Paul Myron Anthony Linebarger, better known by his pen-name Cordwainer Smith, was an American author known for his science fiction works. Linebarger was a US Army officer, a noted East Asia scholar, and an expert in psychological warfare. Although his career as a writer was shortened by his death at the age of 53, he is considered one of science fiction's more talented and influential authors.
Glen David Brin is an American science fiction author. He has won the Hugo, Locus, Campbell and Nebula Awards. His novel The Postman was adapted into a 1997 feature film starring Kevin Costner.
The overwhelming majority of fiction is set on or features the Earth, as the only planet home to humans or known to have life. This also holds true of science fiction, despite perceptions to the contrary. Works that focus specifically on Earth may do so holistically, treating the planet as one semi-biological entity. Counterfactual depictions of the shape of the Earth, be it flat or hollow, are occasionally featured. A personified, living Earth appears in a handful of works. In works set in the far future, Earth can be a center of space-faring human civilization, or just one of many inhabited planets of a galactic empire, and sometimes destroyed by ecological disaster or nuclear war or otherwise forgotten or lost.
Startide Rising is a 1983 science fiction novel by American writer David Brin, the second book of six set in his Uplift Universe. It earned both Hugo and Nebula Awards for Best Novel in 1984. It was revised by the author in 1993 to correct errors and omissions from the original edition.
The Island of Doctor Moreau is an 1896 science fiction novel by English author H. G. Wells. It was published on 1 January 1896. The novel is set between 21 January 1887 to 5 January 1888. The text of the novel is the narration of Edward Prendick, a shipwrecked man rescued by a passing boat. He is left on the island home of Doctor Moreau, a mad scientist who creates human-like hybrid beings from animals via vivisection. The novel deals with a number of themes, including pain and cruelty, moral responsibility, human identity, human interference with nature, and the effects of trauma. Wells described it as "an exercise in youthful blasphemy."
Sundiver is a 1980 science fiction novel by American writer David Brin. It is the first book of his first Uplift trilogy, followed by Startide Rising in 1983 and The Uplift War in 1987.
In the science fiction of Cordwainer Smith, the Instrumentality of Mankind refers both to Smith's personal future history and universe and to the central government of humanity within that fictional universe. The Instrumentality of Mankind is also the title of a paperback collection of short stories by Cordwainer Smith published in 1979.
The Uplift Universe is a fictional universe created by American science fiction writer David Brin. A central feature in this universe is the process of biological uplift.
The Uplift War is a 1987 science fiction novel by American writer David Brin, the third book of six set in his Uplift Universe. It was nominated as the best novel for the 1987 Nebula Award and won the 1988 Hugo and Locus Awards. The previous two books are Sundiver and Startide Rising.
Fictional depictions of Mercury, the innermost planet of the Solar System, have gone through three distinct phases. Before much was known about the planet, it received scant attention. Later, when it was incorrectly believed that it was tidally locked with the Sun creating a permanent dayside and nightside, stories mainly focused on the conditions of the two sides and the narrow region of permanent twilight between. Since that misconception was dispelled in the 1960s, the planet has again received less attention from fiction writers, and stories have largely concentrated on the harsh environmental conditions that come from the planet's proximity to the Sun.
Many of the tropes of science fiction can be viewed as similar to the goals of transhumanism. Science fiction literature contains many positive depictions of technologically enhanced human life, occasionally set in utopian societies. However, science fiction's depictions of technologically enhanced humans or other posthuman beings frequently come with a cautionary twist. The more pessimistic scenarios include many dystopian tales of human bioengineering gone wrong.
Mind uploading—transferring an individual's personality to a computer—appears in several works of fiction. It is distinct from the concept of transferring a consciousness from one human body to another. It is sometimes applied to a single person and other times to an entire society. Recurring themes in these stories include whether the computerized mind is truly conscious, and if so, whether identity is preserved. It is a common feature of the cyberpunk subgenre, sometimes taking the form of digital immortality.
Jupiter, the largest planet in the Solar System, has appeared in works of fiction across several centuries. The way the planet has been depicted has evolved as more has become known about its composition; it was initially portrayed as being entirely solid, later as having a high-pressure atmosphere with a solid surface underneath, and finally as being entirely gaseous. It was a popular setting during the pulp era of science fiction. Life on the planet has variously been depicted as identical to humans, larger versions of humans, and non-human. Non-human life on Jupiter has been portrayed as primitive in some works and more advanced than humans in others.
"The Dead Lady of Clown Town" is a science fiction novella by American writer Cordwainer Smith, set in his Instrumentality of Mankind future history. It was originally published in Galaxy Science Fiction in 1964. It was included in the collection The Best of Cordwainer Smith and most recently in The Rediscovery of Man short story collection. A graphic novel adaptation by Elaine Lee and Michael Kaluta was to have appeared in DC Comics during the late 1980s, but never materialized.
A shaggy God story is a story in a minor science fiction genre that attempts to explain Biblical concepts with science fiction tropes. The term was coined by writer and critic Brian W. Aldiss in a pseudonymous column in the October 1965 issue of New Worlds. The term is a pun on the phrase shaggy dog story.
Black holes, objects whose gravity is so strong that nothing—including light—can escape them, have been depicted in fiction since at least the pulp era of science fiction, before the term black hole was coined. A common portrayal at the time was of black holes as hazards to spacefarers, a motif that has also recurred in later works. The concept of black holes became popular in science and fiction alike in the 1960s. Authors quickly seized upon the relativistic effect of gravitational time dilation, whereby time passes more slowly closer to a black hole due to its immense gravitational field. Black holes also became a popular means of space travel in science fiction, especially when the notion of wormholes emerged as a relatively plausible way to achieve faster-than-light travel. In this concept, a black hole is connected to its theoretical opposite, a so-called white hole, and as such acts as a gateway to another point in space which might be very distant from the point of entry. More exotically, the point of emergence is occasionally portrayed as another point in time—thus enabling time travel—or even an entirely different universe.
A group mind, group ego, mind coalescence, or gestalt intelligence in science fiction is a plot device in which multiple minds, or consciousnesses, are linked into a single collective consciousness or intelligence.
Comets have appeared in works of fiction since at least the 1830s. They primarily appear in science fiction as literal objects, but also make occasional symbolical appearances in other genres. In keeping with their traditional cultural associations as omens, they often threaten destruction to Earth. This commonly comes in the form of looming impact events, and occasionally through more novel means such as affecting Earth's atmosphere in different ways. In other stories, humans seek out and visit comets for purposes of research or resource extraction. Comets are inhabited by various forms of life ranging from microbes to vampires in different depictions, and are themselves living beings in some stories.
The far future has been used as a setting in many works of science fiction. The far future setting arose in the late 19th century, as earlier writers had little understanding of concepts such as deep time and its implications for the nature of humankind. Classic examples of this genre include works such as H.G. Wells' The Time Machine (1895) or Olaf Stapledon's Last and First Men (1930). Recurring themes include themes such as Utopias, eschatology or the ultimate fate of the universe. Many works also overlap with other genres such as space opera, science fantasy or apocalyptic and post-apocalyptic fiction.
