Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Posthumanism or post-humanism is an idea in continental philosophy and critical theory responding to the presence of anthropocentrism in 21st-century thought. Posthumanization comprises "those processes by which a society comes to include members other than 'natural' biological human beings who, in one way or another, contribute to the structures, dynamics, or meaning of the society."
Transhumanism is a philosophical and intellectual movement which advocates the enhancement of the human condition by developing and making widely available sophisticated technologies that can greatly enhance longevity, cognition, and well-being.
Utopian and dystopian fiction are subgenres of science fiction that explore social and political structures. Utopian fiction portrays a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. Dystopian fiction offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels combine both genres, often as a metaphor for the different directions humanity can take depending on its choices, ending up with one of two possible futures. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.
Transhuman, or trans-human, is the concept of an intermediary form between human and posthuman. In other words, a transhuman is a being that resembles a human in most respects but who has powers and abilities beyond those of standard humans. These abilities might include improved intelligence, awareness, strength, or durability. Transhumans appear in science-fiction, sometimes as cyborgs or genetically-enhanced humans.
Science fiction is a film genre that uses speculative, fictional science-based depictions of phenomena that are not fully accepted by mainstream science, such as extraterrestrial lifeforms, spacecraft, robots, cyborgs, mutants, interstellar travel, time travel, or other technologies. Science fiction films have often been used to focus on political or social issues, and to explore philosophical issues like the human condition.
Singularitarianism is a movement defined by the belief that a technological singularity—the creation of superintelligence—will likely happen in the medium future, and that deliberate action ought to be taken to ensure that the singularity benefits humans.
He, She, and It is a 1991 cyberpunk novel by Marge Piercy. It won the Arthur C. Clarke Award for Best Science Fiction Novel in 1993. The novel's setting is post-apocalyptic America and follows a romance between a human woman and a cyborg created to protect her community from corporate raiders. The novel also interweaves a secondary narrative of the creation of a golem in 17th century Prague. Like Piercy's earlier novel Woman on the Edge of Time (1976), He, She, and It also examines themes such as gender roles, political economy, and environmentalism. In the mid-twenty-first century, Norika is a toxic wasteland. Dominated by powerful corporations known as "multis," the region includes environmental domes, independent "free towns," and the chaotic "Glop," where most Norikans live in violent, polluted conditions ruled by gangs and warlords.
Biopunk is a subgenre of science fiction that focuses on biotechnology. It is derived from cyberpunk, but focuses on the implications of biotechnology rather than mechanical cyberware and information technology. Biopunk is concerned with synthetic biology. It is derived of cyberpunk involving bio-hackers, biotech megacorporations, and oppressive government agencies that manipulate human DNA. Most often keeping with the dark atmosphere of cyberpunk, biopunk generally examines the dark side of genetic engineering and represents the low side of biotechnology.
James J. Hughes is an American sociologist and bioethicist. He is the Executive Director of the Institute for Ethics and Emerging Technologies and is the associate provost for institutional research, assessment, and planning at UMass Boston. He is the author of Citizen Cyborg: Why Democratic Societies Must Respond to the Redesigned Human of the Future and is currently writing a book about moral bioenhancement tentatively titled Cyborg Buddha: Using Neurotechnology to Become Better People.
The Institute for Ethics and Emerging Technologies (IEET) is a technoprogressive think tank that seeks to "promote ideas about how technological progress can increase freedom, happiness, and human flourishing in democratic societies." It was incorporated in the United States in 2004, as a non-profit 501(c)(3) organization, by philosopher Nick Bostrom and bioethicist James Hughes.
Social science fiction is a subgenre of science fiction, usually soft science fiction, concerned less with technology/space opera and more with speculation about society. In other words, it "absorbs and discusses anthropology" and speculates about human behavior and interactions.
Natasha Vita-More is a strategic designer in the area of human enhancement and life extension. Her interests are located within the ethical uses of science and technology and socio-political implications of revolutionary advances impacting humanity's future.
Body hacking is the application of the hacker ethic in pursuit of enhancement or change to the body's functions through technological means, such as do-it-yourself cybernetic devices or by introducing biochemicals.
Posthuman or post-human is a concept originating in the fields of science fiction, futurology, contemporary art, and philosophy that means a person or entity that exists in a state beyond being human. The concept aims at addressing a variety of questions, including ethics and justice, language and trans-species communication, social systems, and the intellectual aspirations of interdisciplinarity.
Nanopunk refers to an emerging subgenre of science fiction that is still very much in its infancy in comparison to its ancestor-genre, cyberpunk, and some of its other derivatives.
The following outline is provided as an overview of and topical guide to science fiction:
The term directed evolution is used within the transhumanist community to refer to the idea of applying the principles of directed evolution and experimental evolution to the control of human evolution. In this sense, it is distinct from the use of the term in biochemistry, which refers only to the evolution of proteins and RNA. Maxwell J. Melhmanh has described directed evolution of humans as the Holy Grail of transhumanism. Oxford philosopher Julian Savulescu wrote that:
Humanity until this point has been a story of evolution for the survival genes - survival and reproduction ... we are entering a new phase of human evolution—evolution under reason—where human beings are masters of their destiny. Power has been transferred from nature to science.
Transhumanist politics constitutes a group of political ideologies that generally express the belief in improving human individuals through science and technology. Specific topics include space migration, and cryogenic suspension. It is considered the opposing ideal to the concept of bioconservatism, as Transhumanist politics argue for the use of all technology to enhance human individuals.
Solarpunk is a literary and artistic movement that envisions and works toward actualizing a sustainable future interconnected with nature and community. The "solar" represents solar energy as a renewable energy source and an optimistic vision of the future that rejects climate doomerism, while the "punk" refers to the countercultural, post-capitalist, and decolonial enthusiasm for creating such a future.
