpoints of a wide variety of characters spanning 186 years, from 2026 to 2212. Ultimately more utopian than dystopian, the story focuses on egalitarian, sociological, and scientific advances made on Mars, while Earth suffers from overpopulation and ecological disaster.
The Three Californias Trilogy is a book by Kim Stanley Robinson, which depict three different possible futures of Orange County, California. The books that make up the trilogy are The Wild Shore, The Gold Coast and Pacific Edge. Each of these books describes the life of young people in the three different near-futures. All three novels begin with an excavation which tells the reader about the world they are entering.
The Years of Rice and Salt is an alternate history novel by American science fiction author Kim Stanley Robinson, published in 2002. The novel explores how world history might have been different if the Black Death plague had killed 99 percent of Europe's population, instead of a third as it did in reality. Divided into ten parts, the story spans hundreds of years, from the army of the Muslim conqueror Timur to the 21st century, with Europe being re-populated by Muslim pioneers, the indigenous peoples of the Americas forming a league to resist Chinese and Muslim invaders, and a 67-year-long world war being fought primarily between Muslim states and the Chinese and their allies. While the ten parts take place in different times and places, they are connected by a group of characters that are reincarnated into each time but are identified to the reader by the first letter of their name being consistent in each life.
Forty Signs of Rain (2004) is the first book in the hard science fiction "Science in the Capital" trilogy by Kim Stanley Robinson. (The following two novels are Fifty Degrees Below,.
Fifty Degrees Below (2005) is the second book in the hard science fiction Science in the Capital trilogy by Kim Stanley Robinson. It directly follows the events of Forty Signs of Rain, with a greater focus on character Frank Vanderwal, and his decision to remain at the National Science Foundation, following the earlier novel’s superstorm and devastating flood of Washington D.C.
Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto" in 2004, signed by author Geoff Ryman and the "2004 class" of the Clarion West Writers Workshop. The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
The 52nd World Science Fiction Convention (Worldcon), also known as ConAdian, was held on 1–5 September 1994 at the Crowne Plaza, Place Louis Riel, and Sheraton hotels, and the Winnipeg Convention Centre in Winnipeg, Manitoba, Canada.
2312 is a hard science fiction novel by American writer Kim Stanley Robinson, published in 2012. It is set in the year 2312 when society has spread out across the Solar System. The novel won the 2013 Nebula Award for Best Novel.
Climate fiction is literature that deals with climate change. Generally speculative in nature but inspired by climate science, works of climate fiction may take place in the world as we know it, in the near future, or in fictional worlds experiencing climate change. The genre frequently includes science fiction and dystopian or utopian themes, imagining the potential futures based on how humanity responds to the impacts of climate change. Climate fiction typically involves anthropogenic climate change and other environmental issues as opposed to weather and disaster more generally. Technologies such as climate engineering or climate adaptation practices often feature prominently in works exploring their impacts on society.
Andrew Taylor Weir is an American novelist. His 2011 novel The Martian was adapted into the 2015 film of the same name directed by Ridley Scott. He received the John W. Campbell Award for Best New Writer in 2016 and his 2021 novel Project Hail Mary was a finalist for the 2022 Hugo Award for Best Novel.
Aurora is a 2015 novel by American science fiction author Kim Stanley Robinson. The novel concerns a generation ship built in the style of a Stanford torus traveling to Tau Ceti in order to begin a human colony. The novel's primary narrating voice is the starship's artificial intelligence. The novel was well received by critics.
Desolation Road is a 1988 science fiction novel written by Ian McDonald. It was McDonald's first published novel. The plot takes place on a far future Mars in a town that develops around an oasis in the terraformed Martian desert. McDonald published a sequel, Ares Express, in 2001.
This is a bibliography of American science fiction author Kim Stanley Robinson.
New York 2140 is a 2017 climate fiction novel by American science fiction author Kim Stanley Robinson. The novel is set in a New York City that has been flooded and altered by rising water. The novel received generally positive reviews.
The Ministry for the Future is a climate fiction ("cli-fi") novel by American science fiction writer Kim Stanley Robinson published in 2020. Set in the near future, the novel follows a subsidiary body, established under the Paris Agreement, whose mission is to act as an advocate for the world's future generations of citizens as if their rights were as valid as the present generation's. While they pursue various ambitious projects, the effects of climate change are determined to be the most consequential. The plot primarily follows Mary Murphy, the head of the titular Ministry for the Future, and Frank May, an American aid worker traumatized by experiencing a deadly heat wave in India. Many chapters are devoted to other characters' accounts of future events, as well as their ideas about ecology, economics, and other subjects.
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